Here are 100 books that Let Sleeping Gods Lie fans have personally recommended if you like
Let Sleeping Gods Lie.
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When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
I like Seventh Son more than I liked Ender’s Game. There, I said it.
Seventh Son draws on legends and mythology that I’ve tasted throughout my life, but weaves a truly awesome tale of coming into power and heroism inside of all of that. Because Alvin is the seventh son, he’s endowed with a powerful potential but the world around him doesn’t want him to find his power. Evil forces do everything they can to stop him.
That sounds like my life at times. I know I have the ability to do special things, but forces outside my control seem to want me to fail. The Tales of Alvin Maker blew my imagination wide open, but also told me I could do anything if I was determined enough.
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
I love a noir detective story. Set that story in a fantastical, blood-drenched Tenochtitlan, the capital of the Aztec empire, and I’m totally sold.
The story follows Acatl, who is a high priest of the dead, as he, I kid you not, tries to solve what appears to be a murder case. Except he’s not walking the streets of some modern city – his journey takes him through the fascinating world of a familiar yet unique Aztec empire where human sacrifice is the only thing keeping the world spinning in its proper order.
Having familiar conflicts, including family issues, makes this one a unique standout. Acatl sounds like people I know. Following his determined efforts to bring a specific evil to heel – all while in a society that seemingly glories in bloodshed – is awesome.
The first book in the critically acclaimed Obsidian and Blood trilogy:
Year One-Knife, Tenochtitlan the capital of the Aztecs. Human sacrifice and the magic of the living blood are the only things keeping the sun in the sky and the earth fertile.
A Priestess disappears from an empty room drenched in blood. It should be a usual investigation for Acatl, High Priest of the Dead--except that his estranged brother is involved, and the the more he digs, the deeper he is drawn into the political and magical intrigues of noblemen, soldiers, and priests-and of the gods themselves...
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
Witchy Eye instantly transported me to a fascinating, alternate Appalachia, where magic and magical creatures abound.
Not only does this book tell a coming-of-age and heroic story about Sarah Calhoun, it takes place in a fascinating world where the New World has an emperor, legends that I’d heard tell of have come to life, and undead and shapeshifters haunt Sarah’s every step.
Sarah’s voice is accessible and sympathetic. At the same time, her journey to try to claim her own powerful heritage and discover the truth about her lineage, takes place in a world that is totally replete with creatures and mythology from the New World.
DJ Butler is deeply versed in the history and legends of many regions and people from old colonial America – making this a fascinating read.
Sarah Calhoun is the fifteen-year-old daughter of the Elector Andrew Calhoun, one of Appalachee's military heroes and one of the electors who gets to decide who will next ascend as the Emperor of the New World. None of that matters to Sarah. She has a nat
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
New Amsterdam is a collection of noir detective fantasy set in an alternate New World with sorcery, magical creatures, and terrifying evil.
The main character is a fallen figure, Abigail Garrett, who self-medicates with booze while trying to fulfill her duties as a forensic sorceress. She investigates heinous crimes with a voice and motivation that I absolutely loved.
Add to this character and world a scenario similar to Murder on the Orient Express and I had to pick this one up.
Abigail is not Hercule Poirot – she’s much more interesting. Her motivations and resigned duty resonated with me and I loved the textured world she inhabited. Fun alternate history with very interesting magic and setting.
Abigail Irene Garrett drinks too much. She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations. Sebastien de Ulloa is the oldest creature she has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it.…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
This book provides an answer to a question that historians of arms control have asked since WWII ended: Why had the use of chemical weapons on the battlefield not become widespread in WWII, in the same manner it had in WWI? Focusing on Britain, Canada, and the United States, Holding Their Breath explores Allied reluctance to use chemical weapons and their formulation of a joint policy on chemical warfare. M. Girard Dorsey shows that the potential for chemical warfare in WWII profoundly influenced the course of the war’s events.
Holding Their Breath uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained chemical weapon use during World War II. Unlike World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty.
