Here are 49 books that Spencer's List fans have personally recommended if you like
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I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
I’m a sucker for a good title, and this one had me hooked before I read a word. But the fun doesn’t stop there with this cosy spy thriller. Reading this book left me breathless.
The pace never lets up as the hapless Dawson travels to Australia where, confused, he is chased by a colourful collection of Germans, Russians, Brits, and Aussies, all intent on getting their hands on the eponymous teapot.
I love books where the underdog finds their inner hero, and Dawson–with some help from the resourceful Lucy–is such a character. I galloped through this witty, clever book, eager to discover the secret of that teapot. I wasn’t disappointed.
Praised by comedienne Helen Lederer, founder of Comedy Women in Print Prize, who called it "A curiously magical thriller with suburban subterfuge and sparkle."
A Very Important Teapot is a comedy thriller revolving around the hunt for a lost cache of Nazi diamonds in Australia.
Dawson's life is going nowhere. Out of work and nearly out of money, he is forlornly pursuing the love of Rachel Whyte. But Rachel is engaged to Pat Bootle, an apparently successful local solicitor who has appeared from nowhere.
Then, out of the blue, Dawson receives a job offer from his best friend, Alan Flannery,…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
Believe me; I know how hard it is to write humour. To produce a successful comedic novel with laugh-out-loud lines as a debut novelist is no mean feat, but for me, Jane Ions has pulled it off with this book.
I found the voice of Sally Forth (I know!) engaging and hilarious from the off. There was so much for me to enjoy, from the wayward teenage son living in a lean-to in the garden to Sally’s long-suffering and respectable husband, who just happens to be an MP.
I love this kind of well-observed comedy that treats its characters, no matter how misguided, with kindness and compassion.
Sally's son Dan has come back home from college after completing his performing arts degree. He needs rent-free accommodation, friends, a love life, and somewhere to perform his arts. Sally herself is taking a career break from teaching English. She's tired of teaching year eleven pupils about the Mockingbird. She wants to kill the bird and stuff it with all the redundant apostrophe's' she's ever seen in twenty years of marking essays. She needs a rest. She does not need her adult son Dan, his current girlfriend, his previous girlfriend and his old school friend to move in and share…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
The on-target humour of this book helped get me through the lockdown. It is a comic novel about love, lust, and guerrilla dentistry in 1980s Leicester. How could I resist that?
I found the main character–teenager Lizzie Vogel, the guerrilla dentist in question–to be a hilarious and compelling creation, filled with the arrogance and naïveté of youth, very much in the tradition of Adrian Mole.
In fact, the book teems with entertaining, richly observed characters and absurd situations. Though there is plenty to laugh at, what impressed me most was Nina Stibbe’s gift for making her characters so real that, even while I was laughing at their antics, I felt great sympathy for them and their disappointments.
Lizzie Vogel's story continues in Reasons to be Cheerful, the brilliantly comic sequel to Nina Stibbe's hilarious books Man at the Helm and Paradise Lodge.
WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION WINNER OF THE COMEDY WOMEN IN PRINT PRIZE
'I read all of Reasons To Be Cheerful in one glorious gulp' CAITLIN MORAN
*****
Teenager Lizzie Vogel has a new job as a dental assistant. This is not as glamorous as it sounds.
At least it means mostly getting away from her alcoholic, nymphomaniacal, novel-writing mother. But, if Lizzie thinks being independent means sex with her…
I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place) run by women for women and must make adjustments of its own. As austerity bites, the coldest Winter then on record makes life grim. Then a young nurse goes missing.
Days later, her body is found behind a locked door, and two women from the hospital, unimpressed by the police…
One cold dark night, as a devastated London shivers through the transition to post-war life, a young nurse goes missing from the South London Hospital for Women & Children. Her body is discovered hours later behind a locked door.
Two women from the hospital join forces to investigate the case. Determined not to return to the futures laid out for them before the war, the unlikely sleuths must face their own demons and dilemmas as they pursue - The Midnight Man.
