Here are 100 books that It Ain't So Awful, Falafel fans have personally recommended if you like
It Ain't So Awful, Falafel.
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I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.
I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee…
The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved.
I loved this book when I read it years ago, and I immediately started reading anything I could find by this compelling author.
Through his fine writing, I was able to live in the world of Asher, a young artist grappling with the conflict of being true to his work without defying the tenets of his religion.
NATIONAL BESTSELLER • In this modern classic from the National Book Award–nominated author of The Chosen, a young religious artist is compulsively driven to render the world he sees and feels, even when it leads him to blasphemy.
“A novel of finely articulated tragic power .... Little short of a work of genius.”—The New York Times Book Review
Asher Lev is a Ladover Hasid who keeps kosher, prays three times a day and believes in the Ribbono Shel Olom, the Master of the Universe. He grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual…
I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
My favorite line from this book is “When you have been a refugee, abandoned all your loves and belongings, your memories become your belongings.”
I appreciated this book when I read it the first time, and I recently re-read it. Immigrant stories are half-and-half: how it was there, and how it is here. For those of us who are second or third-generation, we rely upon those who remember or record how it was there.
Often those stories focus on only the good things, omitting the trauma. Hakakian wonderfully balances the memories of Iran in its beauty and ugliness. This is an excellent snapshot of revolution-era Iran and how Jews were able to interact with their Muslim neighbors before and after the fall of the Shah.
An emotional, evocative coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find her own voice in prerevolutionary Iran
“An immensely moving, extraordinarily eloquent, and passionate memoir.”—Harold Bloom
Roya Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its…
I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
Although I’m not a big fan of memoir, I’m a big fan of this one.
Amini’s struggles as the Persian Jewish daughter of immigrants to America looks through a window that most Americans never see. Her parents reflect the reality of Iran and its challenges to young girls with culture as a primary obstacle, culture that often feels restrictive and anachronistic in the United States.
What spoke to me the most was Amini’s two older brothers who stepped in to fill in the glaring parenting gaps, nurturing her through coming of age in a way her parents couldn’t or wouldn’t. Although at times the reader might feel trapped in Amini’s head and heart, the ethos is absolutely proper to the memoir. Without it, the full message is lost, and the incredible triumph of her success loses context.
Esther Amini grew up in Queens, New York, during the freewheeling 1960s. She also grew up in a Persian-Jewish household, the American-born daughter of parents who had fled Mashhad, Iran. In Concealed, she tells the story of being caught between these two worlds: the dutiful daughter of tradition-bound parents who hungers for more self-determination than tradition allows.
Exploring the roots of her father's deep silences and explosive temper, her mother's flamboyance and flights from home, and her own sense of indebtedness to her Iranian-born brothers, Amini uncovers the story of her parents' early years in Mashhad, Iran's holiest Muslim city;…
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I laughed out loud way too many times at this book. The thing that attracted me the most about it was that it allowed a complex narrative to be brought forward on its pages.
The writer is not only able to bring truths to the page but also make it accessible, light, and humorous. I was enhanced by this book, and I keep recommending it to friends and family.
NEW YORK TIMESBESTSELLER • Finalist for the PEN/USA Award in Creative Nonfiction, the Thurber Prize for American Humor, and the Audie Award in Biography/Memoir
This Random House Reader’s Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner!
“Remarkable . . . told with wry humor shorn of sentimentality . . . In the end, what sticks with the reader is an exuberant immigrant embrace of America.”—San Francisco Chronicle
In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no…
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
So back when I was a senior at UC Berkeley, I worked as an assistant at the Center for Middle Eastern Studies and totally fangirled over Tara Bahrampour when we hosted her as a guest speaker. She was basically who I wanted to be one day. What I love about her memoir is that it talks about growing up in America, and revisiting Iran—something I’ve never gotten to do but could imagine through Bahrampour’s eyes. I would have completely passed out if someone told me the day I met Tara that one day, I’d publish a book about being Iranian too. I’m not sure I would have attempted to write my memoir without having her as inspiration.
A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.
