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I have been fascinated with mental health since long before I was officially diagnosed with Bipolar I. Even as an elementary schooler, I recognized that I was different from my peers: I thought more deeply and often more darkly, I experienced higher highs and lower lows, often beyond my control, and I very rarely discussed my home life. Writing became a logical and perhaps life-saving outlet as soon as I learned to put words into letters (mostly the wrong letters, but thank God for spell-check).
This coming-of-age novel has everything: love, grunge music, angst, and a slow revelation of past trauma. I don't think I speak for everyone with mental health issues, but I know that having a traumatic childhood is a common, shared factor amongst people with serious diagnoses. I read this one before I understood why I identified so strongly with it.
Charlie lives on the fringes, barely dipping a toe into the social melee that is high school life, yet, with courage and determination, he carves out a place for himself. While his new friendships allow him to find himself, they also allow him the safety to confront the wounds of his past, wounds too large for even his teenage self to come to grips with.
Even though my last manic episode was over sixteen years ago, I am only recently doing the real work of processing and understanding the traumatic experiences…
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
I read the book originally in college as part of a Jewish Literature course, and I was struck by the love story inside. The title drew me in immediately, and it was one of those beautifully heartbreaking stories with lines that will stick with you for a lifetime.
“Once upon a time, there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.” I will never be over this one.
Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
I fell in love with magical realism and stories that have a sense of whimsy after hearing my grandparents tell stories of their lives. They always embellished a bit, making a simple detail of a bread line or a penny found on the ground feel massive. Then I read Tom Robbins’s Fierce Invalids Home from Hot Climates. I didn’t understand at the time that the light touches of magic or moments that felt magical, even if not truly enchantment, were uplifting in stories both light and dark. I quickly fell under the spell and have placed elements of magic or whimsy in my own writing ever since.
The Instructions blew my mind from the moment I read the first page. At the time the novel was released, it took place in a near future recently reached.
We quickly dive into bullies, othering, and also the concept of judging without knowing focused on the lives of pre- and young teens, specifically Gurion ben-Judah Maccabee, our main character. The novel is over 1,000 pages but I will never forget diving deep into the story quickly and hungrily, wanting to devour every sentence.
“It is dangerous to exist in the world. To exist is to be threatened. We must live with threats.” The quote exudes Jewish anger, a possible messiah, but also fear, history, and violence making the pages feel magical and shocking, yet grounded firmly in our world.
Beginning with a chance encounter with the beautiful Eliza June Watermark and ending, four days and 900 pages later, with the Events of November 17, this is the story of Gurion Maccabee, age ten: a lover, a fighter, a scholar, and a truly spectacular talker. Expelled from three Jewish day-schools for acts of violence and messianic tendencies, Gurion ends up in the Cage, a special lockdown program for the most hopeless cases of Aptakisic Junior High. Separated from his scholarly followers, Gurion becomes a leader of a very different sort, with righteous aims building to a revolution of troubling intensity.…
I fell in love with magical realism and stories that have a sense of whimsy after hearing my grandparents tell stories of their lives. They always embellished a bit, making a simple detail of a bread line or a penny found on the ground feel massive. Then I read Tom Robbins’s Fierce Invalids Home from Hot Climates. I didn’t understand at the time that the light touches of magic or moments that felt magical, even if not truly enchantment, were uplifting in stories both light and dark. I quickly fell under the spell and have placed elements of magic or whimsy in my own writing ever since.
Three Assassins almost feels like the movie Bullet Train with Brad Pitt.
It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.
We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile.
SUZUKI IS JUST AN ORDINARY MATHS TEACHER...UNTIL HIS WIFE IS MURDERED.
Seeking justice, he leaves his old life behind to infiltrate the criminal gang responsible. What he doesn't realise is that he's about to get drawn into a web of the most unusual professional assassins, each with their own agenda:
THE WHALE convinces his victims to take their own lives using just his words.
THE CICADA is a talkative and deadly knife expert.
THE PUSHER dispatches his targets in deadly traffic 'accidents'.
Suzuki must take on the three assassins to avenge his wife - but can he keep his innocence…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Histories of migration to Germany are often stories of problems and failure, of racism and troubled integration. This book does not negate these problems but consciously strives to develop a positive narrative of how migration–both emigration and immigration–is an integral part of German history.
Unlike most other scholars of migration, who envisage a post-national future of German society, Jan Plamper tries to develop a vision of positive national identification with a modern German nation that builds on the insight that “we are all migrants.” It is the last book the author, a dear friend of mine, wrote before his untimely passing in 2023 and will hopefully be his lasting legacy.