‘A mystery that evokes the period – and a recovering London – in…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
I’ll never understand why humorous writing is less respected than the more literary kind. Yet, I believe creating characters that are both convincing and amusing and steering them through a complicated plot–without letting the humour flag–takes great skill. For me, this is what the author Stevyn Colgan achieves in his South Herewardshire books, the first of which is A Murder to Die For.
I found the laughs just kept on coming as farce piled upon farce. As well as giving me a good chuckle, I relished the rural setting, a touching reminder of the splendors and eccentricities of English village life that I, for one, would be sad to lose.
When hordes of people descend on the picturesque village of Nasely for the annual celebration of its most famous resident, murder mystery writer Agnes Crabbe, events take a dark turn as the festival opens with a shocking death. Each year the residents are outnumbered by crowds dressed as Crabbe's best-known character, the lady detective Millicent Cutter.
The weekend is never a mild-mannered affair as fan club rivalries bubble below the surface, but tensions reach new heights when a second Crabbe devotee is found murdered. Though the police are quick to arrive on the scene, the facts are tricky to ascertain…
I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more.
Lawlor’s novel gave me the best gift a book can offer: it changed my mind halfway through.
I had been so intrigued by the premise of a shapeshifting character who can change their gender at will, that I forced myself to read on even though I wasn’t enjoying the emphasis on sex, especially as conquest, and I was sorely disappointed the story didn’t seem to go deeper.
But as I continued, I was happy to be proven wrong. By the end of the novel, I was checking my own biases and prejudices and empathizing deeply with Paul and his/her/their struggles. Reading this novel was an emotional experience unlike any I’ve had with a book.
'Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting - and one of the most fun - novels of the decade.' Garth Greenwell
It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a lesbian best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women's Studies major to trade, Paul transforms his body at will in…
I’m a bit of an anomaly in the author world because I didn’t find my passion for reading until I was a newly married adult. My husband, who is the coolest geek ever, introduced me to the DragonLance Chronicles, opening my eyes to the wonder that is the fantasy genre and turning me into an insatiable reader. It’s taken more than ten years to craft my own urban fantasy world, outline my first 6-book series in the world, and write the first book, but none of that would have been possible without the urban fantasy trailblazers listed above. I hope you enjoy these books as much as I have!
Once upon a time, the gorgeous covers of the Mercy Thompson series caught my eye and tempted me to taste urban fantasy. The stories turned me into an insatiable glutton. Night Broken is the eighth book in the series, and the way it handles a relationship under stress from a manipulative ex who plays the victim is chef’s kiss perfection. No silly miscommunication tropes here, thank you very much. It’s a solid story about two shifters who are confident enough in their relationship and themselves to deal not only with ex and pack drama, but also a terrifying magical foe. Talk about relationship goals.
The eighth novel in the international No. 1 bestselling Mercy Thompson series - the major urban fantasy hit of the decade
'I love these books!' Charlaine Harris
'The best new fantasy series I've read in years' Kelley Armstrong
MERCY THOMPSON: MECHANIC, SHAPESHIFTER, FIGHTER
An unexpected phone call heralds a new challenge for Mercy. Her mate Adam's ex-wife is in trouble, on the run from her new boyfriend. Adam won't turn away a person in need, but with Christy holed up in Adam's house, Mercy can't shake the feeling that something isn't right.
There’s something truly magical about the bond people between and animals, whether it be in stories with animal companions, or books about mythical creatures who are actually just metaphors for life’s monsters or magic. It’s something I include in all my stories, from the cats that make a hard day a little easier, to the fantastical beasts rooted in a society’s survival. There’s always something new to learn from them, and I hope you enjoy these stories about them as much as I did!
Winged! Lion! Shifters! What more could you want? Maybe a simmering romance? A warrior society reminiscent of Sparta? A floating kingdom? This book has all that and more. Set against the backdrop of a harrowing race against time, this book is perfect for fans of Sky In The Deep by Adrienne Young and Wonder Woman, with core themes of friendship, family, and loyalty.
This book is all the magic, action, and romance you could want from a YA fantasy.
