Here are 100 books that People Like You fans have personally recommended if you like
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Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
The Elephant Vanishes includes two of my favorite stories by any contemporary writer.
Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.
This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.
A dizzying short story collection that displays Murakami's genius for uncovering the surreal in the everyday, the extraordinary within the ordinary
*Featuring the story 'Barn Burning', the inspiration behind the Palme d'Or nominated film Burning*
When a man's favourite elephant vanishes, the balance of his whole life is subtly upset. A couple's midnight hunger pangs drive them to hold up a McDonald's. A woman finds she is irresistible to a small green monster that burrows through her front garden. An insomniac wife wakes up in a twilight world of semi-consciousness in which anything seems possible - even death.
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
Isabel Allende shows us marvels from South American traditions, archetypal stories with the excitement of passionate lovers and desperate bandits.
Once you finish the stories—not one a clunker—your mind will have been temporarily readjusted to the dangerous and fantastical world of deeply hidden human motivations. It’s as good as her autobiographical Paula, which is an education between covers. At first, I wouldn’t read Isabel Allende because two friends told me she imitated Gabriel Garcia Marquez.
I later learned they had not actually read any of her books. I decided to see for myself. Not true, I told them. Read the books.
Told in the voice of Isabel Allende’s beloved character Eva Luna, a “distinctive, powerful, and haunting” (Los Angeles Times) collection of short fiction by one of the most iconic and acclaimed writers of our time.
Eva Luna is a young woman whose powers as a storyteller bring her friendship and love. Lying in bed with her European lover, refugee and journalist Rolf Carlé, Eva answers his request for a story “you have never told anyone before” with these twenty-three samples of her vibrant artistry. Interweaving the real and the magical, she explores love, vengeance, compassion, and the strengths of women,…
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
This collection is an Introduction to an established writer of traditional horror with thirteen stories previously published in magazines, anthologies, or collections. I read these now as a single continuous work (like a symphony) with re-emerging themes.
Weaving in and out throughout the collection, the image of the shape-shifter develops with a wild inventiveness that never spins out of control. The same with the writer’s fascination with music that comes out humorously in the story “Collectable,” disturbingly accurate in “Under Iron.”
There is dark humor working beneath the surface that keeps readers alert and tingling with anticipation, a good effect if you’ve never tingled.
In this way, the fantastic in these stories takes us away from our lives in the present moment, providing a moment’s escape, but brings us back to ourselves in the end, like that ride on the roller coaster. Our feet find purchase once again; the journey has not only been entertaining, as we screamed in delight and fear, it has taken us somewhere and then left us off in strange territory, entertained, yes, perhaps better off for the experience, yet, miraculously, unharmed. This is the pure experience provided by these stories. Each one takes us for that ride, rewards us…
Shahrazad’s Gift is a collection of linked short stories set in contemporary Cairo — magical, absurd, and humorous.
The author focuses on the off-beat, little-known stories, far from CNN news: a Swedish belly dancer who taps into the Oriental fantasies of her clientele; a Japanese woman studying Arabic, driven mad…
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
Daniyal Mueenuddin derives the marvelous from the depiction of wealthy and poor Pakistani characters surviving as gracefully or gracelessly as humanly possible.
Reading at times like social anthropology, at times like magical realism, the stories are folk tales with inspections of and lessons about human foibles. Characters come to life with large and small schemes, machinations, and quasi-unconscious action that arises from a combination of tradition, desperation, and privilege.
The underlying humor, both dark and loving, is something the writer shares with the reader.
The world is an amazing, diverse place that needs stories that represent everyone. I identify as gender fluid and am part of my city’s LGBTQIA+ community. For kids, there aren’t enough stories that feature non-straight cis protagonists where that identity isn’t the focus. LGBTQIA+ kids exist. They are normal. Let a gay kid go into space. Let a teenage lesbian solve a mystery. Let a trans girl defeat a dragon. Let an ace teen be a witch. Everybody deserves their adventure.
Hazel Hill thinks she’s the only girl in the 7th grade who likes girls thatway, until Tyler tells her that Ella Quinn told him she likes Hazel.
But Ella Quinn is pretty and popular, and she’s Hazel’s biggest rival in the upcoming speech contest. They talk. Ella confesses she only told Tyler that to stop his sexual harassment. It turns out, Tyler has been harassing a lot of girls.
They tell the school, but the teachers won’t do anything about it, even blaming the girls and punishing them. It is not a coincidence that Tyler’s mom is the superintendent of schools. Determined not to let Tyler get away with it, Hazel comes up with a plan.
Girls in Hazel's school are being harassed by an anonymous person online, someone who seems to know all about their insecurities and dreams. With no one willing to stand up and face the bully, how will Hazel be able to prove her suspicions? Hazel Hill is Going to Win This One confronts bullying, both online and in person, to give children the power to stand up for themselves and speak out against harassment.
Youth play such a significant role in the history of our struggles for justice–and yet most teenagers I meet in the classroom have limited access to these important stories. These stories are more relevant than ever as we see current youth-led activism for #BlackLivesMatter and Youth4Climate Marches. When I talk to youth about historical youth-led protests, their eyes light up–they make these connections lightning fast and say–why aren’t we being taught about things like this more in school?
It is a classic must-read book that not only sets up an interesting, thought-provoking premise but also grounds us in the thoughts of very different teens and how they find their way to each other under a system designed to keep them apart. Malorie Blackman’s writing is concise and crisp, her gaze unflinching, and yet the book is all heart.
Two star-crossed lovers fight for a more just world in this searing novel with a critically-acclaimed BBC series adaptation now streaming on NBCUniversal’s Peacock platform!
