Fans pick 100 books like Journey from the Land of No

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.

I loved this book when I read it years ago, and I immediately started reading anything I could find by this compelling author.

Through his fine writing, I was able to live in the world of Asher, a young artist grappling with the conflict of being true to his work without defying the tenets of his religion. 

Firoozeh Dumas’ humor is so natural that it’s effortless on the page. Many immigrant stories are so dark as to simply become glorified moralizing, but here is a genuinely interesting and fun story that teaches a lesson without being so heavy-handed that it’s little more than a treatise.

I identified with Zomorod’s (“Cindy’s”) new kid on the block in California experience. Likewise, I was a nerd who had to move often, so it wasn’t always easy to make new friends, especially when it was the odd ones who were willing to take on the new kid! 

Parents complicated the situation as well, so seeing how Zomorod navigated during the difficult time of the Iran hostage crisis was personally encouraging. I guess all kids worry that they are weird and one mistake away from shunning, so in that respect, Dumas’ story should appeal to all kinds of kids, not just Persian-Americans. 

Although I’m not a big fan of memoir, I’m a big fan of this one. 

Amini’s struggles as the Persian Jewish daughter of immigrants to America looks through a window that most Americans never see. Her parents reflect the reality of Iran and its challenges to young girls with culture as a primary obstacle, culture that often feels restrictive and anachronistic in the United States.  

What spoke to me the most was Amini’s two older brothers who stepped in to fill in the glaring parenting gaps, nurturing her through coming of age in a way her parents couldn’t or wouldn’t. Although at times the reader might feel trapped in Amini’s head and heart, the ethos is absolutely proper to the memoir. Without it, the full message is lost, and the incredible triumph of her success loses context. 

My family fled Iran a couple years after the Islamic Revolution, but growing up, my parents didn’t talk about that period in their life all that much. It was sort of like my friend whose dad never talked about Vietnam. So, even though I was born in Iran post-revolution, I didn’t learn much about the history of the Shah’s downfall until I read Marjane Satrapi’s incredible graphic novels – Persepolis, Books One and Two. Satrapi manages to create a funny and heartbreaking memoir about her adolescence during the revolution and her life as a young ex-pat living in Paris. 

Follow it up with her graphic novella, Embroideries—which delves into the sex lives of Iranian women. Another topic that was generally off-limits in our household.

Revolutionary Iran was the wrong place to be Jewish and wealthy. Septembers of Shiraz paints a poignant portrait of a family targeted, plundered, and driven to the brink of ruin by a corrupt extremist regime. The beauty of the story is that the more these protagonists lose, the more they realize how little their possessions and status actually matter. Their true wealth resides in their love for one another and the hope of a brighter tomorrow. 

In my view, Josef provides the best introduction to the history of Persia in classical antiquity–something well worth knowing, given the importance of Iran now and the influence of the past on the present.

Iranians look back with pride to those centuries when three Persian empires dominated the Middle East and western Asia. The book is clear, readable, and not too long.

I like it because he attends first and foremost to the evidence, what he calls ‘testimonies,’ and because he focuses on fundamental factors rather than simply telling a story.

This is the go-to book for the early Communist movement in Iran. Unlike the Arab countries of the Middle East, where Communism slowly spread in the early decades of the twentieth century, Iran experienced Communism as Soviet foreign policy in a direct manner. Bordering the Soviet Union, northern Iran was the subject of early attempts to spread the Communist creed in the aftermath of the October Revolution. Zabih’s book tells the story of those early inroads and the Iranian activists supporting the new ideology. The early attempts failed, but by the 1940s, the Communist Tudeh Party had emerged as a popular mass party. Zabih’s narrative is lucid, and his research is based on Soviet and Iranian materials. 

Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.       

This #1 New York Times bestseller grapples with what houses say about who we are—or want to become. Slip into a tragic entanglement between Massoud Behrani, a recent immigrant from Iran intent on restoring his family’s honor by purchasing a California bungalow up for auction, and Kathy Nicolo, the house’s owner, and a recovering drug addict determined to hold on to her family property. This penetrating novel will satisfy readers’ unquenchable thirst for stories that explore the psychological ramifications of emotional and social overinvestment in the promise of a house.