Shannon Price's The Endless Skies is a breakout standalone epic fantasy about shapeshifting warriors perfect for fans of Adrienne Young and Wonder Woman.
High above the sea, floats the pristine city of the Heliana. Home to winged-lion shapeshifters-the Leonodai-and protected from the world of humans by an elite group of warriors, the Heliana has only known peace.
After years of brutal training, seventeen-year-old Rowan is ready to prove her loyalty to the city and her people to become one of the Leonodai warriors. But before Rowan can take the oath, a deadly disease strikes the city's children. Soon the warriors-including…
I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
This is fantasy right up to date: for 8 to 12-year-olds, it was published in 2021. Its castle setting immediately defines it as fantasy: "Beyond the castle’s moat, the deep, dark forest was shot through with trails of sunlight, tracing golden paths of possibility…. The dark-haired girl… sat, bare feet dangling against stone, on the windowsill of her tower bedroom." It’s a vivid picture, instantly engaging us in a world where family is very important. The heroine, Cordelia, is one of three triplets. Their task is to use their magical powers to find and mend the Raven Crown so that the parched land beyond the forest can be healed of the fighting that rampages across it, and people and the natural world live in peace—themes I feel very much in sympathy with.
Cordelia and her triplets Rosalind and Giles have lived safely in the castle at the centre of the forest all their lives, protected by the spells their mother has woven. The only time Cordelia feels truly free is when she turns into a dragonfly or a blackbird and can fly beyond the great stone walls. But then one day the outside world comes to them. Two rival dukes and their soldiers have come for the triplets - because whoever is the eldest is the heir to the throne.
But their mother knows that since the Raven Crown was broken, no…
As a writer I like to explore many genres, and one of my favorites is young adult supernatural. I think I was destined to write in this world because the first book I took out of the library was Where the Wild Things Are. My favorite books as a teenager all dealt with supernatural themes – Summer of Fear, Carrie, and Audrey Rose. Writing about changelings allows me to explore the tenuous connection between what lies inside of us – our psyche, our minds, our souls – and what might exist on the other side of our known world. It’s the search for that missing link that keeps me writing.
You might not be able to judge a book by its cover, but you can judge it by its opening sentences. I loved the opening of The Frenzy. The protagonist doesn’t ask “Who am I?” but “What am I?” One word makes all the difference, and it hooked me immediately.
The story is engrossing and there’s a lot going on, but the best part is that Block does a great job of bringing the 17-year-old protagonist, Liv, to life. Her relationship with her mother is totally real and the love she and her boyfriend, Corey, share, is inspirational.
Love is a werewolf, influenced by the moon and terror, and always about to change.
Liv has a secret.
Something happened to her when she was thirteen. Something that changed everything. Liv knows she doesn’t belong anymore—not in her own skin, not in her family . . . not anywhere. The only time she truly feels like herself is when she’s with her boyfriend, Corey, and in the woods that surround her town.
But in the woods, a mysterious woman watches Liv. In the woods, a pack of wild boys lurks. In the woods, Liv learns about the curse that…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
This book is a traditional, hardboiled mystery about a young poet that goes missing at a writing program in Australia…except the whole thing is written in verse. It’s laugh-out-loud funny, mournful, insightful, and full of sinister characters like poetry professors who go on too long at readings.
It’s the kind of book you can read in an afternoon, though certain lines and images from the various poems have stayed with me long after. It also includes an Australian dictionary at the back with words like “lairy,” which means “visually loud; excruciatingly colorful.” What a word. Don’t tell the poets.
The Monkey's Mask is a totally unique experience. It's poetry. It's a crime thriller. It's where high art meets low life, passion meets betrayal, and poetry faces profanity on the streets of a harsh modern city. Dorothy Porter's internationally bestselling verse novel holds you in its grip from the first verse paragraph to the final haunting pages. The Monkey's Mask won the Age Book of the Year for Poetry in 1994, the National Book Council Award for Poetry and the Braille Book of the Year. It has been adapted for stage and radio and is currently being adapted for film.…
