Here are 100 books that Brown Album fans have personally recommended if you like
Brown Album.
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As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
This is one of those books I am just WAITING to give my niece and nephews when they’re old enough to read it. It is such a great guide for how to have conversations born out of curiosity rather than fear.
I also think the formatting of the story and illustrations is inventive, fun, and informative. I consider this graphic memoir a must-read for anyone interested in dipping a toe in the genre.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS
LONGLISTED FOR THE PEN/OPEN BOOK AWARD
'Hilarious and heart-rending' Celeste Ng
'Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love' Time
How brown is too brown?
Can Indians be racist?
What does real love between really different people look like?
Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything - and as tensions from the…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
“David Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?”
— Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Nothing is more American than making war in other countries, and Phil Klay’s collection of essays investigates that line between those Americans who fight in our current wars and those who get to stay home and eventually forget that there’s even a war taking place somewhere. Klay knows about what he writes. He’s a former marine who was stationed in Iraq, and while not seeing combat himself, he did see firsthand the complex relationship between occupied and occupier. Upon his return home, he was plunged into an even more surreal place: a country that had long since stopped paying attention. Bonus reading: Klay’s National Book Award-winning short story collection, Redeployment, where you can see how fiction becomes transmuted into nonfiction and vice versa.
From the National Book Award-winning author of Redeployment and Missionaries, an astonishing fever graph of the effects of twenty years of war in a brutally divided America.
When Phil Klay left the Marines a decade ago after serving as an officer in Iraq, he found himself a part of the community of veterans who have no choice but to grapple with the meaning of their wartime experiences—for themselves and for the country. American identity has always been bound up in war—from the revolutionary war of our founding, to the civil war that ended slavery, to the two world wars that…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
If you’ve never thought it possible to write about imprisonment at Guantanamo Bay with humor. Alex Gilvarry upends this misconception. This is billed as a “memoir,” but it’s really a madcap novel about a high-fashioned Filipino-born young man who happens to be living in New York City at the wrong moment in history, and who finds out the hard way that the American dream can turn into a nightmare at any moment. “How did I end up in No Man’s Land?” our hero wonders, joining a long list who have asked that question.
The critically acclaimed debut from Alex Gilvarry, a darkly comic love letter to New York, told through the eyes of Boy Hernandez: Filipino immigrant, glamour junkie, Guantánamo detainee.
Alex Gilvarry's widely acclaimed first novel is the story of designer Boy Hernandez: Filipino immigrant, New York glamour junkie, Guantánamo detainee. Locked away indefinitely and accused of being linked to a terrorist plot, Boy prepares for the tribunal of his life with this intimate confession, a dazzling swirl of soirees, runways, and hipster romance that charts one small man's undying love for New York City and his pursuit of the big American…
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
So back when I was a senior at UC Berkeley, I worked as an assistant at the Center for Middle Eastern Studies and totally fangirled over Tara Bahrampour when we hosted her as a guest speaker. She was basically who I wanted to be one day. What I love about her memoir is that it talks about growing up in America, and revisiting Iran—something I’ve never gotten to do but could imagine through Bahrampour’s eyes. I would have completely passed out if someone told me the day I met Tara that one day, I’d publish a book about being Iranian too. I’m not sure I would have attempted to write my memoir without having her as inspiration.
A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.
I’ve always loved to read, but on the other hand, there are few good books by and about Persian Americans. I took it upon myself to begin writing fiction about the Persian-Jewish American experience to preserve a limited historical window that is almost closed. As a third-generation Persian-American, I want readers to enjoy the transition story of an elegant, humorous, and diligent people. I continue to gobble up the literature of the Persian Americans, whether Christian, Muslim, or Jewish. I haven’t run across any works from a Zoroastrian yet, but I’m hoping to!
Firoozeh Dumas’ humor is so natural that it’s effortless on the page. Many immigrant stories are so dark as to simply become glorified moralizing, but here is a genuinely interesting and fun story that teaches a lesson without being so heavy-handed that it’s little more than a treatise.
I identified with Zomorod’s (“Cindy’s”) new kid on the block in California experience. Likewise, I was a nerd who had to move often, so it wasn’t always easy to make new friends, especially when it was the odd ones who were willing to take on the new kid!
Parents complicated the situation as well, so seeing how Zomorod navigated during the difficult time of the Iran hostage crisis was personally encouraging. I guess all kids worry that they are weird and one mistake away from shunning, so in that respect, Dumas’ story should appeal to all kinds of kids, not just Persian-Americans.
