Here are 100 books that The Centaur's Wife fans have personally recommended if you like
The Centaur's Wife.
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I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender.
WINNER OF THE SCOTIABANK GILLER PRIZE
'Spellbinding' i
'Breathtaking' Elle
'Powerhouses of feeling and depth' Mary Gaitskill
'Sharp and vital' Daisy Johnson
An ex-boxer turned nail salon worker falls for a pair of immaculate hands; a mother and daughter harvest earthworms in the middle of the night; a country music-obsessed housewife abandons her family for fantasy; and a young girl's love for her father transcends language. In this stunning debut, Souvankham Thammavongsa captures the day-to-day lives of immigrants and refugees in a nameless city, illuminating hopes, disappointments, love affairs, and above all, the pursuit of a place to belong
I moved to Canada because I fell wildly in love eighteen years ago. It wasn’t Canada I loved, but a man, and it’s taken me years to get over my homesickness for the country of my birth. I've found as I’ve grown older that the stories of this place have given me a sense of home and belonging—perhaps that’s why so many of the books I’ve recommended are about identity and what it means to the authors. I’m lucky enough to share my favourite books every month on CTV here in Saskatoon, and I focus almost exclusively on Canadian and local books. I hope you love these books as much as I do!
David Robertson is well known as an author for young readers, with two stunning picture books, a pile of graphic novels, and several amazing middle-grade novels to his name. All of those are also amazing! Yep, all of them. This book is the memoir of his experiences growing up in Canada, all explored through the lens of visiting his father’s trapline. Although a Swampy Cree man, he was initially taught to hide his identity, and what I most love about this work and all of Robertson’s work, is how his sense of identity now roots all of his writing. His message is urgent, necessary, and powerful; his words easy to read yet profound. The raw honesty of this memoir make it a terrific read.
A Globe and Mail Top 100 Book of the Year A Quill & Quire Book of the Year A CBC Books Nonfiction Book of the Year A Maclean’s 20 Books You Need to Read this Winter
“An instant classic that demands to be read with your heart open and with a perspective widened to allow in a whole new understanding of family, identity and love.” —Cherie Dimaline
In this bestselling memoir, a son who grew up away from his Indigenous culture takes his Cree father on a trip to the family trapline and finds that revisiting the past not only…
I moved to Canada because I fell wildly in love eighteen years ago. It wasn’t Canada I loved, but a man, and it’s taken me years to get over my homesickness for the country of my birth. I've found as I’ve grown older that the stories of this place have given me a sense of home and belonging—perhaps that’s why so many of the books I’ve recommended are about identity and what it means to the authors. I’m lucky enough to share my favourite books every month on CTV here in Saskatoon, and I focus almost exclusively on Canadian and local books. I hope you love these books as much as I do!
This book pick is a dystopic novel about a young woman in a world that separates between those who are from the Gutter and those who are not. I love the intensity of this coming-of-age story, and the compelling writing and voice, for sure. But most of all I love the main character Elimina. She is smart and passionate, fierce and loving, and I defy any reader not to fall a bit in love with her. The world she’s born into pushes her down, and yet she rises above stigma and subverts society to become a beacon for those around her. Gutter Child is a heart-breaking and haunting book, filled with moments of beauty and brilliance.
“A deep, unflinching yet loving look at injustice and power.” —Chatelaine
“A powerful and unforgettable novel” (Quill and Quire, starred review) about a young woman who must find the courage to secure her freedom and determine her own future
Set in an imagined world in which the most vulnerable are forced to buy their freedom by working off their debt to society, Gutter Child uncovers a nation divided into the privileged Mainland and the policed Gutter. As part of a social experiment led by the Mainland…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I moved to Canada because I fell wildly in love eighteen years ago. It wasn’t Canada I loved, but a man, and it’s taken me years to get over my homesickness for the country of my birth. I've found as I’ve grown older that the stories of this place have given me a sense of home and belonging—perhaps that’s why so many of the books I’ve recommended are about identity and what it means to the authors. I’m lucky enough to share my favourite books every month on CTV here in Saskatoon, and I focus almost exclusively on Canadian and local books. I hope you love these books as much as I do!
I’d be remiss if I shared books from Canada with you and didn’t point you towards some of the amazing writing coming out of Saskatoon, Treaty 6 Territory, and the Homeland of the Métis. Lisa-Bird Wilson's newest book is a beautiful novel about an Indigenous woman’s search for identity after her adoption. Living in Saskatchewan as Canada wrestles with truth and reconciliation, books like Probably Ruby give me a path to understanding and learning. The voice of this novel is searing and gorgeous, filled with heart and light, and I believe anyone who reads it will feel changed by the experience.
An Indigenous woman adopted by white parents goes in search of her identity in this unforgettable debut novel about family, race, and history.
