100 books like Chulito

Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.

By inserting the book into a time when the very essence of the story is dangerous, the people are made to be in a situation where I was turning one page after the next to find out what would happen to them.

Each question that arose in my mind made me urgently attempt to find answers and the smile that came to my face at each happy moment felt amazing. The emotions that echoed through the book found their way into me and made me feel as if I was along for the ride as well right beside the characters.

This is the spark that lit me on fire and showed me that all the features of queer adolescence I thought were impossible to write about in “books for teens” are totally possible to write about.

Juliet, Puerto Rican teen from the Bronx, feels the weight of her community’s and family’s homophobia, and attempts to build her resume and find a wider world by interning for her favorite feminist writer—a thirtysomething eccentric, woo-woo white Oregonian, who despite having friends and exes of color and apparently genuinely hoping to offer Juliet wisdom, care, and research opportunities, is lackadaisical, irresponsible, and more than capable of shrewdly using Juliet to market herself and her books.

Juliet’s encounters with racist microagressions, feminist approaches to menstruation, weed, heartbreak, and the problem of regionally-specific queer buzzwords pull no punches. Rivera asks us to look at what responsibilities might be involved in “community”, including the responsibility to… show more.

This compelling and beautifully written story begins in 1968 during the Biafran civil war in Nigeria, creating a unique setting of hardship, hunger, and death afflicting the people living in the area. Ijeoma, the 11-year-old protagonist, is sent away after a life-changing event and lives in a squalid hut when a young girl from another tribe comes to stay. Despite the difficulties surrounding them, the girls fall in love and the intensity of their desire continues as they grow. I enjoyed how Okparanta writes of the naturalness of this first love and how they cared for each other. Though the girls are separated, they reunite, but face religious repression from their community, which uses the Bible against them. The girls move on with their lives and Ijeoma finds another love, but this too, suffers from cultural and religious constraints. According to Okparanta (who lives in NY), Nigeria is a very… show more.

I love the main character’s horrible, deep, dark depression. Aaron’s life as a kid in the projects of New York City means he can’t be gay. So many bad things happen to Aaron that he wants to get a procedure to erase parts of his memory.

I love that just as it seems like Aaron’s life, his friends, his romantic life, his mom and brother, all seem to be somewhat in balance, everything goes to shit and his life is worse than he thought. His father, who he thought died of a heart attack, actually killed himself in the bathtub they use every day.

In the first version of the book, the ending is so sad and depressing, the author went back and added a new chapter just to give me some hope for Aaron. The updated ending is amazing.

In this evocative memoir, the first in a series of three and a New York Times 1982 best book of the year, Simon, a travel writer, captures the world of an immigrant child growing up in the Bronx in the 1920s. Their fathers were harsh disciplinarians; mothers knew abortion to be the most effective birth control; and daughters saw poor scores in math crush their dreams. A story of triumph over the odds, of female rebellion, and of the many ways of learning, this memoir evokes a bygone world that also feels very contemporary.

My friend and co-author Aubrey Fox recommended this book to me not long after we met. 

I liked it so much that I think it is actually one of the reasons we became friends in the first place. Tilting at Mils is the story of an innovative effort by the Natural Resources Defense Council, a leading environmental nonprofit, to create a paper mill in the Bronx in the 1990s. 

The initiative attracted millions of dollars and high-level political support, both in New York City and Washington DC. But the project never happened.

Tilting at Mills is a gripping story of failure, not due to malfeasance or incompetence, but because achieving anything is difficult and lots of things can go wrong, including rotten luck and bad timing. 

Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.

In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”

Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.   

Redemption is not just about stopping this or quitting that. Whether your problems are chemical or behavioral, those simple changes are a necessary beginning, but they are rarely enough to get the monkey’s teeth out of your neck.

In this novel, Block’s protagonist from 8 Million Ways to Die wrestles with the post-addiction problem of who you are, really, after that thing that has been propping you up is taken away. Redemption isn’t about what happens when you stop digging the hole. It’s about what happens when you climb out of the hole and start becoming.

This book is similar to mine, following a team of high school basketball players through a season, but it’s set in an urban environment: Brooklyn’s Coney Island. The boys it focuses on are African-American, the off-court struggles they and their community face (crime, violence, drug use, the lure of the streets, and the corruption of college basketball recruiters) differ from those that challenge the kids in remote Alaska, but the joy and solace they find in the game itself are the same. The writing is terrific—lucidly and intimately bringing to life the four boys whose lives it focuses on.