Here are 100 books that Brown Album fans have personally recommended if you like
Brown Album.
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As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
This is one of those books I am just WAITING to give my niece and nephews when they’re old enough to read it. It is such a great guide for how to have conversations born out of curiosity rather than fear.
I also think the formatting of the story and illustrations is inventive, fun, and informative. I consider this graphic memoir a must-read for anyone interested in dipping a toe in the genre.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS
LONGLISTED FOR THE PEN/OPEN BOOK AWARD
'Hilarious and heart-rending' Celeste Ng
'Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love' Time
How brown is too brown?
Can Indians be racist?
What does real love between really different people look like?
Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything - and as tensions from the…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
“David Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?”
— Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Nothing is more American than making war in other countries, and Phil Klay’s collection of essays investigates that line between those Americans who fight in our current wars and those who get to stay home and eventually forget that there’s even a war taking place somewhere. Klay knows about what he writes. He’s a former marine who was stationed in Iraq, and while not seeing combat himself, he did see firsthand the complex relationship between occupied and occupier. Upon his return home, he was plunged into an even more surreal place: a country that had long since stopped paying attention. Bonus reading: Klay’s National Book Award-winning short story collection, Redeployment, where you can see how fiction becomes transmuted into nonfiction and vice versa.
From the National Book Award-winning author of Redeployment and Missionaries, an astonishing fever graph of the effects of twenty years of war in a brutally divided America.
When Phil Klay left the Marines a decade ago after serving as an officer in Iraq, he found himself a part of the community of veterans who have no choice but to grapple with the meaning of their wartime experiences—for themselves and for the country. American identity has always been bound up in war—from the revolutionary war of our founding, to the civil war that ended slavery, to the two world wars that…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
If you’ve never thought it possible to write about imprisonment at Guantanamo Bay with humor. Alex Gilvarry upends this misconception. This is billed as a “memoir,” but it’s really a madcap novel about a high-fashioned Filipino-born young man who happens to be living in New York City at the wrong moment in history, and who finds out the hard way that the American dream can turn into a nightmare at any moment. “How did I end up in No Man’s Land?” our hero wonders, joining a long list who have asked that question.
The critically acclaimed debut from Alex Gilvarry, a darkly comic love letter to New York, told through the eyes of Boy Hernandez: Filipino immigrant, glamour junkie, Guantánamo detainee.
Alex Gilvarry's widely acclaimed first novel is the story of designer Boy Hernandez: Filipino immigrant, New York glamour junkie, Guantánamo detainee. Locked away indefinitely and accused of being linked to a terrorist plot, Boy prepares for the tribunal of his life with this intimate confession, a dazzling swirl of soirees, runways, and hipster romance that charts one small man's undying love for New York City and his pursuit of the big American…
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
So back when I was a senior at UC Berkeley, I worked as an assistant at the Center for Middle Eastern Studies and totally fangirled over Tara Bahrampour when we hosted her as a guest speaker. She was basically who I wanted to be one day. What I love about her memoir is that it talks about growing up in America, and revisiting Iran—something I’ve never gotten to do but could imagine through Bahrampour’s eyes. I would have completely passed out if someone told me the day I met Tara that one day, I’d publish a book about being Iranian too. I’m not sure I would have attempted to write my memoir without having her as inspiration.
A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.
My father died by suicide when I was thirteen. Because my family never spoke about the issues leading up to and resulting from this devastating event, we suffered a great deal. I have a deep love for books that expose just how dark, and troubled the teen existence can be. Authors who are brave enough to tackle such topics feed my bravery. The more stories we have on the topics of suicide, mental health, and trauma the broader the conversation and the more those who feel as though no one could possibly understand what they are going through feel seen.
Right off the bat, Darius jumps off the page as a real teen with relatable problems.
He’s the quiet kid at school, who the others tease. And he suffers from clinical depression. What I loved was how well Khorram tackled depression’s subtleties.
I think there is a tendency for society to see depression as this overarching dark cloud that keeps us in bed 24/7. But the truth is, many people who are suffering, are functional.
From the outside, we don’t see the building up of little moments that act like a snowball gradually expanding as it rolls down the mountain face.
Be warned – the food descriptions are amazing, so you might get hungry during the read.
Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He's a Fractional Persian - half, his mum's side - and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he's sure things are going to be the same in Iran. His clinical depression doesn't exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they're spending their days together, playing soccer, eating…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I am the Chief Legal Officer at a US publicly traded company. Although I was born in Iran, I immigrated to the US from Iran at age ten. When I was three years old, my father’s side of the family tried to take my brother and me away from my mother after my father passed away. She fought a custody battle and lawsuit and eventually was forced to flee Iran with us during the revolution. I am passionate about the Iranian Revolution, my relationship with my very strong and remarkable mother who has been a mentor to me, as well as family relationships within Iranian families.
