Fans pick 100 books like Probably Ruby

In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender. 

David Robertson is well known as an author for young readers, with two stunning picture books, a pile of graphic novels, and several amazing middle-grade novels to his name. All of those are also amazing! Yep, all of them. This book is the memoir of his experiences growing up in Canada, all explored through the lens of visiting his father’s trapline. Although a Swampy Cree man, he was initially taught to hide his identity, and what I most love about this work and all of Robertson’s work, is how his sense of identity now roots all of his writing. His message is urgent, necessary, and powerful; his words easy to read yet profound. The raw honesty of this memoir make it a terrific read.

This book pick is a dystopic novel about a young woman in a world that separates between those who are from the Gutter and those who are not. I love the intensity of this coming-of-age story, and the compelling writing and voice, for sure. But most of all I love the main character Elimina. She is smart and passionate, fierce and loving, and I defy any reader not to fall a bit in love with her. The world she’s born into pushes her down, and yet she rises above stigma and subverts society to become a beacon for those around her. Gutter Child is a heart-breaking and haunting book, filled with moments of beauty and brilliance.

Not-so-secretly I wish I lived in a fairy story (maybe other writers feel like this too?) This novel is a fairy story for adults in the bravest and most beautiful way. The book begins with a meteor shower and features a real centaur and a love story at its heart that spirals out and impacts the survivors of the end of the world. At least, it’s the end of one world. The characters in The Centaur’s Wife are vivid and true, and the gorgeous, strange story lingers with me all the time, reminding me to be braver on the page and in the world.

I absolutely loved this novel, not just for the craft (the writing is beautiful), but for the suspense created when a troubled man eavesdrops on a psychologist’s sessions.

Fascinated with one particular client, he gets deeply and actively involved in her search for identity and her ties to Nazi Germany. As a practicing psychologist, I tried, unsuccessfully I might add, to imagine how I would handle a similar situation.

Set in my town, 1970’s San Francisco during a tumultuous era marked by psychedelics, feminism, and the Zodiac killer, I even recognized the building where Ullman’s fictional psychologist practices because some of my colleagues have offices there.

I used to work as an oncology RN so I generally avoid cancer stories, but this author is a friend so I gave the book a chance, and wow am I glad I did. This story manages to capture the crushing reality of cancer for both the patient and the people who love her, but it’s also funny and mysterious and romantic, with plenty of meaningful things to say about grief. It takes insight and compassion to balance all those elements without ever being disrespectful to or flippant about terminal illness. I powered through this gorgeous book (the cover is even more incredible in person!) in one sitting and finished the story feeling hopeful and inspired.

I love this book because, beyond the fabulous, richly layered story, it takes what should be unlikeable characters and makes you root for them. April Epner is flawed—brittle, sarcastic and closed off at times—but I love her.

As a reader, I can understand why she is the way she is, and that’s the key to making her sympathetic and likable. The payoff is so satisfying when April makes a deep emotional connection and opens up. Bernice Graverman, April’s newfound biological mom, is tacky, loud and over the top, and yet, I was rooting for her. She has a tough shell, but there’s a touching hidden vulnerability.

One more thing I loved about this book…I lived in Quincy, MA (outside of Boston), where this story is set, for five years—it perfectly captures what life was like there in the nineties.

Hata, a Korean, adopted by a Japanese couple, serves the Japanese Army as a medic in World War II. His job is to care for enslaved Koreans who serve as “comfort women” to Japanese soldiers. His experiences are the material of nightmares. Years later he leads a deceptively quiet life in a small town in New Jersey with his Korean adoptive daughter. It is deceptively quiet because his unresolved war experiences, presented in flashbacks, haunt him. I admired the abrupt manner in which Chang-Rae Lee interrupted Hata’s uneventful life with horrific memories.

The author’s method felt like the triggering of those who have suffered trauma and continue to relive events as PTSD. This approach of interweaving past with present inspired my depiction of a young German woman living a quiet life on a primitive Icelandic farm, milking the cows and raking the hay, while being repeatedly interrupted by memories of… show more.

Grief is such a universal experience, yet I don’t think we get enough opportunities to truly grieve.

Nicole’s book provided me with space to grieve alongside her but also to grieve my own losses. I also appreciated how she connected her father’s death to broader systemic failures and how his view of himself shaped the help he was willing to accept or not.

I was especially taken in by how the theme of community shows up throughout the book–how important community is, how we find community, and how we build communities of care.

This recommendation returns to one of my most passionate interests—that of adopted children and the families they are placed in. Beatty is a poet and this is reflected in her memoir—it is not the usual chronological narrative as most memoirs are. She breaks the myth of the “special” or “chosen baby” to tell her truth of the lives of adopted children. Beatty exposes, through vignettes and her poetry, her meetings with her birth mother, her adopted family, her attempts to know who she is and where she came from. She breaks open the belief that you can “create” a perfect family using children from other birth mothers, when all her life, she feels, is a lie and she has no grounding in the world. This memoir is her quest to find out who she is.