Here are 100 books that A Declaration of the Rights of Magicians fans have personally recommended if you like
A Declaration of the Rights of Magicians.
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I was an unusual child. My favorite stories were fairytales, no tale was too tall for me. On Christmas Eve, my father always read a story called “Giant Grummer’s Christmas” because it was my favorite. Giant Grummer lived in a huge castle made of limburger cheese. He threatened to reach his long arm down chimneys to steal the presents Santa left but Santa saved the day by giving Giant Grummer presents too. Folklore, legends, and magic are important. We need to believe more in the “make believe.” Everyone should read stories about ghosts and witches and cheese-eating giants, anything fantastical to open their worlds and set their imaginations free.
Alix Harrow writes that “behind every witch is a women wronged.”
Here are three sisters wronged by an abusive father who have hurt and betrayed each other in the past, but the bonds of love and sisterhood and witchcraft are stronger.
This book is for every woman because every woman has felt powerless. Every woman has been marginalized and dismissed but these three sisters prove to all of us that there is great power when women come together as they have throughout history.
I was rooting like crazy for these the sisters to prevail. I was charmed by the spells they cast based on fairy tales, nursery rhymes, lullabies. This is a book rooted in feminist tradition told in the tradition of great folklore.
'Glorious . . . a tale that will sweep you away' Yangsze Choo, New York Times bestselling author of The Night Tiger
'A gorgeous and thrilling paean to the ferocious power of women' Laini Taylor, New York Times bestselling author of Strange the Dreamer
In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.
Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.
My favorite books take you somewhere radically different but also engage you in real emotions. This book takes you deep into the academic world of 1830s Oxford but is also a fantasy book. It’s historical fiction, or as my own teenage son says, a fantasy that feels grounded.
The narrator, Robin Lovell, is what I call an inside/outside character. Born in Canton but trained by the mysterious Professor Lovell in England to become an expert in Chinese, Latin, and Greek, he is both an insider at the Oxford Institute of Translation called Babel, where he is a student, and an outsider because of his foreign birth. When Robin realizes Babel is part of an unjust war against his mother country, China, he is forced to ask hard questions about language, translation, and the effects of colonization.
This is an exciting story of twists and intrigue, student revolution, and war, but…
I made the mistake of reading Dracula as an eight-year-old (thanks, Mom and Dad, for paying attention to what I brought home from school book fairs). Beyond disrupting my sleep pattern, there were two significant consequences to this decision: 1) I became enthralled with the intersection of historical detail, mystery, and magic, an enchantment that continues to this day; and 2) I ultimately majored in English literature, with a concentration in Victorian literature. To my professors’ chagrin, I put that education to use in concocting my own historically-based magical mysteries (sorry, Dr. Steinitz). But hey—I’ve always got good recommendations in this milieu.
The Peculiarities offers a delightful and occasionally droll mix of alternate history, mystery, the arcane, and Victorian atmosphere. Liss, who writes killer historical fiction, has been spreading his tendrils into more fantastic fare of late and he’s got a real gift for it. The characters he develops over the course of this fantastical tale are so endearing that I took my time down the homestretch of this book because I didn’t want it to come to an end; I wanted to keep hanging out with them…even the notorious—and in Liss’s hands, occasionally rakish—Aleister Crowley.
From popular historical fiction author David Liss (A Conspiracy of Paper) comes the tale of a clueless young man embroiled in a deadly supernatural mystery in Victorian London. Rooted in strange conspiracies and secret societies, this absurdist comedic romp combines strange bedfellows with murderous creatures, resulting in an unexpectedly delightful consequences.
Thomas’s problems are more serious than those of a typical young Victorian gentleman. His elder brother may be sabotaging the family’s bank. His childhood friend has died under…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I made the mistake of reading Dracula as an eight-year-old (thanks, Mom and Dad, for paying attention to what I brought home from school book fairs). Beyond disrupting my sleep pattern, there were two significant consequences to this decision: 1) I became enthralled with the intersection of historical detail, mystery, and magic, an enchantment that continues to this day; and 2) I ultimately majored in English literature, with a concentration in Victorian literature. To my professors’ chagrin, I put that education to use in concocting my own historically-based magical mysteries (sorry, Dr. Steinitz). But hey—I’ve always got good recommendations in this milieu.
While Sherlock Holmes famously debunked anything that had even a vague whiff of the supernatural (looking at you, Hound of the Baskervilles), the same can’t be said for his creator. Entwistle offers a brilliantly imaginative take on what might have happened if Sir Arthur Conan Doyle and Oscar Wilde teamed up to solve mysteries in a world where the supernatural was very, very real. Atmospheric touches ranging from fog-shrouded, gaslit streets to mysterious moors are the perfect complement to witty dialogue, and Entwistle manages to weave in a fair bit of historical detail despite the rip-roaring pace of the story.
The Paranormal Casebooks of Sir Arthur Conan Doyle read like a volatile cocktail of Sherlock Holmes-meets-the-X-Files with a dash of steam punk and a whiff of London fog. Conan Doyle assumes the mantle of his fictional consulting detective and recruits a redoubtable Watson in the Irish playwright Oscar Wilde, who brings to the sleuthing duo a razor-keen mind, an effervescent wit, and an outrageous sense of fashion. Together, two of the greatest minds in Victorian England solve bizarre murders, unravel diabolical plots and unearth long-buried mysteries—each with a paranormal twist.“My murder will take place in a darkened séance room—shot twice…
I’ve been a huge fan of vampires, werewolves, elves, fairies, and all sorts of supernatural-themed creatures since I can remember. In addition, I grew up on sci-fi and fantasy movies and novels, which inspired me to pen my first short story at ten years old and send it in for publication. Since then, I’ve enjoyed creating art and writing stories that feature fantastical characters and creatures in extraordinary worlds having adventures. Though I have had two book series and numerous short stories published, I have many more stories and novels in the vault that I can’t wait to share with my readers.
