24 books like Midwinter of the Spirit

A formative book from my childhood, The Weirdstone of Brisingamen kick-started my love of all things magic, heroic, and fantastical. Not only that, but the setting was close to where I grew up – these were locations I knew but viewed through a mythic lens. Loosely based on the legend of the Wizard of Alderley Edge, Alan Garner creates a fantasy world that feels so real as two children are pulled into an adventure where the very future of the world of men is on the line. It remains so influential on my own writing that I still return to the old dwarf caves of Fundinvale as an adult and enjoy the tale every bit as much as I did when I was a ten-year-old reading by torchlight under the duvet.

If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.

I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.

This book scared the bejeebers out of me when I was just a teen. (Not fair, Steve.) I think it’s a highly underrated King novel, if possible, maybe because the various movie versions flopped. Sure, it’s a horror novel, but I was stricken by the story’s messages about dealing with grief due to the death of a loved one. And it also had the age-old message that we all need to remember: if it seems too good to be true, it absolutely is.

I loved the New England vernacular and characters. I also enjoyed how something as simple as a cat’s death can lead to something infinitely worse. I found it an emotional, tense, and spooky supernatural ride.

Charles Williams’s books have been described as “supernatural thrillers.” Many later authors have tried to use the theme of a recently-rediscovered ancient holy relic, which various people want to get hold of for good or evil purposes, in this case the Holy Grail or Graal, but few have done it as well as Charles Williams. I’ve read it at least five times, and I also think it has one of the most attention-grabbing opening lines in fiction: “The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”

At times, C.S. Lewis eschewed writing what would be expected of him. For example, every volume of his Chronicles of Narnia takes the reader in a new direction, a new aspect of that fantasy world, instead of merely rehashing the popular story of the first novel, as many series do.

Science Fiction was not his field, yet Dr. Lewis dived into the genre for three novels and proved he was a master. The third book in Dr. Lewis’s space trilogy continues the epic interplanetary story of the first two but brings the tale to a dystopian Earth.

At first, the story seems unrelated to the earlier space-traveling books of the trilogy, as an engrossing study of professors playing politics and strange dreams. As the novel progresses, however, this proves to be a much larger story involving aliens, demons, the very fabric of human existence, and the return of Merlin. 

I enjoyed learning about religion from Dan Brown. I am not a religious person, so presenting so much research in a tightly bound thriller was an excellent way to keep me engaged and reading.

I came away from this book with a deeper psychological understanding of God and the devil.

No writer evokes atmosphere better than Daphne Du Maurier, and this collection of five short stories demonstrates her gifts superbly. Best known of these short stories is "Don’t Look Now," a tale of bereavement and despair with a wicked twist at the end, set in Venice and subsequently made into a superb horror movie. But the other stories within this anthology also immerse the reader in their settings, with each delivering an unexpected twist. 

The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him… show more.

Set in the evocative, spooky borderlands known as the Marches, between England and Wales, this is part of a series by Phil Rickman. Through the novels we follow the trials and tribulations of Merrily Watkins, a parish priest and the official exorcist for the Hereford diocese of the Church of England—thus introducing a strong element of the supernatural. Merrily is a believable and sympathetic protagonist, with her share of human weaknesses, and she’s surrounded by a rich, unforgettable cast of ongoing supporting characters: daughter Jane, musician Lol, and the wonderful Gomer Parry. It was difficult to choose one book from this fine series, but I settled on this one because it features one of my own favourite churches—Kilpeck, in the wilds of Herefordshire.

I loved the Maze Runner series when it came out. So when I heard that Dashner had started a new series with all new characters, I was excited. When I could finally sit down with it, I was not disappointed. The characters are young and naive because they have been secluded on a small island for the last 73 years.

Their lack of knowledge showed up immediately in the new and horrifying world they had been thrust into. All of this kept me engaged to the point that I tried to read the entire book in one sitting. The main theme that I got from the characters was the hope that they had. The hope was that they would stay alive, if not safe, and that they would be able to help the world with their immunity.