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In Other Rooms, Other Wonders.
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Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
The Elephant Vanishes includes two of my favorite stories by any contemporary writer.
Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.
This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.
A dizzying short story collection that displays Murakami's genius for uncovering the surreal in the everyday, the extraordinary within the ordinary
*Featuring the story 'Barn Burning', the inspiration behind the Palme d'Or nominated film Burning*
When a man's favourite elephant vanishes, the balance of his whole life is subtly upset. A couple's midnight hunger pangs drive them to hold up a McDonald's. A woman finds she is irresistible to a small green monster that burrows through her front garden. An insomniac wife wakes up in a twilight world of semi-consciousness in which anything seems possible - even death.
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
Isabel Allende shows us marvels from South American traditions, archetypal stories with the excitement of passionate lovers and desperate bandits.
Once you finish the stories—not one a clunker—your mind will have been temporarily readjusted to the dangerous and fantastical world of deeply hidden human motivations. It’s as good as her autobiographical Paula, which is an education between covers. At first, I wouldn’t read Isabel Allende because two friends told me she imitated Gabriel Garcia Marquez.
I later learned they had not actually read any of her books. I decided to see for myself. Not true, I told them. Read the books.
Told in the voice of Isabel Allende’s beloved character Eva Luna, a “distinctive, powerful, and haunting” (Los Angeles Times) collection of short fiction by one of the most iconic and acclaimed writers of our time.
Eva Luna is a young woman whose powers as a storyteller bring her friendship and love. Lying in bed with her European lover, refugee and journalist Rolf Carlé, Eva answers his request for a story “you have never told anyone before” with these twenty-three samples of her vibrant artistry. Interweaving the real and the magical, she explores love, vengeance, compassion, and the strengths of women,…
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
This collection is an Introduction to an established writer of traditional horror with thirteen stories previously published in magazines, anthologies, or collections. I read these now as a single continuous work (like a symphony) with re-emerging themes.
Weaving in and out throughout the collection, the image of the shape-shifter develops with a wild inventiveness that never spins out of control. The same with the writer’s fascination with music that comes out humorously in the story “Collectable,” disturbingly accurate in “Under Iron.”
There is dark humor working beneath the surface that keeps readers alert and tingling with anticipation, a good effect if you’ve never tingled.
In this way, the fantastic in these stories takes us away from our lives in the present moment, providing a moment’s escape, but brings us back to ourselves in the end, like that ride on the roller coaster. Our feet find purchase once again; the journey has not only been entertaining, as we screamed in delight and fear, it has taken us somewhere and then left us off in strange territory, entertained, yes, perhaps better off for the experience, yet, miraculously, unharmed. This is the pure experience provided by these stories. Each one takes us for that ride, rewards us…
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
This collection reads like realistic stories from the perspective of a single point-of-view that throws common life into the realm of the weirdly uncommon.
In fact, I kept reading to figure out what I was reading. What changed in the process? My own perception of the world in which we live. These people may be like us, but the writer looks at them with new and different eyes. These stories sneak up on you and take over your mind for a marvelously short time because it’s a short book of short stories—one I recommend because it’s so unusual.
In this marvelously funny, unsettling, subtle, and moving collection of stories, the characters exist in the thick of everyday experience absent of epiphanies. The people are caught off-guard or cast adrift by personal impulses even while wide awake to their own imperfections. Each voice will win readers over completely and break hearts with each confused and conflicted decision that is made. Every story is beautifully controlled and provocatively alive to its own truth.
I love a smart, capable, skilled, determined heroine who’ll risk it all for the people she loves and the things she believes in. History and popular culture have long overlooked, minimized, or outright ignored the contributions of women and girls, especially in times of strife or hardship. Writing the Devil’s Revolver series, I wanted women from all walks of life proactively working to change the world and their own circumstances, wherever their paths lead them. Throughout, my protagonist, Hettie Alabama, develops allyship and understanding with women who have their own ideas, opinions, dreams, and desires, and together, they shape their own destinies and the fate of the world.
The first time I saw Pretty Deadly on the shelves at my local comic book store, I was fascinated and chilled by the cover art, and the story within did not disappoint. This Eisner-Award-nominated graphic novel by Captain Marvel writer Kelly Sue DeConnick melds Western and horror genres for a macabre tale about Death’s daughter, Deathface Ginny, riding a horse made of smoke and wind across the harsh and unrelenting landscapes of a brutal Wild West, doling out retribution. I love me some grim reaping, and the same dark, evocative imager. I love me some grim reaping, and I wanted the same dark, evocative imagery to come through on my pages and through Hettie’s own journey with the cursed gun Diablo at her side.
Kelly Sue DeConnick (Avengers Assemble, Captain Marvel) and
Emma Rios (Dr. Strange, Osborn) present the collected opening arc
of their surprise-hit series that marries the magical realism of Sandman
with the western brutality of Preacher. Death's daughter rides the wind
on a horse made of smoke and her face bears the skull marks of her father. Her
origin story is a tale of retribution as beautifully lush as it is unflinchingly
savage.
