100 books like Brown Album

As with all things Michael Jackson, everything is complicated. Mira Jacob, who is the American-born daughter of East Indian parents, and who is now married to a Jewish man, begins her graphic memoir with her dilemma over her six-year-old son’s obsession with the pop star. So launches a mother’s struggle to understand and explain, both to self and son and reader, the role that skin color has played in her American life—in fact the nuances between the varying degrees of pigmentation—as well as ethnicity, gender, race, religion. In a world where physical appearance has been paramount for our author, it’s fitting that this story is told through pictures. 

Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.

Nothing is more American than making war in other countries, and Phil Klay’s collection of essays investigates that line between those Americans who fight in our current wars and those who get to stay home and eventually forget that there’s even a war taking place somewhere. Klay knows about what he writes. He’s a former marine who was stationed in Iraq, and while not seeing combat himself, he did see firsthand the complex relationship between occupied and occupier. Upon his return home, he was plunged into an even more surreal place: a country that had long since stopped paying attention. Bonus reading: Klay’s National Book Award-winning short story collection, Redeployment, where you can see how fiction becomes transmuted into nonfiction and vice versa.

If you’ve never thought it possible to write about imprisonment at Guantanamo Bay with humor. Alex Gilvarry upends this misconception. This is billed as a “memoir,” but it’s really a madcap novel about a high-fashioned Filipino-born young man who happens to be living in New York City at the wrong moment in history, and who finds out the hard way that the American dream can turn into a nightmare at any moment. “How did I end up in No Man’s Land?” our hero wonders, joining a long list who have asked that question. 

So back when I was a senior at UC Berkeley, I worked as an assistant at the Center for Middle Eastern Studies and totally fangirled over Tara Bahrampour when we hosted her as a guest speaker. She was basically who I wanted to be one day. What I love about her memoir is that it talks about growing up in America, and revisiting Iran—something I’ve never gotten to do but could imagine through Bahrampour’s eyes. I would have completely passed out if someone told me the day I met Tara that one day, I’d publish a book about being Iranian too. I’m not sure I would have attempted to write my memoir without having her as inspiration. 

If Durrell’s book made me feel like my family was not entirely abnormal, this one made me feel I was totally normal in my outsider-ness. Dumas recounts her experience growing up in California after moving from Iran as a young child. Reading it made me feel like I was reading about my slightly older, and definitely bolder counterpart. I wish I had the gumption she had when she was a young girl in the States. Where I spent my youth not wanting to take up space, she takes it up and does things her way. And I laughed. I laughed until my sides hurt. 

Right off the bat, Darius jumps off the page as a real teen with relatable problems.

He’s the quiet kid at school, who the others tease. And he suffers from clinical depression. What I loved was how well Khorram tackled depression’s subtleties.

I think there is a tendency for society to see depression as this overarching dark cloud that keeps us in bed 24/7. But the truth is, many people who are suffering, are functional.

From the outside, we don’t see the building up of little moments that act like a snowball gradually expanding as it rolls down the mountain face.

Be warned – the food descriptions are amazing, so you might get hungry during the read.

Firoozeh Dumas’ humor is so natural that it’s effortless on the page. Many immigrant stories are so dark as to simply become glorified moralizing, but here is a genuinely interesting and fun story that teaches a lesson without being so heavy-handed that it’s little more than a treatise.

I identified with Zomorod’s (“Cindy’s”) new kid on the block in California experience. Likewise, I was a nerd who had to move often, so it wasn’t always easy to make new friends, especially when it was the odd ones who were willing to take on the new kid! 

Parents complicated the situation as well, so seeing how Zomorod navigated during the difficult time of the Iran hostage crisis was personally encouraging. I guess all kids worry that they are weird and one mistake away from shunning, so in that respect, Dumas’ story should appeal to all kinds of kids, not just Persian-Americans. 

I loved the language in this novel-in-verse and the valuable insights from an “outsider” experiencing American culture.

As a refugee fleeing war-torn Syria, Jude, the main character, finds one of the only places she feels safe and accepted is in her class for English learners. The example of her teacher, Mrs. Ravenswood, shows how sometimes one person can’t change the world, but they might change the world for one person. It made me think about how small things I do and say impact people around me. 

In the space where our fears and our hopes live, there is the landscape of our dreams and nightmares. This book lushly carries a boy's search for home to readers everywhere. It's a magical book for it carries a great deal of room for the reader to step into the words and images within.