Fans pick 95 books like The Mosquito Coast

In these stripped-down stories, the minute observations are just as significant as the broader strokes the writer uses to depict the lives of refugees, people at the margins. Told mostly from the perspective of a Laotian adolescent, the characters are each trying to understand the steps they must take to fit into their new barricaded lives. In spite of the claustrophobia that encloses the characters, the stories are funny and tender. 

Shiva Naipaul is a truly major Caribbean writer. He captures the volatile essence of that extremely unstable society. One added bonus is his inter-racial perspective, to which his Indian origins contributes decisively. This work ‘views a colonial world sharply with postcolonial perspectives.’ Any reader of West Indies fiction should combine a sense of history with some grasp of contemporary conditions. Although the novel was written in the 1960s, it still has a sense of contemporary relevance. Obviously, readers must keep their eyes open for younger writers in this mode. Naipaul’s works have rightly been integrated into the Educational System.      

I am a historian by day. But I have always believed that artists—whether writers, painters, or musicians—capture the human experience of history and, moreover, convey it in an enduring form for future generations far more effectively than historians. 

Historians have to present a single line of analysis or argument, which inevitably and properly makes events of a particular historical period meaningful to the particular moment in time when they are writing. A true artist can transcend both of those times. In my view, Rushdie’s book achieves that for the period, or generation, after Indian independence in 1947.

I have lived in India and written a lot about Indian history myself, including a book about Bombay, where Rushdie was partly raised. So, I have enjoyed and admired many of his earlier books, but this one remains his great achievement as a work of historical art.

This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight. 

America Aflame demonstrates how people’s religious views impacted the extended length and divisiveness of the American Civil War. Both sides in the conflict thought God was on their side; they had to keep on fighting. And yet, some Northern Christians condemned slavery for its inhumanity, while some Southerners extolled slavery for its social benefits. In my historical fiction trilogy, I also show the tensions between war’s destructive methods and the religious beliefs of common citizens who refuse to fight. David Goldfield’s storytelling style of non-fiction writing captured my attention, whether describing the tone of this bold new country, or parsing the dueling natures of Abraham Lincoln and Robert E. Lee.

Gaiman doesn’t just incorporate one myth into his story; he goes for them all and brings all the gods to America.

This novel defies categorizing. I have always been interested in probing the nature of religion and humanity’s invention of gods. How did we first encounter them, and are they still relevant in today’s world? How does the nature of story itself relate to the lives of the gods?

All of these points are dealt with in this unique and entirely new introduction to some very old gods. I found it not only highly entertaining but thought-provoking.

Mary Leder was an American teenager in the 1930s when her Jewish socialist immigrant parents, poverty-stricken by the Great Depression, decided to return to Russia to build a Jewish homeland in Birobidzhan. After a brief period of difficulty, they left the Soviet Union and returned to the United States, but Leder was detained due to passport difficulties.

In this moving memoir, she discusses her life in Moscow as a student, a factory worker, an editor, and a young wife and mother. She provides a tragic and compelling account of the repressions of the 1930s, the chaotic evacuation of Moscow in 1941 as the Germans approached the city, the death of her baby girl in evacuation, and the growing anti-Semitism after the war.  At one point she shared a communal apartment with a young, very kind Vietnamese revolutionary who she later learned was Ho Chi Minh. The journey she narrates, from… show more.

In 1950, McCarthy-ite red-baiting is at its height and communists are being hunted across America. When a US government official is accused of being a spy by the House Un-American Activities Committee, he abandons his family to flee the country. His apparent defection seems to confirm the allegations that he was a Soviet Bloc spy. Almost 20 years later, his son goes behind the Iron Curtain for a painful reunion.  Kanon’s novel is written as a thriller, yet it captures the paranoia of America in the early Cold War, the drabness of Soviet-occupied Prague, and explores profound issues of love and betrayal. 

A classic statement of the mentality of the men who fought the American Revolution, A Revolutionary People at War documents how the enthusiasm of the war’s early days, the “rage militaire” in Royster’s memorable phrase, waxed and waned during the brutal conflict as soldiers and civilians settled into an uneasy relationship often in danger of collapsing into anarchy or a military despotism as everyone feared. Royster seems to have read every scrap a soldier or officer produced across the war’s 8 years, and researching the book in the 1970s, he someone kept track of everything, deploying a deft quote time after time, without the aid of a computer. How?

A portrait of the privileged American families living in Cuba just before the Revolution. Their concerns are the United Fruit Company and the sugarcane that surrounds them in Oriente Province, but they are soon to be thrown into tumult by Fidel Castro and his rebel soldiers, who have been building their revolution in the Sierra Maestra. This is a subtle and beautifully-written reminder of how an entire world can be turned upside down, something few in that community saw coming. In these tumultuous days, it sometimes makes me wonder about my own community.