Here are 38 books that Guardians of the Garden fans have personally recommended if you like
Guardians of the Garden.
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After devouring fantasy novels in my late teens and early twenties, I eventually hit a dead end. Where had all the good old-school fantasy gone? I wanted dashing heroes, compelling love stories, and epic battles between good and evil, but I could not seem to find it anymore–at least not as regularly as I wanted to. Eventually I set about writing my own stories, the kind of stories I always wanted to read. When I’m writing, I always go back to books on this list to rekindle my fire and remind me what good fantasy should be.
This novel features a strong protagonist, separated from his love by an evil emperor.
I love characters that aren’t just fighting for a good cause, but are fighting for love, and this series features a gripping love story. The characters find a way to beat impossible odds using wits, magic, and courage. It’s one of the few books I was excited to read more than once.
SOUL OF THE FIRE saw the political machinations that have dogged the midlands reach new heights as the Chimes ran free and threatened magic everywhere. As the novel ended Kahlan has narrowly avoided death and now she and Richard Rahl, the Seeker, must strive again to save the world from the resurgent armies of the Emperor Jagang. From the very first page FAITH OF THE FALLEN PITCHES Richard and Kahlan into their most desperate fight yet, a fight where worlds once again hang in the balance. Richard must embark on a course of action that will leave his people feeling…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
This is high-caliber space fantasy in the realm of Star Wars or Dune. It brings together a grizzled holy warrior having doubts about his faith with a naïve and sheltered princess in a brutal world ruled by absolutely vile overlords. The perspective switches between the two of them. The warrior – Drin – grapples with whether the church’s mission to fight evil brings it to use methods too similar to the evil it fights. Meanwhile the princess – Anais – has to come to terms very quickly with the reality of life outside the palace when slavers invade her home and abduct her off-world.
After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.
For the first time in Drin's life, he has no backup, no support, none of his brothers.
He stands alone against evil.
Drin must face overwhelming odds to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
This book and the next on the list are interesting in that the setting becomes a character in and of itself. The town of Haven seems to have its own character arc, as a post-apocalyptic settlement that has gone from a watchful last outpost of mankind to a more complacent community where things that had once been necessities are now rituals. The human characters are fleshed out just as well, coming across as very much normal and well-realized people.
Altogether Stutznegger builds not only a cast but also a setting where you really care about their continued well-being; especially as threats from the outside world begin to sneak into the town. I would consider this possibly “soft fantasy”, with the semi-mystical mystery of the main character’s enhanced eyesight and a technically sci-fi explanation for the villainous Shadow Elves.
Shadow and Bone meets A Quiet Place in this atmospheric and chilling dark fantasy debut.
"They wear the faces of your loved ones, but are more beautiful than you could ever imagine. Lovely things shouldn't draw you in and kill you. You almost want them to."
Seventeen-year-old Blue Haven, gifted with superhuman sight since birth, dreams of becoming a warrior—not that anything's happened near the wall since Old Man Amos was attacked by that beaver. The Shadow Elves—humans infected by a zombie apocalypse-like plague—have died out over the past 150 years, leaving life altogether boring. In her quiet farming village…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
Can you call it “urban fantasy” when most of the action happens in rural areas? You really get a sense of how much young Paxton Locke lost when his mother murdered his father to summon a demon, and how that shapes him in the present into a man who goes out of his way to help others all over the country. Paxton isn’t the only character whose layers we get to dig into either. Without spoiling anything, he does pick up a sidekick in his travels who is more than meets the eye, and the narration occasionally switches to some other colourful characters on their own arcs to intersect Paxton’s.
From Dragon Award nominee Daniel Humphreys Son of a Witch
Family drama is bad enough without adding magic and human sacrifice. Ten years ago, Paxton Locke’s mother killed his father in a mysterious ritual that – thankfully – went incomplete. Now, Paxton makes his living as a roving paranormal investigator, banishing spirits while Mother languishes in jail.
When a terrified ghost warns him of a dangerous, newly-freed entity, Paxton faces a fight far beyond simple exorcism. In a battle for his very soul, will he be able to endure – or simply fade away?
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
Is Fried’s short story collection The Great Frustration literary, science fiction, fantasy, absurdist, or something else? I have no idea, and I suspect neither does he, but that’s one of the reasons I love this book so much.
Whether Fried is writing about the animals in the Garden of Eden or a town that refuses to change its ways despite its pesky recurrent problem of massacres, these stories will make you laugh.
After you’re done laughing, when you’ve had some time to think, you’ll realize that you were only laughing because Fried is adept at pointing out those aspects of society and human nature that we find uncomfortable—which, of course, the best comedians have always done.
Equal parts fable and wry satire, The Great Frustration is a sparkling debut. Seth Fried balances the dark--a town besieged, a yearly massacre, the harem of a pathological king--with moments of sweet optimism--researchers unexpectedly inspired by discovery, the triumph of a doomed monkey, the big implications found in a series of tiny creatures.
