Here are 84 books that Stories of Freedom in Black New York fans have personally recommended if you like
Stories of Freedom in Black New York.
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I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.
This book surprised the scholarly community when the manuscript was first obtained at an estate sale. A handwritten memoir that had lain largely unread for over a hundred and fifty years, this narrative depicts the sort of child we rarely see in the history books. A defiant apprentice, a runaway truant, a bartender, a prisoner, and author, Austin Reed offers us one plot twist after another. As a free person of color in the nineteenth century, Reed offers a compelling view into the life of one man who was determined to maintain his own sense of self, even in the face of a quickly growing carceral state that imprisoned him both as a child and as a man.
The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America.
“[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE
In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent…
I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.
The history of colonial and antebellum New York, in Harris’s hands, becomes a map of Black activism. This book moves beyond a history of slavery and abolition to offer a sweeping historical narrative of Black life in New York City,starting with the arrival of the first enslaved people in 1626 and culminating in the brutally violent draft riots of 1863. Harris works creatively with little-studied sources to chronicle how, even in the direst of circumstances, Black New Yorkers created vibrant communities. While Harris certainly depicts the obstacles that Black New Yorkers faced in the seventeenth, eighteenth, and nineteenth centuries, she also showcases individual lives, marked by sharp ambition and myriad achievements. In this narrative, talented political operatives create national movements, argue with white abolitionists, and create institutions and traditions that influence racial politics to the present day.
"The black experience in the antebellum South has been thoroughly documented. But histories set in the North are few. In the Shadow of Slavery, then, is a big and ambitious book, one in which insights about race and class in New York City abound. Leslie Harris has masterfully brought more than two centuries of African American history back to life in this illuminating new work."-David Roediger, author of The Wages of Whiteness
In 1991 in lower Manhattan, a team of construction workers made an astonishing discovery. Just two blocks from City Hall, under twenty feet of asphalt, concrete, and rubble,…
I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.
This middle-grade novel introduces us to a real place—the Colored Orphan Asylum in New York City—and invites us to imagine the historical children who lived there as freedom fighters. Those fights for freedom, it turns out, take place on the back of dinosaurs! While the surprising addition of dinosaur battles might seem like a diversion from the hard work of learning about slavery’s painful history, in Older’s hands, the dinos offer young readers a way to meditate on power and its abuses. Viewed in the context of a Black radical tradition that insists on alternate timescapes, Freedom Fire’s dinosaurs do not function as a bit of whimsical unreality that overwrites difficult historical truths. Instead, their discordant presence actually offers a space for readers—children and educators both—to better inhabit the surreal, disorienting history of enslavement and freedom in the United States.
"An unforgettable historical, high-octane adventure." -- Dav Pilkey, author-illustrator of the Dog Man series
Magdalys and the squad are flying south on pteroback. South to rescue her older brother. South to war.The squad links up with the dino-mounted troops of the Louisiana Native Guard, an all-black regiment in the Union Army fighting to free their people. They're led by General Sheridan, surrounded by enemy forces in Tennessee and desperate for any edge to sway the tide of battle. Magdalys's burgeoning powers might be the Union's last hope. But she doesn't want to abandon the search for her brother. And she…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
You wouldn’t think anyone could unearth something new about New York City. But that’s what Carla Peterson did with this book. I first came across it while researching my own work. By focusing on her own family history, Peterson flipped the wagon on the perception that NYC’s African American population was mostly enslaved laborers.
Reading this, I discovered an elite class of black entrepreneurs who worked tirelessly to end slavery in the state and gain the civil rights all other New Yorkers enjoyed. Thoroughly researched, the book reads with the ebbs and flows of a novel. Anyone writing future screenplays, novels, or streaming series about old New York must face Peterson’s stereotype-busting work.
A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors
Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.
Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before…
I am a historian of slavery and resistance in early America and in the Atlantic world, and I have long been passionate about how enslaved people refused to accept the chattel system and the many creative ways they found to resist their status. It has also become a central goal of mine to tell their stories and make sure we know more about how slave resistance influenced U.S. society in the past and how it shapes the world in which we live today.
While we generally know the main details of several major slave uprisings in early American history.
Rucker dives deeper into the African cultural forces that influenced these episodes and how the expression of African cultural idioms during these resistance movements tells us more about the formation of African American culture.
By focusing on these cultural expressions, Rucker gives fresh insight into major slave uprisings and African American history which also makes for a fascinating read.
The River Flows On offers an impressively broad examination of slave resistance in America, spanning the colonial and antebellum eras in both the North and South and covering all forms of recalcitrance, from major revolts and rebellions to everyday acts of disobedience. Walter C. Rucker analyses American slave resistance with a keen understanding of its African influences, tracing the emergence of an African American identity and culture. Rucker points to the shared cultural heritage that facilitated collective action among both African- and American-born slaves, such as the ubiquitous belief in conjure and spiritual forces, the importance of martial dance and…
Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.
