Fans pick 100 books like Sabella

I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.

I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.

I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.

I’ve loved books about vampires ever since reading Dracula at much too young an age, but I was always looking for stories in which the women were more than virtuous heroines, objects of desire, or hissing brides. Or wearing negligees. I was also drawn to tales that explored the practical and ethical challenges of being a vampire. Fortunately, the vampire fiction boom beginning in 1980 opened the way for new stories, many by women, that depicted the nuances of vampirism through a female gaze. Travel from 6th century Byzantium to Mexico City to futuristic Mars with these novels that put new spins on the old conventions and introduce some fascinating female vampires.

I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!

I first started reading vampire stories when I worked at Kitt Peak National Observatory in the 1990s. One of my co-workers suggested that we were the vampires of the mountain because we were only seen between sunset and sunrise. She encouraged me to read Anne Rice, whose work gave me a taste for heroic vampires. A while later, I moved to Las Cruces, New Mexico, known as the City of Crosses. Another friend suggested I write a story asking what a vampire would make of such a thing. That became an early chapter in Vampires of the Scarlet Order.

Have you ever pretended to be a superhero? What was your special ability? Mine was always the ability to talk to animals. What an amazing world that would be if I could chat with the squirrel nesting in my shed or the stray cat trotting through my yard! Animals of all kinds have always been part of my world, from my own pets to animals that came through rescue ranches where I volunteered. So it’s no wonder that I seek them out in fiction. For my own books, my love for cats and dogs was easy to translate into a love for dragons and hellhounds. 

I worked as a paralegal for many years and know how little justice there is in this world. Passion is a requirement if you toil in that legal arena of wit and woe. Even if you lose your case, you must go on. That’s when I had the epiphany that there are other forms of justice. I also realized that the occult does not necessarily mean bad or evil. If I’m losing faith, I pick up a novel about the delicious and refreshing possibilities of justice with a twist. This is a kind of justice where there is not necessarily a courtroom; there are no judges, no lawyers, and no jury.

I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.

Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.