Sephy is a Cross: dark-skinned and beautiful, she lives a life of privilege and power. But she’s lonely, and she burns with injustice at the world she sees around her.
Callum is a nought: pale-skinned and poor, he’s considered to be less than nothing, there to serve Crosses, but he dreams of a better life.
They’ve been friends since they were children, and they both know that’s as far as it can ever go. Noughts…
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the…
I am passionate about giving people the benefit of good intentions and my faith calls me to care and serve others. Today, I believe my purpose is to help inspire leaders to trust in the inherent good in people while caring and serving them in intentional ways that leads to high performance. I have been blessed immensely and want to give back to others so their journey can be one of significance. As former CEO of my company, I had no roadmap which made our journey even more difficult. Now, I have experienced the joy, the fulfillment, and the abundance of building a people-first culture. Together we can make a difference for so many people.
We are in an exponential world today and we grew up in an incremental world for businesses.
Daniel not only helps us understand how to anticipate more of the future, he teaches us how to anticipate which is one of the most important skills for business leaders today. After reading his book, I also worked through his anticipatory leader course.
By understanding the power of being anticipatory, I have used his techniques to lead our firm to bigger opportunities. In the future of work, anticipating what people will want and need, provides a distinctive advantage.
A rousing 7-step plan for living a life filled with hope and possibility from an inspirational speaker who survived a near-fatal fire at the age of nine and now runs a successful business inspiring people all around the world. When John O'Leary was nine years old, he was almost killed in a devastating house fire. With burns on one hundred percent of his body, O'Leary mustered an almost unimaginable amount of inner strength just to survive the ordeal. The insights he gained through this experience and the heroes who stepped into his life to help him through the journey, his…
Most drunks struggle to accept that they have a disease called “alcoholism” and feel shame, intertwined with fear, having to admit it. I, on the other hand, embraced it. Being alcoholic meant I wasn’t “crazy” after all like Grandma. At 21, I embraced the disease along with 12 Step recovery, thanking my lucky stars that there was something I could do about my chaotic hippied lifestyle. “Don’t pick up the first fix, pill, or drink and you can’t get drunk.” Could the solution be so simple? It is. From the moment I set down the drink and drugs, I knew I had to share this amazing revelation with others and my writing career began.
Full disclosure, I know Bill Hanlon and we exchanged books at one of several speaking engagements together.
I cherish this book and have a signed copy featured in my collection. It is a simple straightforward ingenious way to disrupt destructive patterns in all relationships. And it works! Being in the mental health field, I would make this wonderful book mandatory for all counselors to read, if I had that power.
Full of examples on how to modify micro-behaviors, results could not be more life-changing. I found that I had the power to alter destructive patterns in my life by reacting differently in any given situation! Bill’s book explains how to do it.
"If you do one thing different, read this book! It is filled with practical, creative, effective, down-to-earth solutions to life's challenging problems."-Michele Weiner-Davis, author of Divorce Busting
The 20th anniversary edition of a self-help classic, updated with a new preface: Tapping into widespread popular interest in highly effective, short-term therapeutic approaches to personal problems, author Bill O'Hanlon offers 10 Solution Keys to help you free yourself from "analysis paralysis" and quickly get unstuck from aggravating problems.
Tired of feeling stuck all the time when you're trying to solve a problem or are facing conflict? Do you get easily flustered or…
As a children’s librarian, teacher, and
parent, I know that children have big feelings. I write heart-filled books that
speak to the issues that they deal with while navigating new experiences. I was inspired to write Evie’s Field Day because
of the frustrations most children deal with when they lose. I hope that my book will encourage children to
enjoy the process of playing sports and games with others and the rewards of
being a friend and a good sport.
Llama Lucia may be the self-appointed founder and president of the Get Gaming Club but she is a terrible sport. She pouts when she loses and gloats when she wins. Before long, her friends won’t play with her. Her grandfather will play but it turns out he’s a worse sport than Lucia who begins to realize how her bad behavior upsets her friends.
This child-friendly book is perfect to begin discussions on cheating, fairness, and how to be good at both winning and losing.
Lucia Lacorte loves games. But few friends enjoy playing games with her. When she loses, she cries and yells. And when she wins, its even worse: she dances around and rubs it in. You see, Lucia Lacorte is a very poor sport. Can anyone get through to Lucia and show her that being a good sport is the fun in fun and games? Author Christianne Jones uses humour and rhyme to teach early learners about the importance of good sportsmanship in this entertaining picture book from the Little Boost series.
Sylvia Barry is our invention, a solitary witch who writes queer romance from her lighthouse keep. As a pair of co-authors, one of us grew up with the dry humor of Terry Pratchett and Douglas Adams, and the other grew up with fanfiction and romance tropes. We came together to write quirky, queer romances that are playful and ironic but also deal with deeper themes of self-discovery, trauma healing, and community. Rivals-to-lovers and grumpy/sunshine are our favorite tropes to write, especially in dual (or more!) POV, because the Yearning is always juicy, and we play off each other’s energy as we write our opposing characters.
We loved the steamy romance between clever, uptight Chloe and broody artist Red.
To be perfectly honest, we don’t usually go for heterosexual romances, but Chloe and Red are wonderfully queer to us in their own special way. We really enjoyed the dual POV, getting to experience Chloe and Red falling head over heels for each other from both perspectives.
It had so many of the tropes we enjoy: the vivacious yet rigid (for good reason, she spends a lot of her time in pain) Chloe slowly learning to let go, and the kind yet gruff (for good reason, he’s had his heart smashed) Red coming into his own.
