Here are 100 books that Lies Our Mothers Told Us fans have personally recommended if you like
Lies Our Mothers Told Us.
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I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
A tour de force! This is an amazing book that takes a historical view to explain the story of women’s exclusion from public life and the physical and epistemic violence they experienced through the witch trials in Europe.
I would never have put these two elements together–bringing witch trials into view to help us understand the exclusion of women from the political economy of everyday life. This, Federici argues, led to the restructuring of household relations and the role of women in them, which in turn reflected the changing needs of society with the rise of capitalism.
I found this book illuminating and inspiring as it also tells us about the struggles of women against the shifts in their roles.
'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room
A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist…
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
This is a great book for understanding the concept of social reproduction, the maintenance of life itself.
Many well-known and thoughtful authors have contributed chapters to this book, explaining different aspects of social reproduction–which can be understood as the production and maintenance of life itself–and the consequences of its unequal distribution.
I enjoyed reading this book, even though, at times, I felt that it needed to broaden its approach to social reproduction to include insights from how this work affects people in the Global South.
This groundbreaking collection explores the profound power of Social Reproduction Theory to deepen our understanding of everyday life under capitalism. While many Marxists tend to focus on the productive economy, this book focuses on issues such as child care, health care, education, family life and the roles of gender, race and sexuality, all of which are central to understanding the relationship between economic exploitation and social oppression.
In this book, leading writers such as Lise Vogel, Nancy Fraser, David McNally and Susan Ferguson reveal the ways in which daily and generational reproductive labour, found in households, schools, hospitals and prisons,…
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
This book shook up the debate on domestic work and the place of women in society.
Da la Costa and James put forward the radical idea that the working class must include non-waged workers in the home, most of whom are women. This was a revolutionary idea which brought to light how the work of women is overlooked in society and the economy. Wages for housework were their symbolic and material answer to this, and this generated a huge debate about how the modern family was created by the development of capitalism, with the care labour of women being a subsidy to capital.
When I first read this book, I felt as if a whole new way of thinking about women’s work had been opened up.
A superb introduction to the prospect of opening our idea of the working class to include non-waged workers, specifically women who work in the home. A simple idea with profound revolutionary consequences. If the workers of the world are not all in the factory, and are not all men, where does that leave us?
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
I really learnt a lot from this book! It is an important contribution to the debates about women’s labour, accumulation of capital, and extraction of resources from the global south.
It traces the social origins of the sexual division of labour, which Mies called 'housewifization' (not my favourite word, but it captures something about the way in which the term housewife hides women’s labour!). Layering this with the history of colonialism and the new international division of labour, Mies is able to locate the history of capitalism not only in the roots of colonialism but also in the gendered division of labour–capitalist patriarchy.
This is now a classic in feminist political economy literature.
'It is my thesis that this general production of life, or subsistence production - mainly performed through the non-wage labour of women and other non-wage labourers as slaves, contract workers and peasants in the colonies - constitutes the perennial basis upon which "capitalist productive labour" can be built up and exploited.'
First published in 1986, Maria Mies's progressive book was hailed as a major paradigm shift for feminist theory, and it remains a major contribution to development theory and practice today.
Tracing the social origins of the sexual division of labour, it offers a history of the related processes of…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
I love how this short story collection traverses time but not location—the setting is the northeastern state of Meghalaya while the stories span 150 years. In these fifteen tales, folklore mixes with modern life and myth is steeped in the mundane. The result? The reader journeys through a rich smorgasbord of a multi-faceted Meghalaya and its people. Given the tendency to clump the seven northeastern states together, this book helps us view one of those states distinctively.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile…
About thirty years ago, I spent three months on an Indo-American Fellowship in Varanasi taking notes on daily life in this holy city where my novel Sister India is set. That winter felt like a separate life within my life, a bonus. Because all there was so new to me, and it was unmediated by cars, television, or computers, I felt while I was there so much more in touch with the physical world, what in any given moment I could see, hear, smell…. It was the way I had felt as a child, knowing close-up particular trees and shrubs, the pattern of cracks in a sidewalk.
A dark story about a corrupt man, An Obedient Father unfolds in a closely observed world. From page one: “It was morning. The sky was blue from edge to edge. I had just bathed and was on my balcony hanging a towel over the ledge. The May heat was so intense that as soon as I stepped out of the flat, worms of sweat appeared on my bald scalp.” The close sensory detail makes a dark story shockingly intimate.
Ram Karan, a corrupt official in the Delhi school system, lives in one of the city's slums with his widowed daughter and his eight-year-old granddaughter. Bumbling, contradictory, sad, Ram is a man corroded by a guilty secret. An Obedient Father takes the reader to an India that is both far away and real - into the mind of a character as tormented, funny, and ambiguous as one of Dostoevsky's anti-heroes.
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
Rumer Godden is a favourite novelist of mine, but this is non-fiction. Godden was born in India and only left after Independence. Towards the end of World War Two, she made a long journey to document the work done by women volunteers in the Bengal region of India during the war, travelling huge distances, crossing many rivers, to remote places. The book, with photographs, includes the work of both European and Indian volunteers in a huge number of organizations, ranging from the Red Cross, hospital trains, and dispatch riders to the ARP and mobile canteens. Best of all are the descriptions Godden gives us in this wonderful book as she turns her novelist's eye on all these people and places of work and brings them all to life.
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
This collection features South Asian characters from the present to different times in history. Bhuvaneswar’s prose is gorgeous, her dialogue snappy. From a woman feeling guilty for having an affair with her friend’s husband to an enslaved woman in Renaissance-era Portugal to a queer woman who’d rather move to another country than come out to her parents, Bhuvaneswar’s characters are smart, self-aware, flawed, and fascinating.
Best Books of 2018 Kirkus Reviews (debut and short fiction categories)
Best Books of 2018, Entropy Magazine
A Book Club selection for The Wing, Rebel Women's Lit and Bookish.com
35 over 35 Debut Fiction Award
Finalist for the 2019 PEN American Robert Bingham Prize for Debut Short Story Collection
"Chaya Bhuvaneswar's debut collection maps with great assurance the intricate outer reaches of the human heart. What a bold, smart, exciting new voice, well worth listening to; what an elegant story collection to read and savor." -Lauren Groff, author of Florida
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
Oh, how I enjoyed the dry wit embedded into each page! This complex mystery is filled with engaging characters. Author Vaseem Khan lavishes even the most minor characters with detailed and hilarious descriptions. The mystery of three separate murders converging is wrapped up with a cipher puzzle embedded in the mythology of Indian culture and iconography. The crimes with two different modus operandi makes things even more confusing.
Sourcing from the internment of foreign nationals in India during World War II, this twisty tale takes us through a number of locations and little-known events of India's history. I enjoyed protagonist Persis Wadia, as a Parsi woman myself, however, seeing her run headlong into dangerous situations does not do her credit. The deepening personal relationship with Archie is delightful but perhaps a deeper understanding of the moral and personal quandaries will be coming in future books. This does not detract from…
When the body of a white man is found frozen in the Himalayan foothills near Dehra Dun, he is christened the Ice Man by the national media. Who is he? How long has he been there? Why was he killed?
As Inspector Persis Wadia and Metropolitan Police criminalist Archie Blackfinch investigate the case in Bombay, they uncover a trail left behind by the enigmatic Ice Man - a trail leading directly into the dark heart of conspiracy.
Meanwhile, two new murders grip the city. Is there a serial killer on the loose, targeting Europeans?
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
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