Here are 100 books that Maria, Maria fans have personally recommended if you like
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Visiting journalists regularly misinterpret California. Outside politicians twist it into bizarre caricatures. I know because I have worked as a journalist in all parts of the state. I covered crime for the LA Herald Examiner, spent 27 years at the LA Times, was a columnist and editorial page editor at the Sacramento Bee and, finally, was senior editor of the nonprofit news organization, CalMatters. I’ve covered governors, wildfires, a major earthquake, politics, mass incarceration, mass shootings, an execution, and all manner of policy. There are many great nonfiction books about California, including Jim Newton’s biographies of Earl Warren and Jerry Brown, Randy Shilts’s The Mayor of Castro Street, and Gladwin Hill’s Dancing Bear.
In The Devil’s Harvest, Jessica Garrison uses California’s Central Valley as an essential character in this fast-paced, thrilling, and chilling tale. Although she describes a prolific contract killer, Jessica Garrison has written much more than a meticulously researched true crime book. Readers will gain important insights into the nature of justice and California.
This suspenseful true story of a drug cartel hitman who got away with murder after murder in California's Central Valley over three decades reveals how the criminal justice system fails our most vulnerable immigrant communities.
On the surface, fifty-eight-year-old Jose Martinez didn't seem evil or even that remarkable—just a regular neighbor, good with cars and devoted to his family. But in between taking his children to Disneyland and visiting his mom, Martinez was also one of the most skilled professional killers police had ever seen.
He tracked one victim to one of the wealthiest corners of America, a horse ranch…
I wrote my first novel in a quest to create a story about a girl who loves girls surviving a violent, repressive world. Reading novels pertinent to the life I’ve lived was both affirming and life-saving. After graduate school, I developed a class at UC Berkeley where I focused on novels written by and about women of color, knowing compelling stories gave the students a chance to live in someone else’s universe. I still believe books can change hearts and minds, and reading them propels me to continue seeking well-told stories by authors—particularly writers of color—who have the courage to put their words on the page.
I liked this novel because it is rough, heartfelt, and engaging. This story is unusual in that the protagonist, Chulito, a 16-year-old Puerto Rican high school dropout, lives in the South Bronx and is in love with his childhood friend Carlos, but with the barrio’s rampant, ongoing homophobia, he attempts to play straight. Chulito is recruited by a local dealer to sell drugs, and though he acts the tough guy, his love for Carlos persists, even though he struggles to keep his true desire secret. Everything changes when Carlos comes home for the summer after his first year of college and Chulito’s life breaks free.
Their love for each other rises above the trove of hostile masculinity surrounding them, bringing vibrancy to their lives. Yet the struggles persist, as Chulito needs to negotiate the options available for a queer high school dropout caught between limited choices. I enjoyed Rice-Gonzalez’s vibrant…
"A tremendous debut...full of heart and courage and a ferocious honesty."-Junot Diaz, author of The Brief, Wondrous Life of Oscar Wao
Set against a vibrant South Bronx neighborhood and the queer youth culture of Manhattan's piers, Chulito is a coming-of-age, coming out love story of a sexy, tough, hip hop-loving, young Latino man and the colorful characters who populate his block. Chulito, which means "cutie," is one of the boys, and everyone in his neighborhood has seen him grow up--the owner of the local bodega, the Lees from the Chinese restaurant, his buddies from the corner, and all of his…
As a picture book author and mom, I am constantly inspired by the world around me. I love watching my children, and I love how they adore their dad and he adores them in return. So many of my stories have been inspired by their interactions. While I am no expert on fatherhood, I have been fortunate to have had a loving dad who played “Monster in the Middle,” who took us for rides on his motorcycle, and reminded us that we could accomplish anything we put our mind to. I love books that remind us of the power of a loving father-child relationship and hope you, too, will be lifted by these joyful stories.
My Papi Has a Motorcycle is a unique look at not just a father-daughter relationship, but at how they connect with their whole community. My own dad had a motorcycle, and from waiting for him to get home from work, to slipping that big helmet on, to holding onto him tightly as we flew down the streets, I connected with this story and the bond between father and daughter. A special outing with Dad, or Papi, is always a treat, and this book brings that to life.
A celebration of the love between a father and daughter, and of a vibrant immigrant neighborhood, by an award-winning author and illustrator duo.
When Daisy Ramona zooms around her neighborhood with her papi on his motorcycle, she sees the people and places she's always known. She also sees a community that is rapidly changing around her.
But as the sun sets purple-blue-gold behind Daisy Ramona and her papi, she knows that the love she feels will always be there.
