100 books like How to Pronounce Knife

David Robertson is well known as an author for young readers, with two stunning picture books, a pile of graphic novels, and several amazing middle-grade novels to his name. All of those are also amazing! Yep, all of them. This book is the memoir of his experiences growing up in Canada, all explored through the lens of visiting his father’s trapline. Although a Swampy Cree man, he was initially taught to hide his identity, and what I most love about this work and all of Robertson’s work, is how his sense of identity now roots all of his writing. His message is urgent, necessary, and powerful; his words easy to read yet profound. The raw honesty of this memoir make it a terrific read.

This book pick is a dystopic novel about a young woman in a world that separates between those who are from the Gutter and those who are not. I love the intensity of this coming-of-age story, and the compelling writing and voice, for sure. But most of all I love the main character Elimina. She is smart and passionate, fierce and loving, and I defy any reader not to fall a bit in love with her. The world she’s born into pushes her down, and yet she rises above stigma and subverts society to become a beacon for those around her. Gutter Child is a heart-breaking and haunting book, filled with moments of beauty and brilliance.

Not-so-secretly I wish I lived in a fairy story (maybe other writers feel like this too?) This novel is a fairy story for adults in the bravest and most beautiful way. The book begins with a meteor shower and features a real centaur and a love story at its heart that spirals out and impacts the survivors of the end of the world. At least, it’s the end of one world. The characters in The Centaur’s Wife are vivid and true, and the gorgeous, strange story lingers with me all the time, reminding me to be braver on the page and in the world.

I’d be remiss if I shared books from Canada with you and didn’t point you towards some of the amazing writing coming out of Saskatoon, Treaty 6 Territory, and the Homeland of the Métis. Lisa-Bird Wilson's newest book is a beautiful novel about an Indigenous woman’s search for identity after her adoption. Living in Saskatchewan as Canada wrestles with truth and reconciliation, books like Probably Ruby give me a path to understanding and learning. The voice of this novel is searing and gorgeous, filled with heart and light, and I believe anyone who reads it will feel changed by the experience.

Shiva Naipaul is a truly major Caribbean writer. He captures the volatile essence of that extremely unstable society. One added bonus is his inter-racial perspective, to which his Indian origins contributes decisively. This work ‘views a colonial world sharply with postcolonial perspectives.’ Any reader of West Indies fiction should combine a sense of history with some grasp of contemporary conditions. Although the novel was written in the 1960s, it still has a sense of contemporary relevance. Obviously, readers must keep their eyes open for younger writers in this mode. Naipaul’s works have rightly been integrated into the Educational System.      

I have a weakness for eccentric characters raging at the world while trying to find a place in it. Allie, the protagonist, leaves America for Honduras, where he tries to create an alternate universe, free from what he views as the ills of America. I read this book while living in the Caribbean and Allie’s pronouncements about imperialism and materialism, though clearly paranoid, contained, I felt, a germ of truth. The ebullient characters, the restless energy, and the dark humour, all characteristics of the novelist’s later books, are on full display here.

I am a historian by day. But I have always believed that artists—whether writers, painters, or musicians—capture the human experience of history and, moreover, convey it in an enduring form for future generations far more effectively than historians. 

Historians have to present a single line of analysis or argument, which inevitably and properly makes events of a particular historical period meaningful to the particular moment in time when they are writing. A true artist can transcend both of those times. In my view, Rushdie’s book achieves that for the period, or generation, after Indian independence in 1947.

I have lived in India and written a lot about Indian history myself, including a book about Bombay, where Rushdie was partly raised. So, I have enjoyed and admired many of his earlier books, but this one remains his great achievement as a work of historical art.

This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight. 

Drawing on a wide range of research, Shah counteracts the common assumption that contemporary human and nonhuman migrations represent an unprecedented global crisis.

She reframes migration as a biological and cultural necessity that has been a crucial part of human history and shows how it has been fueled by such factors as economic inequality, politics, nationalism, colonialism, etc. I learned so much from this meticulously researched, yet highly readable book.

I love how it asks readers to consider migration and its history from multiple perspectives and that it can help us think and prepare for an increase of migration due to climate change.

This is another book that addresses Europe’s 2015-2016 “refugee crisis.” While Miliband also offers some insights into the experience of refugees seeking asylum in Europe, the focus of his book is on how current European policy betrays the values at the core of Europe’s recent history and self-understanding. Miliband weaves analysis of the predicament of mostly Middle Eastern and African refugees attempting to reach Europe through irregular Mediterranean routes with reflection on his parents’ experience as Jewish refugees fleeing Nazi Germany and seeking protection in England in the 1940s. The strength of Rescue is that it provides the reader with multiple frames of reference for thinking about what ought to be Europe’s response toward contemporary refugees, a significant number of whom are Muslims from the Middle East.