100 books like Raft

Crichton is, without question, my favorite author, and what I love most about his books is the singular word that defines them all: immersive. As one of the later Crichton books I read, I actually saw the movie adaptation of this book first, and I cannot stress enough how much better the book is.

The details involved build both a compelling representation of 14th century France, complete with indecipherable language, and a believable mechanism for that time travel based on quantum mechanics, more than a decade before the boom of multiverse fiction.

The Animorphs series combines two things I was fascinated with as a child—aliens and animals! In The Invasion mind-controlling aliens called Yeerks invade Earth. A group of teens accidentally sees proof of this invasion and are given the power to turn into animals in order to fight the Yeerks! Most adventure series take you to different worlds, but I really enjoyed how The Invasion was set in the real world. While Jake, Cassie, Marco, Rachel, and Tobias struggle with a powerful alien force bend on world domination, they’re also dealing with the typical challenges and stresses of teenage life like exams, parents, and prom! The Invasion also offers fascinating viewpoints of what it might be like to live as the animals that surround us. 

Revenger is a ripping space pirate yarn, but grounded in solid science. Amid all the yo-ho-ho tropes it includes a gripping section in which a rag-tag crew of scavengers penetrate into a sealed asteroid tomb-world. They must survive perils, find what they're looking for, and get out before it seals itself up again. I expect this book will be considered a classic in future decades.

This medical sci-fi thriller is an exploration of the darker side of biotechnology. It follows a med student as he unravels the strange mystery of multiple cases of medulloblastoma and how a prestigious medical center is claiming a 100% remission rate for this type of cancer. Readers sink into the medical world and are kept at the edge of their seats as this mesmerizing tale takes them on a wild ride from start to finish.

Not all indigenous languages have a corresponding alphabet or writing system. For example, many North American indigenous languages are now represented in a Romanized alphabet, but traditionally these languages were spoken and the stories they contained were transmitted by oral tradition.

In the case of my Taino ancestors, stories were also told with pictographs or petroglyphs. I conclude my list of indigenous futurist books with stories that are told graphically, in the form of Moonshot, a collection of comics edited, written, and illustrated by indigenous storytellers and artists.

Edited by Elizabeth LaPensée (Anishinaabe & Métis) and Michael Sheyahshe (Oklahoma Caddo Nation), the imagery is striking, conjuring colorful mythoscapes and slipstream futures with indigenous people at the forefront, redefining science and technology along the way. One story features a protagonist in a wheelchair, raising questions about ableism in SF and the possibility for “Crip” Futures and Indigenous Futurism to be… show more.

I can think of no other book that so exquisitely inhabits the tension between indigenous knowledge traditions and science than Rae Mariz’s (Indigenous Pacific) marvelous clifi novella, Weird Fishes.

Inspired by marine science and the storytelling traditions of Hawai'i, Mariz’s world is a feast of bubbling colors and more-than-human senses that inspire an extraordinary empathy for all the wondrous beings with whom we share this planet. Weird Fishes reads like a parable and an aquatic mystery, a magnificently crafted voyage that leads the novella’s cephalopod scientist protagonist (Ceph) to the startling discovery that humanity is behind the growing disruptions to marine ecology.

How do we thrive together? Or does the survival one society hinge on the extermination of the other? Is co-existence possible for beings with such radically different natures and senses? These are the questions that will linger in your gills well after the last pages are turned.

In Latin America, the long shadow of Iberian imperialism and the racist caste system it left behind continue to dampen or mute expressions of indigeneity in our communities.

Speculative Fiction for Dreamers is a welcome countermeasure against this suppression of indigenous languages, myths, and traditions in Latin American storytelling. The contributors weave a tapestry of more-than-indigenous futurity, that is chimeric and cyborgian, a meshwork of continents and cosmovisions that blueprint futures and alternate presents in communion with ancestral pasts.

From Samy Figaredo’s Taíno-inspired play, to Ernest Hogan’s short story set in new Aztlán, the stories, comics, and poems in this anthology provide a Latin American perspective on indigenous speculative fiction.

The future is Indigenous. Time is not linear. The scientific and the spiritual are not mutually exclusive. The apocalypse can be survived.

These are some of the many provocations explored in the stories, essays, and excerpts that make up Grace Dillon’s (Anishinaabe) groundbreaking anthology, Walking the Clouds. The voices that appear in this collection lay the foundations for indigenous futurism and challenge the ongoing colonial politics of science fiction (SF) as a genre. SF tropes like alien encounters, apocalypses, and interstellar voyages are realigned with the assimilationist and genocidal histories of colonialism that inspired them.

Walking the Clouds is a powerful intervention and a must-read for anyone seeking an introduction to indigenous futurisms and decolonial fiction. 

We meet Phoenix, a woman grown in New York's Tower 7.

Even though she's only two years old, she has the mind and body of an adult, along with superhuman abilities. The death of her lover under dubious circumstances proves that Tower 7 is less of a home and more of a prison for Phoenix. She escapes to Ghana, where she learns brutal truths about colonialism and vows to fight back. Phoenix's fight for justice is electrifying.

From the strange title to the premise of a futuristic television star who suddenly no one remembers, this book, is the essence of why PKD remains one of my favorite authors: futurism, psychology, and existential angst distilled into a mind-bending cocktail whose characters somehow still feel perfectly grounded and believable.