100 books like The River Flows On

The Seven Years’ War was a pivotal event in the formation of the British Empire, but histories of the conflict often omit a crucial battleground: Jamaica.

Starting in 1760, enslaved West Africans in Jamaica organized to throw off their captivity. Tacky’s Revolt, as the uprising became known, was the greatest slave rebellion the Atlantic world had yet seen. It was also linked to other, global struggles, both in Africa and between European empires.

In Tacky’s Revolt, Vincent Brown links these hyper-local and imperial stories. I found it particularly useful for understanding the complexities of race and ethnicity in the eighteenth-century British Caribbean. 

In this massive study of one of the most radical movements in U.S. history, Manisha Sinha extends the story of Abolition to the 18th century and on the international stage, forcing us to rethink what we thought we knew about the movement’s trajectory and who its central figures were.

By telling the broader story, Sinha demonstrates who central Black rebels were for moving the cause along and for creating an interracial alliance that would eventually succeed in 1865.

The history of Maroons, runaway slaves who created their own autonomous communities, is not well known to the general public in the United States or especially to those outside the Caribbean where prominent Maroon communities existed.

Sylviane Diouf shatters that problem and provides a comprehensive history of Maroons who lived in the present-day United States.

Diouf expertly traces how common these groups of runaways were in the U.S. South and tells their wonderful stories that inspire students to explore their history more deeply.

Testing the Chains has become a classic for anyone who is interested in slave rebelliousness and their dramatic acts of resistance in the Atlantic world.

Craton wonderfully tells the exciting stories of slave rebels and Maroons and his research is a great starting point for anyone who hasn’t been exposed to the rebels’ stories.

This beautifully written history focuses on another nineteenth-century Black New Yorker who defies expectations and deserves our attention. Like Educated for Freedom and Black Gotham, White’s story places us in historical moments surrounding the 1827 law ending slavery in New York State. White puts us on the vibrant, noisy, streets of the city, inviting us to see both hope and defiance in how Black people dressed, how they walked down the street, and what they did at the theater. At the center of this history emerges James Hewlett, a man whose life is worthy of at least one feature film, but has remained largely unknown outside of specialists in the field. Hewlett was a Black Shakespearean actor who insisted on his right to interpret Shakespeare for himself and for the community, even as white tastemakers sought to keep the bard’s words to themselves.

Cherise Sinclair is my number one BDSM Romance author. The reason I love her books is their great storylines, relatable characters, and realistic but steamy sex, and BDSM scenes. To Command and Collar is book five in Master of the Shadowlands. Although I would advise to start reading the series from book one (Club Shadowlands), I chose book five because it is my favorite. I love Raoul and Kim and their hard-won journey to happiness.

The determination of an enslaved blacksmith named Gabriel to lead countless Black people in and around Richmond, Virginia, in rebellion has long captured the attention of historians of slave resistance and revolts; however, in Egerton’s hands, the event becomes something unique and different. Read in the context of the French and Haitian Revolutions, as well as the US Presidential Election of 1800 (the so-called Revolution of 1800), Gabriel’s rebellion stems from the issues of politics and class as much, or even more than, race and slavery, in post-revolutionary Virginia.

No one writes like Gayl Jones.

Her language, voice, and narrative style make her a singular entity all unto herself. Her first novel, Corregidora, explores the tumultuous life of a blues singer haunted by a dastardly familial trauma. When the novel opens, the protagonist, Ursa Corregidora, has just suffered a horrible accident that renders her unable to have children. 

What happens afterwards is a complex and raw exploration of lineage, darkness, and sexuality. It’s a haunting, relentless book. And it’s not hyperbole to say that it changed the course of black women’s literature.

The rest of us, trying to grapple with the intricacies of race & sex, are simply writing in her wake.

Captive is another romance with pirates and passion. It’s part of a larger series featuring the LeVeq family. In this story, privateer Dominic LeVeq, frees and falls for slave Clare Sullivan. Soon they become desperate to have each other. I loved the relationship between these two characters and the devotion that develops between them.  

An outgrowth of the 1619 project, this masterful picture book traces a family’s roots from Africa through generations of enslavement in the United States to today. A young girl’s grandmother tells stories in the form of poems that convey joy, terror, heartache, persecution, struggle, and triumph. Illustrations move from light during the times in Africa to dark during the decades of enslavement and back to light in the present. The book ends on a positive note with the girl drawing an American flag—the flag of the country that her ancestors helped build and “that I will help build, too.”