My father died by suicide when I was thirteen. Because my family never spoke about the issues leading up to and resulting from this devastating event, we suffered a great deal. I have a deep love for books that expose just how dark, and troubled the teen existence can be. Authors who are brave enough to tackle such topics feed my bravery. The more stories we have on the topics of suicide, mental health, and trauma the broader the conversation and the more those who feel as though no one could possibly understand what they are going through feel seen.
Right off the bat, Darius jumps off the page as a real teen with relatable problems.
He’s the quiet kid at school, who the others tease. And he suffers from clinical depression. What I loved was how well Khorram tackled depression’s subtleties.
I think there is a tendency for society to see depression as this overarching dark cloud that keeps us in bed 24/7. But the truth is, many people who are suffering, are functional.
From the outside, we don’t see the building up of little moments that act like a snowball gradually expanding as it rolls down the mountain face.
Be warned – the food descriptions are amazing, so you might get hungry during the read.
Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He's a Fractional Persian - half, his mum's side - and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he's sure things are going to be the same in Iran. His clinical depression doesn't exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they're spending their days together, playing soccer, eating…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Early on in this collection is an essay that encapsulated for me the often unseen internal struggle of attempting to assimilate into the United States. A young Porochista makes an excursion to the Los Angeles Zoo with her parents, and to her great horror she is taken on a camel ride that she fears will publicly expose her for who she is: an Iranian who has been masquerading as an American. Constructing the mask is only one part of the challenge, but keeping it on might be even harder, and this collection can be read as a primer on the impact on the individual of two nations that have been at odds for the last forty years.
From the much-acclaimed novelist and essayist, a beautifully rendered, poignant collection of personal essays, chronicling immigrant and Iranian-American life in our contemporary moment.
Novelist Porochista Khakpour's family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture. Growing up as an immigrant in America means that one has to make one's way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family's modest life and culture, and becoming…
I grew up, a child of the eighties, in a Minneapolis household filled with music and dance. My mom took me to see the moviePurple Rainwhen I was thirteen and I was never the same. And though I no longer rat and spray the life out of my hair, I’ve always felt an affinity for the decade. The music of the time inspired so much of what we hear today. Notes and lyrics are just another forms of story. So, please enjoy my list. And if you find your foot tapping, pop in a cassette, a CD, or maybe even spin a record while you read.
I had the wonderful opportunity to read this YA novel as an ARC. It debuts on November 1st 2022, so put your patient pants on for this one.
It’s 1979, and Jasmine Zumideh, an Iranian American music-journalist-in-the-making, embellishes on her application to NYU. When her coveted acceptance letter arrives, she must win her school’s election for Class President to turn her lie into the truth.
What I loved about this debut was although it tackled the complications of embracing one’s identity and culture, and how confusing and messy this can be, it was also a fun romp down the halls of the decade without feeling forced or dated. Life-altering events of the time were woven in seamlessly—The Iran Hostage Crisis, making for a heartfelt story about the hidden strength and perseverance of a teenage girl navigating discrimination, family expectations, friendships and a new love. Put this one on your…
Most Anticipated YA by Buzzfeed, BookRiot, Epic Reads, Publishers Weekly, and more!
A fresh spin on the cult-classic Election meets Darius the Great Is Not Okay in Jasmine Zumideh Needs a Win when an international incident crashes into a high school election, and Jasmine is caught between doing the right thing and chasing her dream.
It’s 1979, and Jasmine Zumideh is ready to get the heck out of her stale, Southern California suburb and into her dream school, NYU, where she’ll major in journalism and cover New York City’s exploding music scene.
Jonathan Alter is an award-winning author, political analyst, documentary filmmaker, columnist, television producer and radio host. He has interviewed eight of the last nine American presidents and lectures widely about the presidency and public affairs.
Sick, Carter’s White House adviser on Iran, offers a cogent, deeply insightful account of the 1979 Iranian Revolution, the seizure of American hostages in Tehran, and the Carter Administration’s inadequate response to the unfolding crisis. In a later book, The October Surprise, Sick falls just short of proving that the Reagan campaign conspired with the Iranian government to delay the release of the hostages until after the 1980 election. But he is convincing in his claim that the truth in this sordid affair has never fully come to light.
A former naval intelligence officer and National Security Council staff member provides a day-to-day account of the Iranian revolution, the hostage crisis, and America's failure to deal effectively with both