Finalist for the Governor General's Literary Award • “Engaging . . . Ruby never disappoints with her big heart and outrageous sense of humor—and her resilient search for her own history.”—The New York Times Book Review
“A passionate exploration of identity and belonging and a celebration of our universal desire to love and be loved.”—Imbolo Mbue, author of Behold the Dreamers
This is the story of a woman in search of herself, in every sense. When we…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
I both love and hate Zenia as a heroine in this witty, page-turning literary fiction by Atwood. Zenia is one of the cleverest and the most malicious female protagonists I’ve ever known: she constantly deceives her friends with her kaleidoscopic lies; she screws money out of them, and she even steals their men.
Would I want to be friends with her in real life? Probably not. But as a literary character, she stuns and captivates me and allows me to ponder the female transgression that lurks in all of us.
Zenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman"s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...
The United States Old West is a legend, a myth, a land of contradictions. I grew up and have never left this vast land of scorching deserts, soaring peaks, misty coasts, and redwoods that touch the heavens. I grew up on the myths – Tombstone, Billy the Kid, Calamity Jane, Pearl Hart. What I love most are the stories of the women of the West, who survive with grit, wiles, and no small amount of courage. I love finding the lesser known women through novels and research and seeing their lives bloom before my eyes. Cowgirls, sufragettes, doctors, ex-slaves, Cheyenne, Arapahoe, cattle rustlers, homesteaders, dancehall girls.
The Outlander is a gripping historical fiction novel set in the Canadian Rockies.
The story follows Mary Boulton, a young woman on the run from her dangerous husband. As Mary navigates the rugged wilderness, she encounters a cast of memorable characters and faces numerous trials.
I loved its evocative and atmospheric writing, transporting me to the untamed Rocky Mountains in the early 20th century. Adamson's portrayal of Mary as a strong and resourceful protagonist captivated me. The land is brutal and beautiful at one, as are the characters she encounters.
The Outlander is a compelling tale of survival, filled with suspense, surprising twists and turns, and a captivating exploration of the human spirit. I could not put this down.
On a moonlit night in 1903, a mysterious young woman flees alone across the Canadian wilderness, one quick step ahead of her pursuers. Mary Boulton is nineteen years old, half mad, and widowed - by her own hand. Tearing through the forest with dogs howling in the distance, she is desperate, her nerves burning, and she is certain of one thing only - that her every move is being traced. Two red-headed brothers, rifles across their backs, lurch close behind her: monstrous figures, identical in every way, with the predatory look of hyenas. She has murdered their brother, and their…
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
This book dovetails with those of Kitnick as well as Sharma and Singh. While framed by a broader concern with the emergence of the Toronto School of Communication, it gives particular attention to how McLuhan’s notions about “information art,” came to influence artistic practice through initiatives such as “N.E. Thing and Company” (NETCO), Robert Smithson’s West Coast work and “General Idea.” Echoing some of the issues raised by the Sharma/Singh collection, he examines these ventures through the lens of power and gender. It is impeccably edited and handsomely illustrated, in line with the high production standards of McGill-Queen’s University Press.
Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information.
Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
The discovery of artefacts from a Viking grave in northern Ontario in 1936 was a sensation, and their subsequent display in the Royal Ontario Museum added a new dimension to the colonial history of Canada. The exposure of the discovery as a hoax in 1956 damaged the reputation of the Museum and its director. Hunter’s account, which is securely anchored in archival evidence, is skillfully assembled as an unfolding drama. In this book, the Beardmore hoax has received its definitive treatment by a scholar who writes brilliantly for a general audience.
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources,…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
With As We Have Always Done, I’m taking a bit of a different direction on my recommendation theme in that a negative and harmful form of care – the ongoing forms of dispossession exercised by the colonial Canadian state that has a profound attachment to an ever-encroaching extractive economy – is a historically specific backdrop to a positive form of care.
Simpson, a Michi Saagig Nishnaabeg author, writes about Indigenous resistance and refusal intertwined with reciprocal and consensual forms of caregiving between peoples, non-human animals, rivers, forests, soil, air, and so forth. I have learned from this not only what gets left out of mainstream public discourse but, more so, the significance of shared values being grounded in profound interdependencies between many forms of life.
Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017
Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking.
In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
I love this book’s choc-a-block presentation of actual archival fragments from Jewish life in the British colonies that would eventually become Canada.
I also like that the book’s husband-wife, antiquarian, author team aimed to fuse together two objectives in one book: on the one hand, to paint a relatable picture of what Jewish life looked like during this period when Upper Canada was still being formed, and on the other hand, to account for the step-by-step process of Jews gaining civil rights in the new world.
When I teach Canadian Jewish history, I not only read this book with my students but also bring them into the archives that contain Godfrey’s trove of archival fragments of early Jewish Canadiana, which they collected before and while writing the book.
Mapping the history of Canadian Jews from the arrival of the first settlers before 1750 through to the 1860s, Search Out the Land introduces a new set of colourful players on Canada's stage. Ezekiel Solomons, John Franks, Jacob Franks, Chapman Abraham, Rachel Myers, Moses David, Samuel Hart, Elizabeth Lyons, and a host of others now take their appropriate place in Canadian history. Focusing on the significant role played by Jews in British North America in the fight for civil and political rights, the authors compare the development of Canadians' rights with that in other British jurisdictions of the time and…