In 2015, Germany agreed to accept a million Syrian refugees. The country had become an epicenter of global migration and one of Europe's most diverse countries. But was this influx of migration new to Germany? In this highly readable volume, Jan Plamper charts the groups and waves of post-1945 mobility to Germany. We Are All Migrants is the first narrative history of multicultural Germany told through life-stories. It explores the experiences of the 12.5 million German expellees from Eastern Europe who arrived at the end of the Second World War; the 14 million 'guest workers' from Italy and Turkey who…
Ellen Cassedy explores the ways that people, and countries, can engage with the difficult truths of the Holocaust in order to build a better future. She researched Lithuania’s encounter with its Jewish heritage, including the Holocaust, for ten years. Her book breaks new ground by shining a spotlight on how brave people – Jews and non-Jews – are facing the past and building mutual understanding. Cassedy is the winner of numerous awards and a frequent speaker about the Holocaust, Lithuania, and Yiddish language and literature.
Mimi Schwartz’s Jewish father grew up in a German town where Jews and gentiles got along – until the Nazi era put extraordinary strains on their ability to coexist peaceably. Schwartz explores how people who were not unusually brave managed to perform small acts of kindness and defiance. Her book offers important lessons for our time.
Mimi Schwartz's father was born Jewish in a tiny German village thirty years before the advent of Hitler when, as he'd tell her, "We all got along." In her original memoir, Good Neighbors, Bad Times, Schwartz explored how human decency fared among Christian and Jewish neighbors before, during, and after Nazi times. Ten years after its publication, a letter arrived from a man named Max Sayer in South Australia. Sayer, it turns out, grew up Catholic in the village during the Third Reich and in 1937 moved into an abandoned Jewish home five houses away from where the family of…
I’ve always been curious and passionate about how people overcame significant suffering in their lives. True stories of how people emerged stronger from traumatic events not only became an inspiration in my personal life but also my professional life as a therapist, where I became an agent of change. The ‘secret’ of these storytellers and their transformation became my focus. I only hope you find these stories as enjoyable as I did and also a challenge and an inspiration that makes a difference in your own life.
I love the late Eddie Jaku’s life-changing commitment to literally "survive." He turned 100 in 2020 and had remained silent for many years about the cruelty of his internment in Buchenwald and Auschwitz.
Initially, the title sat uneasily with me. How could a man describe himself that way after the terror and shocking treatment he endured–but then a miracle. I was blown away when he uncovered the secret of his survival which is only surpassed by the miracle of his decision to "make life beautiful."
'Eddie looked evil in the eye and met it with joy and kindness . . . [his] philosophy is life-affirming' - Daily Express
Holocaust survivor Eddie Jaku made a vow to smile every day and now believes he is the 'happiest man on earth'. In his inspirational memoir, he pays tribute to those who were lost by telling his story and sharing his wisdom.
Life can be beautiful if you make it beautiful. It is up to you.
Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed…
I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.
This is one of three historical novels by Alan Brennert set in Hawaii. I like this one best because it is set in 1914, not long before my own novel opens in Honolulu. It portrays a very different side of the city, however. Brennert’s novel features a Korean picture bride who is married off to a poor laborer who mistreats her. She and her fellow picture brides come together to improve their lives, resulting in a unique portrayal of Waikiki before the highrises, of the tenements in Chinatown, and the plantations before powerful unions.
'In Korea in those days, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames, which often reflected the parents' feelings on the birth of a daughter: I knew a girl named Anger, and another called Pity. As for me, my parents named me Regret.' "HONOLULU" is the rich, unforgettable story of a young 'picture bride' who travels to Hawai'i in 1914. Instead of the affluent young husband and chance at an education that she has been promised, she is married off to a poor, embittered labourer who takes his frustrations out…
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Ilan Stavans’s edited volume, Becoming Americans: Four Centuries of Immigrant Writing demonstrates how immigration is central to the origin story of the United States. In compiling selections from over 400 years of first-generation immigrant accounts, Stavans is able to shed light on the immigration experience—starting at Jamestown—from the perspective of the immigrant, as opposed to those already living in the destination country.
Immigration is the essential American story. From London or Lvov, Bombay or Beijing, Dublin or Dusseldorf, people have come to America to remake themselves, their lives, and their identities. Despite political obstacles, popular indifference, or hostility, they put down roots here, and their social, cultural, and entrepreneurial energies helped forge the open and diverse society we live in. The history of American immigration has often been told by those already here. Becoming Americans tells this epic story from the inside, gathering for the first time over 400 years of writing—from seventeenth-century Jamestown to contemporary Brooklyn and Los Angeles—by first-generation immigrants…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
