I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
It’s small-town Texas in 1979, the year of the Iran hostage crisis, not ideal for a Persian Jewish boy. Joseph Nissan’s parents fled Iran under mysterious circumstances, a mystery he resolves to solve. He has a breakout year as a 12-year-old—school, sports, bar mitzvah preparations, first love, and escalating bigotry and bullying from both the kids and adults of Hazel, Texas. Joseph is both good and prone to mischief, which he thinks he's entitled to since Jewish law crash-landed in rural Texas.
But when the Iran hostage crisis, neighborhood bullies, a drug ring, and the local reverend's beautiful daughter put him in danger, Joseph finds new ways to cope. With help from his friends, Joseph finds the courage to confront his fears and discovers he can inspire others to find their courage, too.
My writing mentor recommended this middle-grade book, and I devoured it!
All respect to Daniel Nayeri for page after page of quotable quotes and gems from the treasure chests of Rumi, Hafez, and the Shahnameh. Here's my favorite line: "Every story is the sound of a storyteller begging to stay alive." (p. 59)
Nayeri weaves together Khosrou’s middle school experience as an immigrant in Oklahoma with memories of the past. He is a storyteller, but no one believes him. But Khosrou's (Daniel’s) stories trace his arrival to America from Iran with much humor to mitigate the terror, credibly told through the point of view of an “unbelievable” young boy.
The reader can smell the jasmine-scented city of Isfahan, see the palaces of Mesopotamian kings, and hear the ancient Persian talent for lyrical language. Perhaps story-telling arose in the very dust of ancient Persia, and Nayeri’s tone is perfect for the stories of his past and present. You will have highlighted a dozen quotable quotes by the time you’ve finished and chuckled a lot.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee…
I loved Chaim Potok’s The Chosen when I watched the movie in high school, so I wanted to read his other works.
Potok expertly portrays an authentically Orthodox Jewish worldview with its historic challenge of how to preserve the next generation from the seductions of the secular world surrounding it. Asher Lev is a gifted artist, which puts him in conflict with his parents and community. A wise rabbi recognizes the difficulty of managing Asher and his family’s gifts, goals, and faith, and he intervenes at times of crisis.
Unlike traditional rabbinic tales in which everything turns out for the best in the end, Asher Lev is all of us who navigate life struggling to test ourselves against who we are, who our parents are, where they come from, and what we will be. We are not destroyed, but many pieces of our souls are consumed in the process.
NATIONAL BESTSELLER • In this modern classic from the National Book Award–nominated author of The Chosen, a young religious artist is compulsively driven to render the world he sees and feels, even when it leads him to blasphemy.
“A novel of finely articulated tragic power .... Little short of a work of genius.”—The New York Times Book Review
Asher Lev is a Ladover Hasid who keeps kosher, prays three times a day and believes in the Ribbono Shel Olom, the Master of the Universe. He grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual…
Firoozeh Dumas’ humor is so natural that it’s effortless on the page. Many immigrant stories are so dark as to simply become glorified moralizing, but here is a genuinely interesting and fun story that teaches a lesson without being so heavy-handed that it’s little more than a treatise.
I identified with Zomorod’s (“Cindy’s”) new kid on the block in California experience. Likewise, I was a nerd who had to move often, so it wasn’t always easy to make new friends, especially when it was the odd ones who were willing to take on the new kid!
Parents complicated the situation as well, so seeing how Zomorod navigated during the difficult time of the Iran hostage crisis was personally encouraging. I guess all kids worry that they are weird and one mistake away from shunning, so in that respect, Dumas’ story should appeal to all kinds of kids, not just Persian-Americans.
Zomorod (Cindy) Yousefzadeh is the new kid on the block . . . for the fourth time. California's Newport Beach is her family's latest perch, and she's determined to shuck her brainy loner persona and start afresh with a new Brady Bunch name-Cindy. It's the late 1970s, and fitting in becomes more difficult as Iran makes U.S. headlines with protests, revolution, and finally the taking of American hostages. Even puka shell necklaces, pool parties, and flying fish can't distract Cindy from the anti-Iran sentiments that creep way too close to home. A poignant yet lighthearted middle grade debut from the…
My favorite line from this book is “When you have been a refugee, abandoned all your loves and belongings, your memories become your belongings.”
I appreciated this book when I read it the first time, and I recently re-read it. Immigrant stories are half-and-half: how it was there, and how it is here. For those of us who are second or third-generation, we rely upon those who remember or record how it was there.
Often those stories focus on only the good things, omitting the trauma. Hakakian wonderfully balances the memories of Iran in its beauty and ugliness. This is an excellent snapshot of revolution-era Iran and how Jews were able to interact with their Muslim neighbors before and after the fall of the Shah.
An emotional, evocative coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find her own voice in prerevolutionary Iran
“An immensely moving, extraordinarily eloquent, and passionate memoir.”—Harold Bloom
Roya Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its…
Although I’m not a big fan of memoir, I’m a big fan of this one.
Amini’s struggles as the Persian Jewish daughter of immigrants to America looks through a window that most Americans never see. Her parents reflect the reality of Iran and its challenges to young girls with culture as a primary obstacle, culture that often feels restrictive and anachronistic in the United States.
What spoke to me the most was Amini’s two older brothers who stepped in to fill in the glaring parenting gaps, nurturing her through coming of age in a way her parents couldn’t or wouldn’t. Although at times the reader might feel trapped in Amini’s head and heart, the ethos is absolutely proper to the memoir. Without it, the full message is lost, and the incredible triumph of her success loses context.
Esther Amini grew up in Queens, New York, during the freewheeling 1960s. She also grew up in a Persian-Jewish household, the American-born daughter of parents who had fled Mashhad, Iran. In Concealed, she tells the story of being caught between these two worlds: the dutiful daughter of tradition-bound parents who hungers for more self-determination than tradition allows.
Exploring the roots of her father's deep silences and explosive temper, her mother's flamboyance and flights from home, and her own sense of indebtedness to her Iranian-born brothers, Amini uncovers the story of her parents' early years in Mashhad, Iran's holiest Muslim city;…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
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