Here are 100 books that Lancelot fans have personally recommended if you like
Lancelot.
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I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.
It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series.
Uther, the High King of Britain, has died, leaving the infant Mordred as his only heir. His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the Saxon enemy, Arthur is embroiled in a doomed romance with beautiful Guinevere.
Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.
I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.
Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.
Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these…
I am a rising literary star, crafting captivating narratives that blend classic and contemporary themes. My work, like Tolkien, Lovecraft, and King, delves into the darker side of humanity and explores complex characters in intricate worlds. My unique perspective and deep understanding of storytelling make my book recommendations invaluable. I have apassion for the craft, offering insightful analysis and curating diverse reading lists. By introducing readers to classic works, I foster a deeper appreciation for the art of storytelling.
I yearn to lose myself in the intricate tapestry of Tolkien's world, where every word is a brushstroke on the canvas of imagination. I am captivated by the allure of ancient languages and the power of storytelling to transport the reader to realms beyond reality.
The epic struggle between good and evil, the weight of destiny, and the enduring bonds of friendship resonate deeply within me. I am eager to embark on this perilous journey, to witness the rise and fall of heroes, and to confront the ultimate test of courage and will.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
I discovered writing in my twenties when I was living alone in a hut in a remote village in Indonesia with no electricity. I began a novel to fill the lonely acres of time and found myself transported by my own imagination. I realised this interior world was one I could happily inhabit for life. It took me years to get there; I was a journalist for 15 years, and 44 before my first novel—Outlaw, about a gangster-ish Robin Hood—was published; but I haven’t stopped writing fiction since. I now have 17 novels under my belt, some of them bona fidebestsellers, and aim to keep writing till I drop.
Nelson’s masterly biography of Charlemagne is a dense, scholarly but still gripping account of one of the most interesting and influential monarchs in European history. I struggle to think of any figure who has has a greater impact that the King of the Franks and, later, Emperor of the Romans, who drew the boundaries of the continent as we know them today. This was my most reliable go-to source on Charlemagne and his long wars with the pagan Saxons, which is the subject of my own series.
A DAILY TELEGRAPH AND BBC HISTORY MAGAZINE BOOK OF THE YEAR 2019
'A remarkable book: the dramatic story of a truly extraordinary man ... brilliant' Helen Castor, author of She-Wolves
A major new biography of one of the most extraordinary of all rulers, and the father of present-day Europe
Charles, King of the Franks, is one of the most remarkable figures ever to rule a European super-state. That is why he is so often called 'Charles the Great': by the French 'Charlemagne', and by the Germans 'Karl der Grosse'. His strength of character was felt to be remarkable from early…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
This book takes the lives of very ordinary Canadians and throws them into the maelstrom of war. I love that it carefully sets up a world few know about—Toronto in the 1930s—and shows the ambiguity of the times, how anti-Semitism was at home as well as across the water in Europe.
I so enjoyed the Romeo and Juliet love affair at the novel's heart, and I was moved by the trials love is subjected to—as well as shocked by excellent descriptions of war's brutality.
Inspired by a little-known chapter of World War II history, a young Protestant girl and her Jewish neighbour are caught up in the terrible wave of hate sweeping the globe on the eve of war in this powerful love story that’s perfect for fans of The Guernsey Literary and Potato Peel Pie Society.
If you’re reading this letter, that means I’m dead. I had obviously hoped to see you again, to explain in person, but fate had other plans.
1933
At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job…
Living in Istanbul, I fell in love with glimpses of Ottoman life still visible there, not only the mosques and palaces but neighborhoods of old wooden houses, like the one where I lived on the upper slopes of the Bosphorus, the small villas and hidden gardens, and quaint customs that have disappeared in modern society. Beginning in my twenties, I spent many years as a social anthropologist in Turkey studying contemporary Turkish society, but I also read about the Ottomans, whose diversity, rich customs, and colorful lifestyles were tragically erased by nationalism and war. The books on my list will let you experience it all.
I think this is a brilliant and, for me, unforgettable novel. It took an aspect of Ottoman history that I knew about as dry fact and imprinted it on my heart. I was fascinated by the daily lives of varied peoples in one small Ottoman town, how intertwined they were, even writing one language in the alphabet of another.
They tell their own stories of love and ambition, family and friendship, and how the Great War and its aftermath tore them apart. It reads like an epic unfolding through the eyes and voices of ordinary people, humane, evocative, humorous and brutal.
Set against the backdrop of the collapsing Ottoman Empire, Birds Without Wings traces the fortunes of one small community in south-west Anatolia - a town in which Christian and Muslim lives and traditions have co-existed peacefully for centuries.
When war is declared and the outside world intrudes, the twin scourges of religion and nationalism lead to forced marches and massacres, and the peaceful fabric of life is destroyed. Birds Without Wings is a novel about the personal and political costs of war, and about love: between men and women; between friends; between those who are driven to be enemies; and…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
Diana Gabaldon is one of the best writers of 'intimate epics': tales of more or less ordinary people drawn into the flow and flood of real historical events. I especially enjoy her Lord John novels.
Making her protagonist at odds with the morality of his time—Lord John is an unapologetic (though necessarily closeted) homosexual—creates extra tension in a work that sets John—and in this case, Jamie Fraser as well—against the backdrop of the Jacobite conspiracy's death throes and the prickly honor code of the British Army.
Passionate, humorous, adventurous—all things that keep me turning the pages until the wee hours!
From the international bestselling author of the Outlander series, the terrific new novel featuring the ever-popular Lord John.
1760. Jamie Fraser is a paroled prisoner-of-war in the remote Lake District. Close enough to the son he cannot claim as his own, his quiet existence is interrupted first by dreams of his lost wife, then by the appearance of Tobias Quinn, an erstwhile comrade from the Rising.
Lord John Grey - aristocrat, soldier, sometime spy - is in possession of papers which reveal a damning case of corruption and murder against a British officer. But the documents also hint at a…
I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
I had to go back to a classic from childhood, the first book I remember crying while reading. I didn't know reading could do that! Set against the backdrop of 1066 and the Norman Invasion of England, this takes an ordinary young man who stumbles into a war and chooses to fight for his country and his king. His realization that there are bigger things than himself and causes worth dying for moved me utterly.
This book shaped me as a writer. The idea of sacrifice and redemption is just so well done.
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
Campbell, to me, is the dean of writers on myth. I met him once, through a professor at Hollins University who, at her graduation, had awardedAnna, my wife-to-be, the first three volumes of The Hero of a Thousand Faces, as a prize in English Literature (the fourth, Creative Mythology, was yet to be published).
After we met, I learned that Campbell had edited the Penguin Portable Jung – and it is that book that set me on a course of study and writing on myth and literature that I have pursued ever since.
As a final note, Campbell also co-authored A Skeleton Key to Finnegans Wake, a book that many years later led me into James Joyce’s masterwork, Finnegans Wake – to me, the apotheosis of mythic literature.
The author of such acclaimed books as Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology
I was introduced to the paranormal and unknown by my father. He was open to all possibilities. I loved being shocked, awed, and traumatized by the depths of dystopia and the heights of Utopian Imagination! I think, because we all live somewhere in between, flowing up and down as life experiences us, riding us ever onward!
I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!
I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the…
