Here are 100 books that Patriarchy and Accumulation on a World Scale fans have personally recommended if you like
Patriarchy and Accumulation on a World Scale.
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I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
A tour de force! This is an amazing book that takes a historical view to explain the story of women’s exclusion from public life and the physical and epistemic violence they experienced through the witch trials in Europe.
I would never have put these two elements together–bringing witch trials into view to help us understand the exclusion of women from the political economy of everyday life. This, Federici argues, led to the restructuring of household relations and the role of women in them, which in turn reflected the changing needs of society with the rise of capitalism.
I found this book illuminating and inspiring as it also tells us about the struggles of women against the shifts in their roles.
'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room
A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist…
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
This is a great book for understanding the concept of social reproduction, the maintenance of life itself.
Many well-known and thoughtful authors have contributed chapters to this book, explaining different aspects of social reproduction–which can be understood as the production and maintenance of life itself–and the consequences of its unequal distribution.
I enjoyed reading this book, even though, at times, I felt that it needed to broaden its approach to social reproduction to include insights from how this work affects people in the Global South.
This groundbreaking collection explores the profound power of Social Reproduction Theory to deepen our understanding of everyday life under capitalism. While many Marxists tend to focus on the productive economy, this book focuses on issues such as child care, health care, education, family life and the roles of gender, race and sexuality, all of which are central to understanding the relationship between economic exploitation and social oppression.
In this book, leading writers such as Lise Vogel, Nancy Fraser, David McNally and Susan Ferguson reveal the ways in which daily and generational reproductive labour, found in households, schools, hospitals and prisons,…
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
This book shook up the debate on domestic work and the place of women in society.
Da la Costa and James put forward the radical idea that the working class must include non-waged workers in the home, most of whom are women. This was a revolutionary idea which brought to light how the work of women is overlooked in society and the economy. Wages for housework were their symbolic and material answer to this, and this generated a huge debate about how the modern family was created by the development of capitalism, with the care labour of women being a subsidy to capital.
When I first read this book, I felt as if a whole new way of thinking about women’s work had been opened up.
A superb introduction to the prospect of opening our idea of the working class to include non-waged workers, specifically women who work in the home. A simple idea with profound revolutionary consequences. If the workers of the world are not all in the factory, and are not all men, where does that leave us?
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
A friend gave me this book, and I couldn’t put it down. It is Bhowmick’s story–and that of her mother, who was a working mother and exhausted by managing both her professional work and homemaking.
Building on this, Bhowmick maps the lives of middle-class Indian women labouring under this double burden and yet giving hope to their daughters about the promise of the possibility of "having it all"–a fulfilling home life (despite the unequal burden of housework) and an ambitious professional life.
The tone of the book is angry as Bhowmick, a journalist, conveys her frustrations with the patriarchal social order that refuses to see the depleting effects of gendered inequalities in both the public and the private spheres of life for middle-class women in India.
Savitribai Phule, Mahasweta Devi, Amrita Pritam, Medha Patkar, Kamla Bhasin, and countless others have, since the nineteenth century, fought for and won equal rights for Indian women in a variety of areas-universal suffrage, inheritance and property rights, equal remuneration, prevention of sexual harassment at the workplace, and others. Pioneering feminists believed that due to these hard-won rights, their daughters and granddaughters would have the opportunity to have rewarding careers, participate in the social and political growth of the country, gain economic independence, and become equal partners in their marriages. On paper, it would appear that the lot of Indian women…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
The domestic slave trade business was operated predominantly by white men, but the labor of Black women was critical to making it profitable. Here, Alexandra Finley recovers the stories of Black women who fed and clothed the enslaved in pens and jail, who kept the houses of slave traders, who were commodified for purposes of sexual slavery in the so-called fancy trade, and who sometimes even lived as the concubines and “wives” of traders. Putting enslaved women and their work at the center of the story yields an entirely new angle of vision on the trade.
