100 books like Returning

Sabriel by Australian author Garth Nix is a YA dark fantasy that captivated me with its visceral descriptions of Charter magic and the brutal realism of life in the Old Kingdom—where the dead do walk.

The protagonist, Sabriel, is raised in a mundane, magic-less world beyond the Wall but is thrust into a realm teeming with dark magic as she searches for her missing father. This journey forces her to grapple with her identity as she navigates the expectations of others who see her only as her father's successor while she remains steadfast in her determination to find and rescue him.

This struggle for self-definition amidst external pressures is a theme that resonates deeply, making Sabriel a must-read for those who appreciate immersive worlds.

River of Shadows is a romance-leaning fantasy series starter, but here, the quest story comes first. It’s a fairy tale retelling with a bit of everything: a Beauty & The Beast arc, Hades & Persephone vibes, morbid humor, steamy scenes featuring the hapless Hanna and the God of Death… I could go on!

It’s an adult dark fantasy with horror elements that’s also chock-full of humor, mixing the tragic with the comic in an artful way. What’s not to love?

I will admit, Halle could have made her heroine a little less Mary-Sue, but we can forgive her that because the wondrous worldbuilding, plot, and varied characters more than make up for it. It was fun to read, making me LOL with every turn of the page.

This story starts with Harper getting kicked out of a foster home before being sent off to the spooky Shadowford Home for Girls in the fictional town of Peachville, Georgia. Things go from bad to worse when a local cheerleader is found dead, and Harper gets sucked into a small-town mystery.

The book reads like a paranormal detective story, with a touch of romance. Harper is no P.I., but she is magic, and the twin mysteries of her origins and the town’s history dovetail nicely as the story progresses.

I particularly sympathized with the heroine’s plight as an outsider at a new school, something I’ve experienced many a time myself. The good thing about it is, it makes for some moving storytelling.

This book is right up there with Sabriel as one of the first female-led fantasy books I read and loved. It’s an epic fantasy for adults, but I can see younger readers enjoying it, too. It’s wholesome and optimistic, with vivid descriptions of the natural world.

Daleina is an academy student learning elemental magic. She partners with Ven, a former champion, to save the land of Renthia from spirits bent on cleansing the land of humans. As you might imagine, that’s no simple feat.

This book resonated with me because I’m a nature child at heart. (Some might say a wild child… LOL). There is a sparkling magic in the great outdoors, and this book captures it beautifully.

This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.

Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.

An amazing play about an amazing man, artist Norval Morrisseau. Surreal and yet very real, the play deals with three very important periods in this groundbreaking artist's life as he created a whole genre of Canadian art. The audience is given a window into the man's highs and lows, and how in the end, he became rose above it all and became a legend.

Part queer love story, part sci-fi mystery, wholly delightful; this is my comfort read when the world begins to look too bleak and hopeless. This is another story with beautiful worldbuilding, and fascinating details, but the real beauty of it is the characters—complex, flawed, hurting, but loving each other through it.

The story is gentle, with enough intrigue to hold your interest but never mile-a-minute action, and one of the sweetest love-stories I’ve ever read, but the book never veers into the saccharine—as much as it is a love story, it’s also a story about the messiness of being human—impulsive, thoughtless sometimes, hurting and hurt, but trying ultimately to do the right thing, no matter the cost. 

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

I discovered the Pearl Saga (a trilogy) via Van Lustbader taking up the reins on Robert Ludlum’s Bourne novels. While I was reading these books, I was waiting to hear from Voyager (Harper Collins) regarding an epic fantasy novel I wrote, which featured in its climactic scenes a girl using crystals to trap a dragon in a cage-like device inside a mountain. There was a delay in the publication of the third book of the Pearl Saga, and when it came out, it featured a girl holding a ‘crystal’ before a dragon, and it was called The Cage of Nine Banestones. My heart sank, but it turned out that the delay was related to the death of Van Lustbader’s father.

The trilogy begun in ‘Ring’ is for some brooding and self-indulgent, but for me it was a triumph of worldbuilding and alien realia, with technology and sorcery vying… show more.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.