Zomorod (Cindy) Yousefzadeh is the new kid on the block . . . for the fourth time. California's Newport Beach is her family's latest perch, and she's determined to shuck her brainy loner persona and start afresh with a new Brady Bunch name-Cindy. It's the late 1970s, and fitting in becomes more difficult as Iran makes U.S. headlines with protests, revolution, and finally the taking of American hostages. Even puka shell necklaces, pool parties, and flying fish can't distract Cindy from the anti-Iran sentiments that creep way too close to home. A poignant yet lighthearted middle grade debut from the…
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I laughed out loud way too many times at this book. The thing that attracted me the most about it was that it allowed a complex narrative to be brought forward on its pages.
The writer is not only able to bring truths to the page but also make it accessible, light, and humorous. I was enhanced by this book, and I keep recommending it to friends and family.
NEW YORK TIMESBESTSELLER • Finalist for the PEN/USA Award in Creative Nonfiction, the Thurber Prize for American Humor, and the Audie Award in Biography/Memoir
This Random House Reader’s Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner!
“Remarkable . . . told with wry humor shorn of sentimentality . . . In the end, what sticks with the reader is an exuberant immigrant embrace of America.”—San Francisco Chronicle
In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no…
My father died by suicide when I was thirteen. Because my family never spoke about the issues leading up to and resulting from this devastating event, we suffered a great deal. I have a deep love for books that expose just how dark, and troubled the teen existence can be. Authors who are brave enough to tackle such topics feed my bravery. The more stories we have on the topics of suicide, mental health, and trauma the broader the conversation and the more those who feel as though no one could possibly understand what they are going through feel seen.
Right off the bat, Darius jumps off the page as a real teen with relatable problems.
He’s the quiet kid at school, who the others tease. And he suffers from clinical depression. What I loved was how well Khorram tackled depression’s subtleties.
I think there is a tendency for society to see depression as this overarching dark cloud that keeps us in bed 24/7. But the truth is, many people who are suffering, are functional.
From the outside, we don’t see the building up of little moments that act like a snowball gradually expanding as it rolls down the mountain face.
Be warned – the food descriptions are amazing, so you might get hungry during the read.
Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He's a Fractional Persian - half, his mum's side - and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he's sure things are going to be the same in Iran. His clinical depression doesn't exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they're spending their days together, playing soccer, eating…
Teachers and children’s writers are some of each other’s biggest fans, and I have been both, so I couldn’t resist putting a teacher in my book. Besides that, teachers are very useful characters because they can make kids in books do things like write reports or keep a journal. Initially, my main character, Patsy, doesn’t especially like her teacher, Miss Ashman. Patsy thinks she’s too strict. But by the end of the book, she realizes that challenging students and having high expectations are some of the things that make a great teacher. If you’ve ever had a teacher you loved, you’ll want to check out the books on this list.
I loved the language in this novel-in-verse and the valuable insights from an “outsider” experiencing American culture.
As a refugee fleeing war-torn Syria, Jude, the main character, finds one of the only places she feels safe and accepted is in her class for English learners. The example of her teacher, Mrs. Ravenswood, shows how sometimes one person can’t change the world, but they might change the world for one person. It made me think about how small things I do and say impact people around me.
A gorgeously written, hopeful middle grade novel in verse about a young girl who must leave Syria to move to the United States, perfect for fans of Jason Reynolds and Aisha Saeed.
Jude never thought she'd be leaving her beloved older brother and father behind, all the way across the ocean in Syria. But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.
At first, everything in America seems too fast and too loud. The American movies that Jude has always…
Emrah Sahin is a specialist in the history of religious interactions and international operations in Islam and Muslim-Christian relations. He received a Ph.D. from McGill University, a Social Science and Humanities Research Award from Canada, the Sabancı International Research Award from Turkey, and the Teacher of the Year Award from the University of Florida. He is currently with the University of Florida as a board member in Global Islamic Studies, an affiliate in History, a lecturer in European Studies, a college-wide advisor, and the coordinator of the federal Global Officer program.
Connecting nation, migration, and narration, Stacy’s debut is a corrective to what we know about Arabs in the Americas at a time when their homeland transitioned from the Ottoman regime to the European mandate. It strikes with global strokes and fine details whether it is about women at a Brooklyn factory, a French consulate spy chasing an anti-German diplomat-turned-traitor, or some mysteriously disappearing witnesses on sight.
Since 2011 over 5.6 million Syrians have fled to Turkey, Lebanon, Jordan, and beyond, and another 6.6 million are internally displaced. The contemporary flight of Syrian refugees comes one century after the region's formative experience with massive upheaval, displacement, and geopolitical intervention: the First World War.
In this book, Stacy Fahrenthold examines the politics of Syrian and Lebanese migration around the period of the First World War. Some half million Arab migrants, nearly all still subjects of the Ottoman Empire, lived in a diaspora concentrated in Brazil, Argentina, and the United States. They faced new demands for their political loyalty…
