100 books like Kaikeyi

I loved this book as much for the writing itself as the story. Miller creates a lush world of numinous magic.

I could not stop listening to this retelling of the life of Circe. She was the daughter of the sun god and the most feared sorceress of her time. She was given a bad rap by history, but I felt like I understood her and could see into her heart and mind.

In addition, the worldbuilding is wonderful. I felt like I was taken to ancient Greece. 

I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.

O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.

I mean, hello! The opening sentence “All happy families are alike…” is probably my favorite opening sentence of all time. This book is what I place in the “epic story telling” category for its breadth and scope of time. In many ways it is the story of two separate families and it hits on several themes I have come to crave and demand from art. Tolstoy looks at class, cultural and societal norms, and the emotional toll of familial expectations. It is a book so dense with interesting, flawed characters and it is one of the rare works I come back again to read every few years.  

As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharata from the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."

The Mermaid of Black Conch takes a mythological creature and gives her extraordinary life, as a very real, young woman, called Aycayia.

She is caught – hooked like a prize fish - by greedy anglers, and hauled from the sea, bringing with her an already fascinating and tragic history of injustice and misunderstanding. But, she is also an object of love.

Not all fishermen are commercial opportunists… Not all men are eager to exploit beautiful and unusual women, and so begins an extraordinary rescue, and a life-affirming relationship, with many unpredictable, literally magical, and truly remarkable twists.

This enchanting book, written with breath-taking originality, is likely to spell-bind you – permanently. You’ll never again think of mermaids in the same way.

This one hooked me from the first words: “Sing, Muse.”

I always enjoy the wit Haynes brings to her work. And I love how this book pulls the reader into so many different points of view, creating a sweeping narrative. The craft of this one left me a bit stunned.

Plus, war is so often told as a man’s adventure. Here, Haynes shows the cost to women who are abandoned, enslaved, and widowed. As retellings go, this is a unique and clever reimagining. 

Talking about Penelope brings me to the Penelopiad. This book could have been more accurately called the Trial of Odysseus.

Odysseus here feels like an ancient Andrew Tate. Picture the ancient soap opera: Penelope, the ever dutiful, saintly wife, is left holding the fort while Odysseus sails off on a ten-year vacation fighting the Trojan War, followed by another decade of epic escapades and sexscapades.

And meanwhile Penelope is using her twelve maids to let themselves be used and abused by her suitors to buy time till Odysseus returns. Well, the suitors are killed, naturally. But the maids…Honor killing is still an epidemic in parts of India, and to see it from the POVs of the maids, who have so far been overlooked as extras in a play, felt like redemption.

The best thing in the book that worked for me was the way it is structured as a conversation… show more.

In a world saturated with Greek Mythological Retellings, The Witch’s Heart is a breath of fresh (cold) air from Valhalla.

Angrboda—a woman who made a recent appearance in the God of War PS4 games—blazes across this book as the mother of monsters! Odin's wrath leaves her powerless, and her only escape route? Off to a remote forest she dashes. Enter Loki, that sly trickster, stumbling upon her and—bam!—love sparks, birthing three whelps, each harbouring their own cryptic fate.

It's a Norse mythology remix with a modern twist and a brand-new leading lady—epic, heartbreaking, and full of oomph! And if every time you see Loki, you see Tom Hiddleston's mischievous grin, you aren’t alone.

I adored Cho’s Black Water Sister for the wit, verve, and humour with which its protagonist, Jess, newly returned to Penang from the USA, faces down being possessed by the spirit of her dead grandma, a former medium. Jess, despite her Harvard degree, hasn’t found a job and is unable to tell her conservative family about her Singapore-based girlfriend. How Jess manages to negotiate the contradictory demands of pushy aunties, powerful businessmen, and a furious goddess known as the Black Water Sister, whose temple is threatened by property developers, makes an immersive and absorbing tale.

I adored The Half God of Rainfall’s daring: a new free-verse epic crafted from ancient Yoruba and Greek mythology by Inua Ellams, a poet and playwright, who has also adapted it for theatre. It tells the story of Demi, the son of Modúpé, a mortal woman and the Greek god Zeus. Ellams does not shy away from Zeus’s canonical role as a violent sexual predator and the tale of Demi’s rise and fall as a basketball player, half god, and half mortal culminates in the overthrowing of the patriarchy. Demi’s mother Modúpé, with the aid of the Òrìsà (Yoruban Gods) and other women wronged by him – Leda, Danaë, Europa, Antiope – takes her revenge on the great Zeus himself.