I love the transparency with which the author describes her family, immigrants who moved to Southern California in the 1970s.
At times, she mocks her family, but ultimately, it is endearing how she describes family love and how tradition can overcome everyday life for immigrants. By including her Uncle, she depicts how much, in the Iranian culture, an extended family can be involved in everyday life. She writes with a great deal of humor, making a heavy topic seem quite light.
NEW YORK TIMESBESTSELLER • Finalist for the PEN/USA Award in Creative Nonfiction, the Thurber Prize for American Humor, and the Audie Award in Biography/Memoir
This Random House Reader’s Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner!
“Remarkable . . . told with wry humor shorn of sentimentality . . . In the end, what sticks with the reader is an exuberant immigrant embrace of America.”—San Francisco Chronicle
In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no…
I am the Chief Legal Officer at a US publicly traded company. Although I was born in Iran, I immigrated to the US from Iran at age ten. When I was three years old, my father’s side of the family tried to take my brother and me away from my mother after my father passed away. She fought a custody battle and lawsuit and eventually was forced to flee Iran with us during the revolution. I am passionate about the Iranian Revolution, my relationship with my very strong and remarkable mother who has been a mentor to me, as well as family relationships within Iranian families.
Growing up as an immigrant can be confusing and challenging, especially if you are Iranian-born and immigrated to the US during or before the Iranian Revolution. I personally enjoyed this book because I can relate to the challenges of being an Iranian American immigrant and the search for an identity,y which is a theme in this book.
I also like how transparent she is about the fact that all is not perfect with Iran or its culture, especially as she travels back to Iran as a journalist and witnesses the imperfection firsthand.
As far back as she can remember, Azadeh Moaveni has felt at odds with her tangled identity as an Iranian-American. In suburban America, Azadeh lived in two worlds. At home, she was the daughter of the Iranian exile community, serving tea, clinging to tradition, and dreaming of Tehran. Outside, she was a California girl who practiced yoga and listened to Madonna. For years, she ignored the tense standoff between her two cultures. But college magnified the clash between Iran and America, and after graduating, she moved to Iran as a journalist. This is the story of her search for identity,…
I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
Firoozeh Dumas’ humor is so natural that it’s effortless on the page. Many immigrant stories are so dark as to simply become glorified moralizing, but here is a genuinely interesting and fun story that teaches a lesson without being so heavy-handed that it’s little more than a treatise.
I identified with Zomorod’s (“Cindy’s”) new kid on the block in California experience. Likewise, I was a nerd who had to move often, so it wasn’t always easy to make new friends, especially when it was the odd ones who were willing to take on the new kid!
Parents complicated the situation as well, so seeing how Zomorod navigated during the difficult time of the Iran hostage crisis was personally encouraging. I guess all kids worry that they are weird and one mistake away from shunning, so in that respect, Dumas’ story should appeal to all kinds of kids, not just Persian-Americans.
Zomorod (Cindy) Yousefzadeh is the new kid on the block . . . for the fourth time. California's Newport Beach is her family's latest perch, and she's determined to shuck her brainy loner persona and start afresh with a new Brady Bunch name-Cindy. It's the late 1970s, and fitting in becomes more difficult as Iran makes U.S. headlines with protests, revolution, and finally the taking of American hostages. Even puka shell necklaces, pool parties, and flying fish can't distract Cindy from the anti-Iran sentiments that creep way too close to home. A poignant yet lighthearted middle grade debut from the…
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
Teachers and children’s writers are some of each other’s biggest fans, and I have been both, so I couldn’t resist putting a teacher in my book. Besides that, teachers are very useful characters because they can make kids in books do things like write reports or keep a journal. Initially, my main character, Patsy, doesn’t especially like her teacher, Miss Ashman. Patsy thinks she’s too strict. But by the end of the book, she realizes that challenging students and having high expectations are some of the things that make a great teacher. If you’ve ever had a teacher you loved, you’ll want to check out the books on this list.
I loved the language in this novel-in-verse and the valuable insights from an “outsider” experiencing American culture.
As a refugee fleeing war-torn Syria, Jude, the main character, finds one of the only places she feels safe and accepted is in her class for English learners. The example of her teacher, Mrs. Ravenswood, shows how sometimes one person can’t change the world, but they might change the world for one person. It made me think about how small things I do and say impact people around me.
A gorgeously written, hopeful middle grade novel in verse about a young girl who must leave Syria to move to the United States, perfect for fans of Jason Reynolds and Aisha Saeed.
Jude never thought she'd be leaving her beloved older brother and father behind, all the way across the ocean in Syria. But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.
At first, everything in America seems too fast and too loud. The American movies that Jude has always…
