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House of Sand and Fog.
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In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
It’s 1860, and Garibaldi's Redshirts have landed on the coast. Sicily’s ancient feudal society will soon be overthrown.
These historical events are the backdrop to an intriguing portrait of Don Fabrizio Corbera, Prince of Salina, a quiet, intense, and, in many ways, sympathetic member of the doomed Sicilian nobility. War is upon him, and yet Don Fabrizio continues his stately life and loves with meditative detachment.
This may be a story of civil war and social upheaval, but it is also a depiction of ancient families and allegiances, dusty landscapes, and the night sky. It is filled with rich symbolism and prophecy. The Leopard’s message: revolutions come and go, corruption endures. Its contribution to great historical fiction: Don Fabrizio, the last Leopard.
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.
I am Peter C. Bradbury, and it was reading the books of P.G. Wodehouse that attracted me to the career of being a butler. I have also always loved murder mysteries, so when I started writing, I combined those aspects into my first book. I chose these particular books because of the details and the subjects. I was a butler for over twenty years in the UK and the USA, and it annoys me when household staff are incorrectly portrayed. I love movies like Gosford Park and series like Upstairs Downstairs and Downton Abbey. The butler sees and hears everything, so I like the writers who know that.
I loved this book and the movie. The attention to detail was wonderful, and the butler’s relationship with the housekeeper was spot-on for the period. I could really relate to the butler, being one myself, and to his loyalty to his employer. The only quibble I had was that the butler didn’t say anything when he was asked for his opinion. I understood why he didn’t, but you are rarely asked, so you have to speak up when given the opportunity. It's just a great book!
*Kazuo Ishiguro's new novel Klara and the Sun is now available to preorder*
The Remains of the Day won the 1989 Booker Prize and cemented Kazuo Ishiguro's place as one of the world's greatest writers. David Lodge, chairman of the judges in 1989, said, it's "a cunningly structured and beautifully paced performance". This is a haunting evocation of lost causes and lost love, and an elegy for England at a time of acute change. Ishiguro's work has been translated into more than forty languages and has sold millions of copies worldwide.
Stevens, the long-serving butler of Darlington Hall, embarks on…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
As a huge fan of Ian McEwan’s early novels with their dark drama, especially The Innocent, I initially gave up on this book after the first 70 pages—but then, thankfully, resumed a while later.
What seemed a genteel novel about manners transforms into something much more sinister and dramatic. I loved the tense atmosphere of it, with much of the story condensed into one hot pre-war summer’s day and then the later serious repercussions from what, at the time, seem fairly harmless childish actions.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
Despite draft-stage admonitions from his great friend, the Jesuit priest Ronald Knox, the amount of sex Waugh layers into Brideshead Revisited is surprising for 1945: functionally heterosexual couplings, more given over to class imperatives of property, inheritance and trophy wives, and the tentatively homosexual (depending on interpretation), as located in the awakenings of young adulthood, as sluiced by wine, aesthetic beauty, cigars and Venice in Summer.
But it’s Venice and its architecture that’s the actual location of the full sensual awakening, triggering the protagonist’s eventual journey to Catholicism as he passes time among the Venetian stone of churches… and a fountain: “This was my conversion to the baroque...I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.” Eroticized Ruskinalia, finally stepping beyond the Anglo-Catholicism of the Oxford Movement.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
I'm a research psychologist. My expertise is in evolutionary psychology, which is a lens through which all mental processes and behavior can be framed. I've studied a wide variety of topics, ranging from love to murder. I do believe that we evolved morbid curiosity as a mechanism of protective vigilance. People have a great interest in consuming material about the who, what, why, how, where, and when of these terrible crimes. In Just as Deadly, I provide fact-based information derived from my own empirical research in addition to about 1200 other sources. It was important to me to pursue and write about truths. In addition, I don’t—and won’t—engage in drama or gore.
Frederick Toates has been studying and writing about serial murder for many years. As a biological psychologist, he has authored many works about arousal and motivation. In this book, he and Olga Coschug-Toates, a fellow clinical scholar and noted author, present a biopsychosocial perspective of sexually motivated serial murders. They also highlight important concepts through case studies, making the presentation interesting and applicable. Although my recommended list revolves around elucidating the motives and means of FSKs, understanding how male serial killers commonly operate illustrates the stark differences between FSKs and MSKs.
Why do some people engage in serial killing for sexual pleasure? This book considers the phenomenon of sexual serial killing from the perspective of motivation theory, as advanced in psychology and neuroscience. By examining biological, psychological and social determinants, it develops a model of sexual killing that integrates widely dispersed existing literature. The first part of the book reviews scientific data and theories, while the second part presents biographical sketches of 80 sexual killers and links their early development and later killing to current theoretical understanding. The book examines cases of serial killers from the USA, Western Europe, Iran, Australia…
I'm a social anthropologist who has lived, dreamed, and worked in Syria most of her life. Having spent my childhood in Damascus I always yearned to return. After completing my PhD at the University of California, Los Angeles, in the economy of modern Bedouin Tribes, I won a Fulbright award to teach at the University of Damascus. Since then, Damascus has been at the centre of my academic and social life. I met my husband there, a British helicopter pilot, sent there to learn Arabic. I'm an emeritus professor of anthropology and forced migration at the University of Oxford and my research has been on the forced migrant communities who make up Syria’s cosmopolitan society.