The story of chemical weapons and World War II begins in the interwar period as governments and…
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
Bottle and Glass is set in actual, historical Kingston taverns from the early 1800’s. It is said that there was then a drinking shop in town for every seventh male adult and one visitor claimed that two thirds of the people he passed on the road were drunk. In 1812, when Kingston had a population of less than four thousand, it had about eighty taverns. So, the Bottle Companion, published in 1768, is a perfect pairing. It is filled with all manner of ribald drinking songs and saucy lyrics, paeans to drink and revelry; it helps set the tone for what early 19th century life was really like. A number of characters in Bottle and Glass, at particular moments of high spirits and ever-expanding mayhem, belt out selections from the Companion.
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
I served for 40 years in the British Army, including many tours of active duty. I commanded operations in every rank, from Second Lieutenant to Lieutenant General. I had the privilege of commanding not only British troops, but also troops from the USA, Canada, Australia, and more. I was Director-General and Master of the Royal Armouries and since 2013 I have been Visiting Professor in War Studies at King’s College London. I hold three degrees including a PhD. I've published more than 20 books and numerous articles. I continue to learn new things from history every day, as well as passing on our history to others, and that’s what books are all about.
Readers are Dianne and her husband Don have been personal friends for many years. Like many people, I was deeply saddened by her untimely death last year. Dianne had a wonderfully fluent written style, so easy to read, and could capture a moment like few others. Her book gives insights into wartime life and the role of women in the early 19th Century in Quebec, Montreal, and Toronto (the York), as well as in Washington DC and Philadelphia. While the men did the fighting, the women backed them up – on the frontier, quite literally. A fascinating book written with passion and insight.
The War of 1812 between the United States and Britain has been covered in detail by many historians, but its impact on the lives of women has been largely overlooked. After years of research, Dianne Graves has produced a marvelous study of how the war affected women at all levels of society, from high society in Washington and Quebec to the women who followed their husbands to the front lines. She brings to life the untold stories of wives, daughters, heroines and harridans, as revealed in memoirs, diaries and letters of the time. The book is well illustrated with portraits,…
I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
This book should be made into a movie! Yes, it is written by two legal historians and yes, it is about a court case, but it reads like a thriller. Great characters, twists and turns in the plot, prime ministers, feisty ladies, the whole nine yards. It is the story of how a British court decided that women were “persons” and thus could be appointed to the Canadian Senate. At the time, only certain “persons” were eligible and only men were considered “persons.” It is not about eugenics, but the events take place around 1929 and the authors do a great job of explaining what Canadian society was like then. This helps us appreciate why the ground was so fertile for eugenic ideas and why women like the “persons” involved in the story were also eugenicists.
On 18 October 1929, John Sankey, England's reform-minded Lord Chancellor, ruled in the Persons case that women were eligible for appointment to Canada's Senate. Initiated by Edmonton judge Emily Murphy and four other activist women, the Persons case challenged the exclusion of women from Canada's upper house and the idea that the meaning of the constitution could not change with time. The Persons Case considers the case in its political and social context and examines the lives of the key players: Emily Murphy, Nellie McClung, and the other members of the "famous five," the politicians who opposed the appointment of…
A Southern California-based writer, screenwriter, and journalist whose adventures in and around the film business have led to hundreds of feature stories and film reviews for such magazines as Vibe, Playboy, American Film, Smithsonian, and Movieline. His books include three dedicated to Disney animated classics and a volume on the art of American movie posters. His lovingly satirical book Bad Movies We Love, co-written with Edward Margulies, inspired a Turner Network movie marathon series, his Alfred Hitchcock and the Making of Psycho was filmed in 2012. His next non-fiction book will be published in 2024.
In the mid-‘60s, acclaimed Irish-Canadian novelist Brian Moore unhappily spent time grappling with the script problems plaguing director Alfred Hitchcock’s 1966 spy thriller Torn Curtain. In this frankly autobiographical 1971 novel, a Hitchcock-esque producer comes in for knocks when a Moore-like novelist-screenwriter gets lured to Hollywood to work on the screenplay for a famous moviemaker’s next film. (Moore described his brush with Hitchcock as “awful, like washing floors.”) Waiting to learn whether he’s going to be forced to do another script rewrite, the novelist agonizes over his ongoing divorce and his relationship with his new girlfriend. Mostly, though, he’s confronted by the ghosts of friends and family members past, notably his father’s. So sharply funny, painfully honest a book that one almost wishes Hitchcock had filmed it instead of Torn Curtain.
This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive…