"It's a perfect match for the gorgeous, dizzying artwork in a sumptuous
palette-overlaid panels add intricate choreography to fight scenes, and
detailed, whirling splash pages beg for long-lingering…
From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
This is quite literally the book that made me decide to become a writer.
It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.
In the mind of a lonely, imaginative girl, who can tell where fiction ends and reality begins? An epic fantasy, spanning nine years...
The fire and hemlock photograph above Polly's bed sparks memories in her that don't seem to exist any more. Halloween; nine years ago; she gatecrashed a funeral party at the big house and met Thomas Lynn for the first time.
Despite the fact that he's an adult, they struck up an immediate friendship, and began making up stories together - stories in which Tom is a great hero, and Polly is his assistant. The trouble is, these…
I am an award-winning and USA Today bestselling South African author, social anthropologist, and transformational life coach. Human transformation and the question of human social nature are key themes in all of my writing, which explores the experiences of people on the margins or with a background of overlapping cultures. I am a book dragon who loves reading adventures in almost every genre and that broad scope of my reading explorations has wormed its way into my writing style which, though broadly defined as fantasy, encompasses elements from other styles in a rich and ‘aromatic’ blend.
This charming contemporary romance with a touch of magical realism totally hit the spot. It’s all about Grace’s transformation from an overworked, underpaid, unappreciated individual into a person who achieves her potential and flourishes. It’s one of those beautiful allegorical tales about finding your true self so you can become who you were meant to be. Totally uplifting and left me with all the warm and fuzzies.
Grace leads a fairy-tale-free existence in the rainy Seattle, struggling to provide for her frail mother and younger sister. But when a mysterious package arrives from her eccentric aunt, she is suddenly thrown into a whirlpool of unusual events.
Named the next "carrier of the gifts", she has only one week to sort through her supernatural inheritance or lose it all.
But in this story crystal slippers don't fit, "fairy godmothers" don't show up, and prince might not be so easy to charm.
As Grace blunders through unpredictable magic that challenges…
I have 7 sisters and 1 brother. I was the 9th child in my family. To get a son who would carry on the family heritage, my parents tried 7 times without any success. After 7 unwanted daughters, my brother finally arrived. Then they had me as the second boy in the family. The plot twist was: I am gay. I turned out to be the 8th unwanted daughter because of my sexuality. Coming from this small-town big family full of superstitions and secrets, I am naturally drawn to dramatic family stories with many dark and psychological twists.
This novel is a graphic and passionate family saga. I came from a big family and could totally relate to the story of many generations.
I read it in one math class in high school and got punished by the teacher. I clearly remember the teacher’s distorted face when he threw my book out of the window. “Could this crap be more important than math?” I said YES. Yes. Yes. Yes. A thousand yeses.
He failed me, which was fine. Allende’s magical realism allowed me to aspire to become a novelist. I did become a writer, and I would still say YES to my math teacher.
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
I read this book late at night while recovering from jetlag, and it was either the perfect book to read late at night while my mind’s guard was down or the worst book to do this with. The stories are hilarious, but also often horrifying, and ingeniously fantastic. A bunny lamp that curses whoever touches it; a woman who gets pregnant from taking birth control pills; a boy who bleeds gold when he drinks his sister’s blood—these stories are sure to keep your brain lit up long after your head has hit the pillow.
Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung.
Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.
Anton Hur's translation skilfully captures the way Chung's prose effortlessly glides from being terrifying to wryly humorous.
As a free man of flesh-and-blood I trust in time-tested verities and traditions; as a spiritual entity I am a man of faith; and as a thinking being I explore in my writing the malleability of consciousness and reality. Through a broad range of experiences I offer images for the minds of readers in novels of a twisted magical realism. I seek the mysteries of God, the beauty of poetry, and the freedom to explore all and everything. I am an American State National who critiques modern society, culture, and politics as an independent scholar who will not be silenced. Awaken, oh human beans, from normative conditioning and screen-gazing complacency!
Besides having one of the best book titles ever, this novel immediately draws readers in and is hard to put down; the action is matched by its intelligence. In it, freedom-seekers create a fast-growing, virtual society on the Internet that grows so fast it terrifies governments and their “security.” With no possibility of oversight and control, the System fights to co-opt this cyber-society before it undermines and overwhelms the dominance of corruptocrat governing elites. The free souls in this novel lead us through a clever plot wherein principles of economic freedom, individuality, and justice lead to a free market uncontrolled by tax-hungry government lackeys. Profiled here are a group of individuals determined to transcend paradigmsthat the human psyche often forms for us, almost autonomically, as a reaction to fear.
Instantly named Freedom Book of The Month and a major influence in the Cyber-underground, A Lodging of Wayfaring Men is the story of freedom-seekers who create an alternative society on the Internet - a virtual society, with no possibility of oversight or control. It grows so fast that governments and “leaders” are terrified, and fight to co-opt this cyber-society before it undermines the power of the governing elite.
The main body of the book is followed by a set of essays and a supplemental narrative that were composed as the book was being written.
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