With vivid illustrations and text bursting with heart, My Papi Has a Motorcycle is a young girl's love letter to her…
I am a queer Latinx author and avid reader. Long before I became an author, I was devouring books and losing myself in fantasy worlds. When I got older, I realized how few books in the market looked like me. I didn’t feel represented in the literary world. Now, I create queer fantasy novels that feature strong women of color in sweeping Latin American-inspired settings for future generations.
Cemetery Boys was the first time I truly felt represented in a fantasy novel, and once I started, I couldn’t put it down.
The navigation of family dynamics in the story is brilliant - we follow Yadriel, a gay Latinx trans teen whose family is made up of brujas (women) and brujos (men). The struggle to find his place in that system, and the way that his family members seem accepting in one moment, then dismissive in another is unbearably relatable for many queer kids growing up in Latinx households.
In an effort to prove his worth to his family (and himself) Yadriel accidentally summons the ghost of a very cute dead boy, and together they go on a journey full of both danger and self-discovery.
Yadriel has summoned a ghost, and now he can't get rid of him.
When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free.
However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
The compelling, digestible, and often dangerous metaphor is the star of Brown Tide Rising.
Santa Ana clearly explains that it is the mediated metaphor that embeds itself in our brains, cementing ideas and tropes. Looking at Latino metaphors in historical issues of the Los Angeles Times, he offers a new application for linguist George Lakoff’s cognitive model of metaphor, which studies how metaphors map to each other.
For instance, Santa Ana identifies “flowing waters” as one such metaphoric tie-in that joins metaphors such as tides, surges, waves. I like this book because it is a great reminder about how the images conjured by words—in this case metaphors—make us “see” the world in certain ways.
2002 - Best Book on Ethnic and Racial Political Ideology and/or Political Theory - Organized Section on Race, Ethnicity, and Politics of the American Political Science Association
"...awash under a brown tide...the relentless flow of immigrants..like waves on a beach, these human flows are remaking the face of America...." Since 1993, metaphorical language such as this has permeated mainstream media reporting on the United States' growing Latino population. In this groundbreaking book, Otto Santa Ana argues that far from being mere figures of speech, such metaphors produce and sustain negative public perceptions of the Latino community and its place in…
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
For people specifically interested in understanding issues around domestic violence and the justice setting in the U.S., this is an excellent read.
Villalón provides an intimate look at the difficulties Latina immigrants specifically face when navigating their marginality in a system that is already clunky and incomplete. While my book looks more at the experience of being a Latina immigrant survivor from a health and aging perspective, this book offers more insights into the legal implications of being an immigrant survivor, and I reference her excellent research many times in my own.
Caught between violent partners and the bureaucratic complications of the US Immigration system, many immigrant women are particularly vulnerable to abuse. For two years, Roberta Villalon volunteered at a nonprofit group that offers free legal services to mostly undocumented immigrants who had been victims of abuse. Her innovative study of Latina survivors of domestic violence explores the complexities at the intersection of immigration, citizenship, and violence, and shows how inequality is perpetuated even through the well-intentioned delivery of vital services. Through archival research, participant observation, and personal interviews, Violence Against Latina Immigrants provides insight into the many obstacles faced by…
I never read much urban history until I wrote one. For me, the problem was that most urban histories felt repetitive – they presented the same story over and over, just set in different locations. This was because most narrated the results of deeper, structural shifts (in spheres such as federal strategies of home finance, technological developments, demographic shifts, the rise or decline of manufacturing, political realignments, etc.) without sufficiently illuminating the causes. Regardless of whether they focus on Las Vegas or Philadelphia or Chicago or Dallas, each of these books – which I am presenting in order of publication date, not quality, as they are all excellent – will leave you smarter about the forces that shape our cities.
Sandoval-Strausz examines Latino neighborhoods in Chicago and Dallas to explain “How Latino Immigrants Saved the American City.” Along the way, he illuminates federal policies and private industries that together damaged cities. These include U.S. immigration policies that combined with economic conditions in Mexico and Central America to spur Latino immigration while creating obstacles to legal settlement within the U.S. Explaining everything from international labor flows to urban architectural styles to the politics of gentrification, Barrio America is also an implicit account of how Latinos became “white.” Also recommended is anything by Arlene Davila, whose specialty is understanding the implications of neoliberalism on Latino communities.
Starting around 70 years ago, white flight out of America's major cities caused rapid urban decline. Now we are witnessing a resurgence of American urbanism said to be the result of white people's return. But this account entirely passes over the stable immigrant communities who arrived and never left: as whites fled for the suburbs and exurbs in increasing numbers, Latin Americans immigrated to urban centres in even greater numbers. Barrio America charts the vibrant revival of American cities in the 1970s, 1980s and 1990s, arguing that we should attribute this revival to the influx of Latin American immigrants --…
I write picture-book biographies and my latest book focuses on the first giraffologist, Dr. Anne Innis Dagg. While researching this book, I learned about so many people who have dedicated their lives to studying and protecting animals. Almost always, their love of wildlife began in childhood. So why not inspire young animal lovers today with true stories about people who share their passion for wildlife?