Twelth Night or, What You Will just has to be on here, being the mother of all boys-clothes-wearing heroines. The plot has been adapted in so many books and films that it is definitely worth it to read the original (or better yet: watch the play) to see where the brilliancy stems from.
Part of the "Everyman" series which has been re-set with wide margins and easy-to-read type, this book includes an introduction and comprehensive notes. This is Shakespeare's "Twelfth Night".
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
Dawn Powell is one of the most overlooked literary figures in America from this time. Her acid wit (and gender) immediately begs comparison to Dorothy Parker. A New Yorker transplanted from Ohio, she wrote many plays and novels from the 30s to the 60s. Wicked Pavilion was published in 1954 and is a delicious satire of a group of artists who frequent a small bistro near Washington Square Park – hard-drinking writers, poets, and painters. It features a hilarious subplot of a painter who stages his own death so the value of his paintings will increase. The antidote to Henry James, Dawn Powell writes like Edith Wharton on laughing gas.
The “Wicked Pavilion” of the title is the Café Julien, where everybody who is anybody goes to recover from failed love affairs and to pursue new ones, to cadge money, to hatch plots, and to puncture one another’s reputation. Dennis Orphen, the writer from Dawn Powell’s Turn, Magic Wheel, makes an appearance here, as does Andy Callingham, Powell’s thinly disguised Ernest Hemingway. The climax of this mercilessly funny novel comes with a party which, remarked Gore Vidal, “resembles Proust’s last roundup,” and where one of the partygoers observes, “There are some people here who have been dead twenty years.”
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
A middle-grade novel about an artistic beetle? Sign me up. This delightful story of a talented beetle named Marvin, his human friend James, who work together to help the Metropolitan Museum of Art recover a stolen artwork is delightful, thrilling, and heartwarming. It’s not always easy to have (or not have) artistic talent!
A New York Times bestselling middle grade mystery novel full of adventure, friendship, and stolen art.
Marvin lives with his family under the kitchen sink in the Pompadays' apartment. He is very much a beetle. James Pompaday lives with his family in New York City. He is very much an eleven-year-old boy. After James gets a pen-and-ink set for his birthday, Marvin surprises him by creating an elaborate miniature drawing. James gets all the credit for the picture and before these unlikely friends know it they are caught up in a staged art heist at the Metropolitan Museum of Art…
I'm the multiple, award-winning author of 4 novels and one novella, raised in Memphis, Tennessee, and now living in Southern California. The geographical distance gives me a laser-sharp, appreciative perspective of the South, and I celebrate the literary greats from the region. The South is known as the last romantic place in America, and I believe this to be true. The South’s culture, history, and social mores are part and parcel to its fascinating characters, and nothing is more important in the South than the telling of a good story. As a writer, I'm in love with language. I love Southern turns of phrase and applaud those writers who capture Southern nuance. It is well worth writing about Southern sensibilities.
Ron Rash is a national, literary treasure. The author of multiple award-winning novels, this book is an assembly of 34 short stories, most set in Appalachia, and depicting the social nuances and landscape of the American rural South. I recommend this because it will provide a great introduction to the incomparable author known as The Appalachian Shakespeare. As a writer, Ron Rash epitomizes the idea of landscape as destiny, and his well-drawn characters come to life from his flawless use of regional language.
From the acclaimed, New York Times bestselling award-winning author of Serena and The Cove, thirty of his finest short stories, collected in one volume.
No one captures the complexities of Appalachia—a rugged, brutal landscape of exquisite beauty—as evocatively and indelibly as author and poet Ron Rash. Winner of the Frank O'Connor International Short Story Award, two O Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and new south, tenderness and violence, man and nature. Though the focus is regional, the themes of Rash’s work are universal,…
Growing up as a single child in an abusive household my fantasy friends kept me sane. Today, my imaginary friends are hot alpha males and sassy heroines, and their stories are a bit (okay a lot!) spicier but still as engaging and always end happily ever after. Active in the BDSM Lifestyle, it pains me what kind of books are marketed as BDSM Romance. The key to a (loving) relationship based on power exchange is open communication and the will to help the other person grow and flourish. The books I write and the books I recommend are examples of what I consider goodreal BDSM Romance.
Cherise Sinclair is my number one BDSM Romance author. The reason I love her books is their great storylines, relatable characters, and realistic but steamy sex, and BDSM scenes. To Command and Collar is book five in Master of the Shadowlands. Although I would advise to start reading the series from book one (Club Shadowlands), I chose book five because it is my favorite. I love Raoul and Kim and their hard-won journey to happiness.
“Ms. Sinclair’s characters come alive on the page with passion and energy in a story that is absolutely riveting. “ ~ You Gotta Read Reviews
Working with the FBI to capture human traffickers, Master Raoul scores an invitation to a slave auction. To his surprise, one slave is the kidnapped friend of a Shadowlands submissive. Although Kim’s body is scarred, her spirit is unbroken, and he can't leave her behind. Ruining the FBI's plans, he buys her.
Kimberly's freedom has come at a devastating price: the other women are still imprisoned. Desperate to help the Feds locate the traffickers, she…
