Fans pick 100 books like The Gentleman's Bottle Companion

The gold standard source for what life was like for the hardy souls arriving in Upper Canada in the early 19th century. Although writing from a position of relative privilege, Moodie writes of hardships and deprivations that make the modern reader blanch. We wonder whether we could have survived what she and her family endure.  She writes with richness and great humanity so that we can vividly imagine what it must have been like for her to be taken from the relatively comfortable life she’d known and to make a life in the bush.  Despite her trials and tribulations, she comes to have a great love for the beauty and wildness of her adopted home.

I used Parker’s journal extensively in my research for Bottle and Glass.  It is the account of a British officer arriving in the Canadian wilderness for the first time. Parker’s style is very much modern and journalistic, giving an immediacy to the wonder and apprehension he has for his new surroundings.  The reader is right there with him marveling over the rudeness of frontier life.  A representative quote: “Kingston is one of the dirtiest, or rather muddiest places I have ever been in, even in my extensive peregrinations; it is the worst lighted, and most miserably paved place I have ever been in… the number of masterless dogs prowling about the streets at all times is abominable, the quantity of pigs laying in every corner is disgusting in the extreme, and the number of cattle roaming about the streets with their inexpressive countenances is really, really past bearing!”

Roy’s history of Kingston is a fiction writer’s dream.  It is crammed with colourful anecdotes and amazing descriptions of life two hundred years ago, each one a possible starting point for a novel.  This is not your dry, elementary school history; Roy’s account sweats and stinks, crackles and clangs, chews and spits. He writes of revolting spectacles such as “disfigured or putrified or naked human bodies lying exposed on the shores of the town, or kept afloat and fastened by a rope while the preparations for interment were being made.” Life in a frontier town was not for the faint of heart. 

This book is written basically as a western road movie. The two main protagonists, former Texas Rangers, decide, on little more than a whim, to assemble a cattle herd and drive it north from the Rio Grande to Montana, with the author providing some wonderful descriptions of the topography and hardships they encounter. 

What makes it a classic for me is how the central characters explore their own mettle from the dichotomy of Woodrow, who is moralistic but happily rustles Mexican cattle and won’t acknowledge his son because the young man’s mother was a prostitute.

Gus has a more enlightened outlook towards another prostitute, and his humor allows the young girl to embark on a passage to discover her place in the West. The story is as stunning as the landscapes.

John Grodzinski was a career army officer in the Canadian military and a professor of history at the RMC. He is also a personal friend of many years. His subject, Sir George Prevost, is one of the neglected heroes of the War of 1812. He was neglected at the time, as the attention of the Government in London was far more engaged by Napoleon than President Madison; neglected thereafter in favour of more glamorous subjects. But it was Prevost’s defensive plans and actions that preserved Canada from the American invasions of 181. Much went wrong as well as right thereafter, and Prevost took the blame. John Grod’s book provides a thoroughly balanced look at what actually happened and why. Having myself been in command of a theatre of military operations far from home, I understand the stresses and strains, and the loneliness of command that Prevost knew all too well.

You’re fifteen years old, living unhappily with your feckless parents and unstable older sister in a small town in Montana. And then your family implodes: your parents are arrested for bank robbery and your sister flees to parts unknown. As troubling as the premise is, Canada becomes even darker and more ominous as young Dell Parsons travels alone to Saskatchewan to live with erstwhile family friends, but in fact enters a whole new world of intrigue and violence. Dell is a stoic character, and you desperately want to see his life take a turn for the better. What you get instead is a case study in resiliency and survival. Ford’s prose is powerful; every word counts, every sentence pulls you deeper into the story.

I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.

This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.

Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.

The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.

Now that’s a question that can be answered in a few sentences. Here’s goes…

This is among the finest examples of the true-crime genre. It’s an enthralling, pacey, and ingeniously structured account of the murders committed on both sides of the Atlantic by Dr. Neill Cream, a Scottish-born Canadian whose medical career served as camouflage for his psychopathic misogyny.

Macabre though the subject matter is, Jobb never wallows in that side of things, preferring to use the story as a vehicle for his vivid and insightful portrait of late nineteenth-century society.

Elliot Page’s book is an engaging, worthwhile celebrity memoir. As a longtime fan of Page’s film performances and a trans person myself, I was so inspired by his public coming out and transition.

In his book, Page took me behind the scenes for an exclusive look at the unglamourous sides of Hollywood stardom—especially the ways the industry has historically been harmful to trans actors, many of whom, like Page, were encouraged to stay in the closet. I also appreciated that Page, as a celebrity, wrote the book himself without the help of ghostwriters.