David Lee Summers’s wonderfully engaging vampire epic is another great story that spans the ages and features a community of vampire characters. Each character gets their own diary-like POV to tell the story, and as we continue throughout the book, we get to see how each character is related. We got the Ottoman Wars here, the Middle Ages, the French Revolution, and early America, to name a few, plus we see how the characters tie into these notable historical events. The lore feels fresh here with some twists and turns to keep the reader engaged. I couldn’t put this one down!
A new generation of vampires embarks on a quest to save humanity.
Opening a forgotten crypt during a military exercise, Dr. Jane Heckman is made a vampire and begins a journey to unlock the secret origins of her new kindred.
Elsewhere, solitary vampire Marcella DuBois emerges from the shadows and uncovers a government plot to create vampire-like super soldiers.
Daniel McKee, a vampire working as an astronomer, moves to a new town where he's adopted by a family, only to have government agents strip those he loves away from him.
All three vampires discover the government is dabbling in technologies…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
This little-known French vampire novel, published in 1825, includes the first fully realized female vampire. Set during the Napoleonic Wars, a young Hungarian woman, Alinska, mysteriously turns into a vampire after a French soldier pledges his love to her, then abandons her. After becoming a vampire, she travels to France where her husband Edouard is now remarried and has a family. Unable to stop herself, she preys upon Edouard’s family. The story is remarkable for creating the first sympathetic vampire and being the first to associate vampirism with Eastern Europe. Bram Stoker may have known it or similar French novels. I love the character development here and the possibility that this novel inspired the entire vampire tradition, including Dracula, yet has been largely ignored until recently.
During one of Napoleon's military campaigns, Edouard Delmont, a young officer, promised to marry Alinska, a Hungarian girl. Back in France, he goes back on his vows and marries someone else. Several years later, Alinska suddenly reappears in his life, transformed into an avenging vampire. She threatens to kill his wife and children unless he honors the vows he made to her... In The Virgin Vampire (1825), Étienne-Léon de Lamothe-Langon tells the story of the first, implacable, female vampire. What makes Alinska stand out in the ranks of female vampires is that she is not a predator, but the instrument…
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine,…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.
Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle…
“Poor Bitos” is the strongest and most strikingly contemporary of Jean Anouilh’s plays. With freezing precision and extraordinary theatrical skill, Anouilh here exposes the evil at the heart of political extremism, with specific reference to the French people but with implications that are tragically universal. The principal character is one André Bitos, a thin-lipped, Eichmann-like public prosecutor with a fanatical sense of justice that outrages every normal feeling of compassion. Bitos since the close of World War II has made it his gruesome business to track down fellow countrymen suspected of collaborating with the Germans and to bring about their…
Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
The granddaddy of literary autobiography and biography, Jean-Jacques Rousseau’s Confessions was written in 1769 but published posthumously in 1782. Rousseau, whose pioneering Romantic political philosophy was by then already influential, was setting out to do something equally new when he decided to study human nature, taking as his experimental model the human he knew best – himself. The rollicking result, sometimes self-flagellating, occasionally exhibitionist, deviates from its own model, St Augustine’s fourth-century religious-philosophical Confessions, in being chock-full of what nowadays we call emotional intelligence.
Widely regarded as the first modern autobiography, The Confessions is an astonishing work of acute psychological insight. Jean-Jacques Rousseau (1712-78) argued passionately against the inequality he believed to be intrinsic to civilized society. In his Confessions he relives the first fifty-three years of his radical life with vivid immediacy - from his earliest years, where we can see the source of his belief in the innocence of childhood, through the development of his philosophical and political ideas, his struggle against the French authorities and exile from France following the publication of Emile. Depicting a life of adventure, persecution, paranoia, and…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
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In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading…
Historical novels, movies, and TV shows have captured my interest even as a child since the Little House books by Laura Ingalls Wilder and A Little Princess by Frances Hodgson Burnett. My love of history has sent me into historic schoolhouses, churches, castles, pirate ships, ancient Roman spas and aqueducts, and other historical sites at home and in England, Spain, and Portugal, as well as pouring over journals, biographies, and non-fiction research books. My first love is Regency England, but I have a fascination for history of all eras and countries. My passion and fascination for detail have been the driving force behind my twenty-four published Regency romances and hundreds of articles and blog posts.
A fun twist on one of my favorite historical tales,The Scarlet Pimpernel, this novel portrays the elusive hero as a brilliant, determined woman. The cast of characters is full and well-developed, including a dashing hero worthy of our heroine’s love. This story is beautifully written, has plenty of twists and turns, heart-melting romance, and a delightful happily ever after.
The roads in and out of Paris are heavily guarded, but the dead have easy passage out of the city. A ragged old woman transports the coffins of the most recent victims of the guillotine and is waved on unimpeded. Later, the same crone watches five French aristocrats step out of their coffins unscathed. Not beheaded, but spirited away to safety by that most elusive of spies: the Pimpernel. Or, as she’s known in polite society, Lady Scarlet Cavendish.
When not assuming her secret identity as a hero of the French Revolution, Scarlet presents herself as a fashionable, featherbrained young…