I cannot ignore the turmoil that has become Syria over the past decade. Many books have appeared about the peaceful demonstrations that turned violent and a civil war and a proxy war for Iran, Russia, the US, and various Arab states. This book provides a detailed history of how Syria descended into such violence. It gave me a detailed understanding of how the ‘Opposition’ to the Asad government emerged in the country. And engages with the stories of the Opposition fighters in their exile in adjacent countries. Concluding that the war is not yet over, it provides some hope for those of us who watch from a distance as Russia and Iran reposition and redeploy in response to other critical global events.
In 2011, many Syrians took to the streets of Damascus to demand the overthrow of the government of Bashar al-Assad. Today, much of Syria has become a war zone where foreign journalists find it almost impossible to report on life in this devastated land.
Burning Country explores the horrific and complicated reality of life in present-day Syria with unprecedented detail and sophistication, drawing on new first hand testimonies from opposition fighters, exiles lost in an archipelago of refugee camps, and courageous human rights activists among many others. These stories are expertly interwoven with…
I firmly believe we each have a unique story to tell, to record in order to help others and to record a history. I love the ordinary person who lives an extraordinary life. So many people don’t realize how wonderful they are. It is also cathartic to write your story, in doing so you forgive others as you forgive yourself for decisions poorly made.
This all-American woman loved an Iranian student 25 years her junior. Her story takes you on an adventure, sparing no details of the emotional roller coaster ride, even learning his language. They created a bridge between East and West. She immersed herself to see life and Iranian customs through his eyes, willing herself to understand, hoping to influence him with American ways. Reading her story you will witness an extraordinary marriage and wonder if you could ever possibly do the same.
Afshin, a captivating Iranian graduate student, rents a room in Miriam Valmont’s home. Landlady and tenant share an immediate and fast-growing attraction, despite the fact that Miriam is twice Afshin’s age. When Afshin proposes a temporary Islamic marriage, Miriam readily agrees, driven by desire and curiosity. What shocks her, though, is the role Afshin invites her to play at the end of the marriage so that he, as a Muslim, can continue to express affection. The Bird and the Fish is the story of two people with radically different lives who find a way to honor a passionate love.
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.
Iran is a land of contradictions. It is an Islamic republic, but one in which only 1.4 percent of the population attend Friday prayers. Iran's religious culture encompasses the most censorious and dogmatic Shi'a Muslim clerics in the world, yet its poetry insistently dwells on the joys of life: wine, beauty, sex. Iranian women are subject to one of the most restrictive dress codes in the Islamic world, but make up nearly 60 percent of the student population of the nation's universities. In A History of Iran, acclaimed historian Michael Axworthy chronicles the rich history of this complex nation from…
I was born in Israel, but spent my formative years in Iran, a country rich in culture, superstition, and a history that is nothing short of an author’s dream. I also joined a large, colorful family, whose members possessed their own quirks and habits, which my future fictional characters inherited in one or another of my novels. Although the Iran I knew during the reign of the Shah was quite different than the Iran I had to flee at the onset of the Islamic revolution and the arrival of Ayatollah Khomeini, her history remains ever timely, and never ceases to captivate me.
The grandson of an eminent ayatollah and the son of an Iranian diplomat, Hooman Majd offers perspective on Iran's complex and misunderstood culture through an insightful tour of Iranian culture, introducing fascinating characters from all walks of life, including zealous government officials, tough female cab drivers, and open-minded, reformist ayatollahs. It's an Iran that will surprise readers and challenge Western stereotypes.
Hooman Majd, acclaimed journalist and New York-residing grandson of an Ayatollah, has a unique perspective on his Iranian homeland. In this vivid, warm and humorous insider's account, he opens our eyes to an Iran that few people see, meeting opium-smoking clerics, women cab drivers and sartorially challenged presidential officials, among others.
Revealing a country where both t-shirt wearing teenagers and religious martyrs express pride in their Persian origins, that is deeply religious yet highly cosmopolitan, authoritarian yet reformist, this is the one book you should read to understand Iran and Iranians today.
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
In my view, Josef provides the best introduction to the history of Persia in classical antiquity–something well worth knowing, given the importance of Iran now and the influence of the past on the present.
Iranians look back with pride to those centuries when three Persian empires dominated the Middle East and western Asia. The book is clear, readable, and not too long.
I like it because he attends first and foremost to the evidence, what he calls ‘testimonies,’ and because he focuses on fundamental factors rather than simply telling a story.
Of all the great civilizations of the ancient world, that of Persia is one of the most remarkable but least understood. This is a study of the country's origins and why it collapsed so dramatically with the Arab invasions of the seventh century. Josef Wiesehofer, provides a comprehensive survey of the Persian Empire under the Achaeminids, the Parthians and the Sassanians. By focusing on the primary Persian sources - written, archaeological and numismatic evidence from Persia - he avoids the traditional Western approach which has tended to rely so heavily on inaccurate, and sometimes prejudiced, Greek and Roman sources.
