Fans pick 100 books like One Leg

This book provides a helpful overview of the marriage and divorce laws of England during the period in question, as well as twelve “case studies,” all useful for research. Most of the marital breakups covered in this volume occurred before the Regency era, a few even before the greater Georgian era. Each story takes a reader through the heartache and drama of these unhappy marriages and the legal machinations needed to end them. 

An early novella of mine has the indignant heroine rushing to save a woman from a wife sale at a seedy inn. The enormous cost of legally ending a marriage in the Regency put divorce out of the reach of all but the very wealthy. For the poor, and perhaps the drunks, like Thomas Hardy’s hero in The Mayor of Casterbridge, there was another option for ending a marriage, one with a long though not very respectable tradition. Yes, some Englishmen sold their wives! This book covers the peculiarities of this poor man’s method of ending an unhappy marriage. 

Divorce is good fodder for drama and can be employed in different ways in fiction. In this second-chance Regency romance, the reunited lovers are divorced. Convinced by his duplicitous mother of his wife’s infidelity, the hero, a duke divorced his wife and left her penniless. The heroine’s only income is an allowance from her brother, which he ends in a fit of pique when her scandal impacts his marital prospects. (Divorce in this era might shame the entire family). Forced to earn a living, the heroine takes employment as a cook at an inn, where her former husband encounters her and is shocked at how far she has fallen. Read this book to see how the perils of divorce—and remarriage—are dramatized by a skilled romance writer. 

Yes, that says “bedding” and not “wedding”! In this Regency Romance novel, the heroine is a scandalous divorcee who’s sworn off romance. She has some income of her own and isn’t penniless. Dipping a toe into society again, she’s wooed by a determined young rake who wants only to bed her. But when he falls in love and proposes, she has to say no. [Spoiler alert] Her abusive former husband paid a man to perjure her as an adulteress so he could divorce her. The story shows the vindictiveness a spurned husband might employ in this era: the divorce decree leaves her forbidden to remarry. Read this book for a different take on the perils of divorce by another skilled romance writer.

Jenny Blackhurst is a beautiful writer who is known for different POVs and timelines.

This book is addictive and the author will have you turning more pages into the night to finish just one more chapter. The book is based in Wales which is not too far from where I live so that was interesting for me.

The MC is the daughter of a killer who is in prison for murdering her childhood best friend. Many years later another child is abducted with the same signature/patter as the MCs best friend from the past. The MC is compelled to investigate this further.  

I was delighted when I was recently given this book written by Helen Rappaport with the Foreword by Daisy Goodwin, novelist and screenwriter of the TV dramatization of Queen Victoria’s early reign.

The book touches on her birth and carries through to a rather depressing childhood. Still, her letters and journals make fascinating reading and give early insights into the sometimes stubborn character of young Queen Victoria. There are many letters to her Uncle Leopold of Saxe-Coburg, who eventually became instrumental in guiding his nephew, Albert, towards marriage to Victoria.

The book also shows her reliance on her first Prime Minister, Lord Melbourne, who helped her overcome many difficulties early in her reign. It shows her dislike of her mother’s friend, Sir John Conroy, who had ambitions of becoming regent to the crown, though Victoria quickly scotched that aim.

Passages of letters from her, those to her, and her journals… show more.

Ribeiro is the author of numerous books on beauty and fashion, but this is the one I always come back to. Here, she explicitly connects social and political trends to changes in dress, beginning in the 1780s to the rise of Napoleon. The analysis is straightforward and compelling, although she also acknowledges the nuance. It’s a terrific introduction to the political importance of fashion during a period when fashion could not have been more politically salient.

This book depicts the violence and devastation of the ‘Reign of Terror’ (a period of extreme violence during the French Revolution) with breathtaking power. It weaves into it a tale that grips, convinces, and profoundly moves the reader. If one is looking to understand human nature and its true depth of depravity, look to no other book.

You can reasonably infer that a book whose title nods toward a touchstone of the French Revolution and a landmark civil rights document will provide a treasure trove of historical references. It does indeed, but it’s history as accoutrement, with characterization at the forefront even as the mystery deepens in the background and the inexorable pull of monumental events inextricably entwines the fates of our heroes and villains. Declaration is ultimately about the flawed individuals who drive, and then become caught up in, sweeping change. Also, vampires. And necromancers. Not to mention weather mages, slaves in revolt, legendary politicians, religious converts, and the undeniable pleasure of being held in the thrall of an author who reveres the power of stories and words and excels at putting them to good use.

Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.

Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle… show more.