Fans pick 100 books like Lady Icarus

First published in 1961, this memoir may be the best book ever written about aviation by someone who was both a pilot and a terrific writer. 

I took the liberty of using this title as the heading for one of the chapters in my own book as a tribute to Gann. His visceral accounts of flying the early airliners in America during the 1930s in the burgeoning years of commercial aviation are literally heart-stopping. 

We take so much for granted in this modern age of airline flying but this wonderful book will forever change your perspective of the risks and challenges that went before.  

Originally released in 1967, a new edition of this book was published by Daredevil in 2021. 

Amy Johnson’s story has great personal resonance for me and I was very honoured to write a preface for the book. With less than a hundred hours in her logbook, Amy set out to Australia to break the world record for the fastest time in 1930 and what would become one of the most outstanding solo achievements in history. 

My own flight to Australia in 2015/16 re-tracing Amy’s route was done in homage.  

I loved reading about these very early pioneers who today are largely forgotten or never known, notably Frank McLean, who met the Wright brothers, and went on to cut an irresistibly romantic, dare-devil figure. 

He became an overnight celebrity when he flew a flimsy seaplane between the towers of Tower Bridge in London in 1912. After the First World War, he was one of the first pilots flying to Africa and down the Nile in what would become one of the early air routes for Imperial Airways in the 1930s.  

Also, Charles Rolls, of Rolls-Royce fame, who was tragically killed in a freak incident at the Bournemouth air display in 1910, the first Brit to be killed in a flying accident. 

This is a lively history of the first 200 years of British women in the sky. 

Given that women were largely blocked by a hostile male establishment from participating in commercial and military aviation for most of the 20th century, this is a riveting account of the unconventional women who defied gravity and everything else to get airborne. Marvellous stuff!

For every dreaming rebel. This novel weaves together two tumultuous periods in history–the last decades of slavery and the start of grand apartheid–and the stories of two women bursting the seams of their existence.

In 1794, Katrijn van der Caab, a freed slave, finds herself on a farm where the master’s obsession with experimentation reflects a growing fixation with racial classification. In 1961, Sister Vergilius, a nun in rural South Africa, wants to escape the confines of her order even as the political and social strictures of the time hem her in still further.

This complex book demands commitment from the reader, but it is so beautifully written that phrases still linger in my mind. And the main characters were so compelling that I tracked down the author to ask her their fates!

Benny Griessel has elements of a stereotypical cop who drinks too much and loses his family as a result, but Griessel’s humanity and self-loathing set him apart as a protagonist. He doesn’t believe that he’s any good as a detective or a human being, yet his ability to solve murders and to connect with people contradict this self-destructive inner dialogue. Themes of redemption, forgiveness, and revenge drive the book (and series), making this more layered than a simple whodunit. I like Griessel’s resolve to change and become a better person, even as he fights having a drink every hour of every day. His compassion, empathy, and humility ultimately seal the deal for me. I particularly enjoy the glimpses Meyer gives into South African society and policing.

This book looks at a fascinating and scenic area of South Africa as well as exploring the noted vineyard and winemaking of Rickety bridge. Gerald and Marc are two of South Africa’s noted photographers who have worked tirelessly in exploring this diverse landscape and the people within. It is stunningly illustrated.

I love the fact that it is a fresh new look, with a diversity of images from landscape to township, seascape to vineyard.

The book's value is in showing a working environment in a snapshot of time.

Beukes has range and a keen eye, two things that are showcased perfectly in this collection. Experimenting in style, in genre, in tone, in point of view, in everything really. A lot of the stories are overtly speculative, but not all of them are, even though they have a speculative sensibility. Some stories are under 100 words, others closer to 10,000. As someone who enjoys experimental writing, I loved this book. Almost every story features the recurring theme of dehumanization, and they are largely set in South Africa or featuring South African characters. And if that wasn’t enough, there are even 5 nonfiction pieces from her time as a journalist. It's excellent reading. 

The fact that the author lives close to my own little boho surfing suburb on Cape Town’s False Bay coastline might have swayed me. But I assure you this is a very fine and engaging tale of a woman seeking insight into and escape from a childhood overshadowed by a brilliant but alcoholic father. The title, at least, should grab you.

The story is set about between Cape Town and England, from where the father hails. The crocodile tamer works in a circus, where and how the poor young man falls from grace. What sets this book apart from most is that the author weaves her own real and imagined misgivings about writing while she is writing. For any writer-reader, it’s one of the best aspects of the book. Example: “Catholicism taught me three things: I’ve done something wrong, I’ve done something wrong, I’ve done something wrong.” It really is… show more.

This book is a great short story collection focused on a theme, as I try to do in my book. For Doerr, it’s memory and impermanence–what will be left of us, of all that we’ve experienced, all that we’ve struggled to achieve, all that we’ve loved after the passage of time?

Through six exceptionally creative, unforgettable stories (pun intended), Doerr explores the melancholy ephemerality of human existence. I love how the settings, from Cape Town, South Africa, to a soon-to-be submerged Chinese village, are integral, tangible parts of his stories. This is a truly wonderful book!