Alexandra Finley adds crucial new dimensions to the boisterous debate over the relationship between slavery and capitalism by placing women's labor at the center of the antebellum slave trade, focusing particularly on slave traders' ability to profit from enslaved women's domestic, reproductive, and sexual labor. The slave market infiltrated every aspect of southern society, including the most personal spaces of the household, the body, and the self, Finley shows how women's work was necessary to the functioning of the slave trade, and thus to the spread of slavery to the Lower South, the expansion of cotton production, and the profits…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
At a moment when I was stuck in the long process of writing my book–newly divorced, overwhelmed by solo parenting young twins, and exhausted by pandemic shutdowns–this book reinvigorated me as a writer and mother. Phillips artfully demonstrates not only that motherhood and creative lives aren’t mutually exclusive, as the common trope would suggest, but that there are infinite paths to combining the two.
What does it mean to create, not in "a room of one's own" but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.
With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms…
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I think every woman should read this book. In a time when we need a “movement” to be seen or heard, Dragons reminded me of our strength, of how often the world has its boot on the back of our necks.
I loved the story of 2 sisters-one who desperately wants to be a dragon and the other, who does not. It was my first audiobook and I finished it in 2 days.
A KIRKUS BEST BOOK OF 2022 • A rollicking feminist tale set in 1950s America where thousands of women have spontaneously transformed into dragons, exploding notions of a woman’s place in the world and expanding minds about accepting others for who they really are. • The first adult novel by the Newbery award-winning author of The Girl Who Drank the Moon
Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a…
Lois Pryce is a British author who has travelled extensively in Iran. Her book, Revolutionary Ride tells the story of her 2013 solo motorcycle tour of the country and was shortlisted for the Edward Stanford ‘Adventure Book of the Year’ Award. Her travels have taken her to over fifty countries and her writing has featured in The New York Times, The Guardian, CNN, BBC, The Telegraph and The Independent.
An astounding 20th century life-story told with honesty and warmth by one of Iran’s most impressive and pioneering women. From growing up as part of her father’s harem before setting sail for the USA during WWII to attend university, then returning to Iran to create a national social care system and finally, the unbearable tragedy of her life’s work being destroyed by the Islamic regime, this is an inspiring but heartbreaking story of bravery and humanity at its best.
Sattareh Farman Farmaian, the daughter of a once-powerful and wealthy Iranian prince, was raised and educated in the 1920s and 1930s in a Persian harem compound, along with numerous mothers and more than 30 brothers and sisters. As a young woman, she broke with Muslim tradition and travelled to America, where she became the first Persian to study at the University of Southern California. Her new life in the West fired a vision to lift her own people out of backwardness and poverty, and she returned to Iran to found the Tehran School of Social Work. For more than 20…
I had always wanted a grand adventure and I’ve always loved reading about epic journeys. When I was a teen, I read an article in National Geographic about walking the Appalachian Trail and thought, I need to do that. I grew up in an outdoorsy family and married a man who loved the outdoors even more. But we never got to an adventure until we were empty nesters. In our late fifties we decided to walk 1400 miles from the cold North Sea to the warm Mediterranean on the legendary long-distance trail the GR5. After finishing our epic journey, I needed to share my love of European walking with others.
Wanderers is not a memoir. Andrews, who is a professor of literature in the UK, presents ten chapters on ten famous women writers who also walked.
I found it interesting to learn how some of the women left town before dawn to walk so that they would not be seen. Society at that time felt it was not safe for a woman to walk by herself. I was amazed at some of the distances that they walked; for example, in the early 1800s Ellen Weeton walked 35 miles in a day.
I found the interconnection of walking to help writing and writing about walking fascinating. I will return to read this again and again.
Now in B-format paperback, this book describes ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces their footsteps, from eighteenth-century parson's daughter Elizabeth Carter - who desired nothing more than to be taken for a vagabond in the wilds of southern England - to modern walker-writers such as Nan Shepherd and Cheryl Strayed. For each, walking was integral, whether it was rambling for miles across the Highlands, like Sarah Stoddart Hazlitt, or pacing novels into being, as Virginia Woolf did around Bloomsbury. Offering a…
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