I’m a cat person (please don’t tell my dog). Therefore I was naturally drawn to a book by Dr. Alan Rabinowitz—a zoologist who dedicated his life to protecting the world’s wild cat species. But while young readers might pick up this book because they are cat lovers or intrigued by jaguars, they’ll discover so much more. This is the true story about a boy with a stutter and how he finds his voice by talking to jaguars. Later, he returns the favor by using his voice to advocate for big-cat conservation. Beautifully illustrated by Catia Chien, this memoir shows what it means to keep a promise and how pursuing your passion can help you overcome obstacles. The back matter includes an interesting Q&A with Dr. Rabinowitz.
2015 Schneider Family Book Award Winner * "A candid and deeply resonant account of a hard-fought battle against societal stigma, and an embrace of one's true talent and calling." —Publisher's Weekly, starred review
Speaking for the animals he loves gives one boy’s life hope, purpose, and truth in this gorgeous picture book autobiography.
Alan loves animals, but the great cat house at the Bronx Zoo makes him sad. Why are they all alone in empty cages? Are they being punished? More than anything, he wants to be their champion—their voice—but he stutters uncontrollably.
I’m a nature writer living in the magical realism of the American Southwest. The seminal environmentalist Aldo Leopold said, “There are some who can live without wild animals and some who cannot.” I am the latter. In rural New Mexico, I have looked up from my writing to see so many animals pass by my window. Fox. Bobcat. Javelina. Deer. Once—a mountain lion! These are all gifts. I’ve also learned to enjoy the tracks and signs left by wild animals, their presence still palpable and resonant. For me, recognizing the endearingly small print of a spotted skunk or pocket mouse is deeply satisfying—a cure for all kinds of existential angst.
Reading Craig Child’s encounters with wild animals made me feel closer to the animals where I live. I have also had intriguing and potent experiences with ravens and mountain lions, and his descriptions brought back these powerful memories.
So many of us resonate with the wildlife winding through our lives—secretly passing through our gardens and backyards, on the trails we walk in national forests, or in the city parks where we picnic. I resonated, certainly, with this author’s reverence and awe toward nature, as well as his lively prose and sense of fun and self-deprecation.
THE ANIMAL DIALOGUES tells of Craig Childs' own chilling experiences among the grizzlies of the Arctic, sharks off the coast of British Columbia and in the turquoise waters of Central America, jaguars in the bush of northern Mexico, mountain lions, elk, Bighorn Sheep, and others. More than chilling, however, these stories are lyrical, enchanting, and reach beyond what one commonly assumes an "animal story" is or should be. THE ANIMAL DIALOGUES is a book about another world that exists alongside our own, an entire realm of languages and interactions that humans rarely get the chance to witness. "The author has…
As the daughter of a prim and proper New England family, expectations were that I would follow societal norms: attend college, get married, and raise a family. I knew practically nothing about the world outside the United States, nor had I any curiosity about it. Everything changed in 1980 when I took a job as an accountant working for one of the world’s greatest adventurers, Richard Bangs. He literally dragged me, kicking and screaming, into the remotest heart of Africa, where I became infected by wanderlust. Ever since, as a single woman, I have embraced a life of adventure traveling around our amazing planet.
I lived in Bolivia in the late 1980s, and with three friends set off on a long wooden riverboat journey on the Rio Beni deep into the Amazon rainforest to the tiny jungle village of Rurrenebaque, a village strikingly similar to Ayachero where Ferencik set her story. I can verify that Ferencik’s detailed descriptions of the environment and its indigenous people perfectly capture the wilderness setting for this story.
The protagonist, Lily Bushwold, endures unimaginable challenges as she follows her new Bolivian love from La Paz back to his village. It is a world full of wonders and terrors, where she must use her wits to survive.
Featured in the New York Times Book Review Summer Reading Guide * A Crime by the Book "Most Anticipated" Novel * Featured in the New York Post Summer Round Up * Starred Publishers Weekly Review * A Publishers Weekly "Big Summer Books" * A Kirkus Reviews "Creepy Thrillers" Pick
In this pulse-pounding thriller from the author of the "haunting, twisting thrill ride" (Megan Miranda, New York Times bestselling author) The River at Night, a young woman leaves behind everything she knows to take on the Bolivian jungle, but her excursion abroad quickly turns into a fight for her life.
