100 books like Weird Fishes

Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.

Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer. 

Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.

The future is Indigenous. Time is not linear. The scientific and the spiritual are not mutually exclusive. The apocalypse can be survived.

These are some of the many provocations explored in the stories, essays, and excerpts that make up Grace Dillon’s (Anishinaabe) groundbreaking anthology, Walking the Clouds. The voices that appear in this collection lay the foundations for indigenous futurism and challenge the ongoing colonial politics of science fiction (SF) as a genre. SF tropes like alien encounters, apocalypses, and interstellar voyages are realigned with the assimilationist and genocidal histories of colonialism that inspired them.

Walking the Clouds is a powerful intervention and a must-read for anyone seeking an introduction to indigenous futurisms and decolonial fiction. 

In Latin America, the long shadow of Iberian imperialism and the racist caste system it left behind continue to dampen or mute expressions of indigeneity in our communities.

Speculative Fiction for Dreamers is a welcome countermeasure against this suppression of indigenous languages, myths, and traditions in Latin American storytelling. The contributors weave a tapestry of more-than-indigenous futurity, that is chimeric and cyborgian, a meshwork of continents and cosmovisions that blueprint futures and alternate presents in communion with ancestral pasts.

From Samy Figaredo’s Taíno-inspired play, to Ernest Hogan’s short story set in new Aztlán, the stories, comics, and poems in this anthology provide a Latin American perspective on indigenous speculative fiction.

Not all indigenous languages have a corresponding alphabet or writing system. For example, many North American indigenous languages are now represented in a Romanized alphabet, but traditionally these languages were spoken and the stories they contained were transmitted by oral tradition.

In the case of my Taino ancestors, stories were also told with pictographs or petroglyphs. I conclude my list of indigenous futurist books with stories that are told graphically, in the form of Moonshot, a collection of comics edited, written, and illustrated by indigenous storytellers and artists.

Edited by Elizabeth LaPensée (Anishinaabe & Métis) and Michael Sheyahshe (Oklahoma Caddo Nation), the imagery is striking, conjuring colorful mythoscapes and slipstream futures with indigenous people at the forefront, redefining science and technology along the way. One story features a protagonist in a wheelchair, raising questions about ableism in SF and the possibility for “Crip” Futures and Indigenous Futurism to be… show more.

Earth has suffered devastating environmental collapse and is now a world of jungles and monsters. The last remnants of humanity are split between those clinging to the surface, and those who have removed themselves to the upper atmosphere. We follow Pearl, living in an isolated forest region, suddenly taken to the stars. A vivid and luscious reimagining of Jean Rhys’ Wide Sargasso Sea. 

I am in awe of Tim Beal’s ability to write about heavy subjects engagingly and invitingly. His question is deadly serious: now that humanity faces extinction due to the climate crisis, how should we live? He finds answers (or at least guideposts) in an honest (and, for some, untraditional) reading of the Bible, in which he finds resources for what faces us.

This book helped me face climate realities without dissolving into despair. I felt he was helping me reach the “acceptance” stage of grief about Earth. 

A book for those whom the psychologist Robert Jay Lifton termed “prospective survivors,” this book is unsparingly honest in taking a hard look at our likely climate future—and moving from close examination to action rather than despair. By combining deeply personal reflections with broad-based scholarship, millennial Wray establishes a broad foundation for how to psychologically approach climate breakdown. Her overall analysis is highly readable, while her lists of action items that close out every chapter comprise a ready how-to guide suitable for taping up on your solar-powered fridge.

Daniel Sherrell doesn’t even mention climate change in this book, choosing instead to refer repeatedly to “the Problem,” a locution that is itself a reminder of how thoroughly climate breakdown infuses the lives of those who have multiple decades of climate-changed life to look forward to. It’s both “a mist and a monolith,” as he writes, simultaneously ubiquitous and unseeable, a companion as unavoidable as his own character. By speaking directly to the future in what amounts to a young person’s memoir, Sherrell manages the neat trick of imagining how we might get there with our wits and hopes intact.  

For people who are into the nitty-gritty, a book of climate-related trivia collected and edited by best-selling author Seth Godin. Where this book shines is in being a springboard for further ideas—from what you can do in your own life, to how you can contact and connect with others.

For instance, did you know: a] sheep's wool can be used for insulation? b] concrete is a huge producer of greenhouse gases, but there are new methods of concrete production that are greener? c] it takes 9 gallons of water to produce 1 cup of tea, and 39 gallons to produce 1 cup of coffee? d] electric bikes were invented in the 1890s?

Kate O’Neill’s The Environment and International Relations provides a thorough overview of the actors and processes involved in global environmental governance. 

She deftly captures the political nature of global environmental threats, and looks at the roles of states and transnational actors in the governance of a variety of global environmental issues.