In "Loeka Discovered," a buzz flows throughout a lab when scientists unearth a perfectly preserved prehistoric man who suggests to them the hopefulness of life, but the more they learn, the more the realities of ancient survival invade their buoyant projections. "Frost Mountain Picnic Massacre" meditates on…
I began reading spy and political thrillers at a young age—I was captivated by the thrill and mysteriousness of the clandestine world. I would go on to earn my Master’s in International Affairs, learning French and German along the way. I was a combat pilot and flew all over the globe. At the Pentagon, I regularly liaised with foreign diplomats to create and improve international cooperation and security. I then became a diplomat myself, working for the Defense Intelligence Agency. It was my time with the DIA and working at U.S. embassies in Europe and Africa that was the inspirational capstone for writing Devolutionand The Devolution Trilogy.
I highly recommend Keith Madsen’s Searching for Eden. It is not a spy thriller, but it is a thrilling story with deep characters, moral, philosophical, and theological undertones, and a level of adventure that far exceeds that of the vast majority of similar titles.
In the book, three Americans are thrown into the turbulent chaos and political turmoil surrounding Iran’s nuclear program. Evan and his friends travel through Iran, Iraq, and Bahrain looking for clues to the Garden's reality. They dig in ancient cemeteries, climb ziggurats, race through war zones, and examine bizarre art carved into human skulls, all the time seeking the original Garden of Eden and therein the secrets to humanity's foundational story.
When Evan Jordan's 14-year old daughter dies of cancer, he goes on a quest to find a place where children don't die, and where life is still good. His dying daughter had expressed an interest in the Garden of Eden. Could it be that such a place still exists? He goes searching for that garden, hoping thereby to rediscover the goodness and innocence he lost with his young daughter's death.
Evan's story intersects with those of a beautiful divorced archaeologist (providing his romantic interest) and a 14-year old Hispanic prostitute; both of whom join Evan in his quest. The three…
Felicia Campbell is a food writer, editor, and author of The Food of Oman: Stories and Recipes from the Gateway to Arabia, the first English-language cookbook on Omani cuisine. She earned her masters degree in culinary anthropology from New York University with a specialization in Middle Eastern foodways. She has lectured on Omani food and food in zones of conflict at the Smithsonian Institute, Leiden University, New York University, and Arizona State University. She is currently developing a documentary series about endangered cuisines around the world.
When I want a truly traditional recipe for an Iraqi dish, or any classic Middle Eastern food, I reach for Nawal Nasrallah’s tome. As a culinary historian, she spares no detail when describing the origins of the food of her homeland, and interspersed with recipes are folkloric tales, cultural tidbits, and bite-sized histories. What you come away with is a deep appreciation of the complex, ancient culinary traditions of the fertile crescent, as well as recipes for the best falafels you’ve ever made (spoiler: use both fava beans and chickpeas for heartier flavor).
This is a concise version of the award-winning and highly acclaimed second edition published in 2013. It is luxuriously illustrated throughout with colour photos, paintings, medieval miniatures and sketches and displays the diversity of the region's traditional culinary practices, delicious and enduring. This edition book contains 300 of the original 400 recipes, all tested and easy to follow, and covers all food categories with ample choice for both vegetarians and meat lovers, and many that will satisfy a sweet tooth. Ingredients and cooking techniques indigenous to the region are fully explained.
Unlike the majority of cookbooks, the book uniquely traces…
I split my writing time between fiction and non-fiction, the latter usually baseball-themed, and I’ve published two books of baseball writing. My reading is similarly bifurcated; there’s always a baseball book on my nightstand. I’ve also got a background in history, and I genuinely enjoy deep research (it’s a great way to put off, you know, writing). Baseball is such fertile ground, so ripe for deep dives—the nexus of sport, culture, entertainment, economics, labour relations, etc. The best baseball books are more than boxscores and transactions, they place the game in its historical context. Books that manage to synthesize all of the above are some of my favourite reads.
John Thorn—the official historian of Major League Baseball—is a living encyclopedia, and this is his definitive tome on the game’s nineteenth-century beginnings, from the amateur era to the rise of the first professional leagues. This and Gilbert’s book might be viewed as companion pieces—indeed, Thorn wrote the introduction to How Baseball Happened—and both dispel the ridiculous myth that the game was invented in Cooperstown, New York by a young man who would grow up to be a Civil War hero, but Thorn goes deep on the fascinating story of who created that myth, and why, which is a tale so odd it’s nearly novelistic.
Now available in paperback, the “fresh and fascinating” (The Plain Dealer, Cleveland), “splendid and brilliant” (Philadelphia Daily News) history of the early game by the Official Historian of Major League Baseball.
Who really invented baseball? Forget Abner Doubleday at Cooperstown and Alexander Cartwright. Meet Daniel Lucius Adams, William Rufus Wheaton, and other fascinating figures buried beneath the falsehoods that have accrued around baseball’s origins. This is the true story of how organized baseball started, how gambling shaped the game from its earliest days, and how it became our national pastime and our national mirror.
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
I am a photographer of gardens and botanical still-lifes. I have a passion for plants and flowers and love reading about their historical and cultural significance. I am always curious about the meanings that humankind has ascribed to flowers in different cultures and eras. I have written and photographed three books that revolve around my passion for flowers.
This is a very slim volume by the Czech novelist, playwright, and essayist who gave us the word “robot” in a play in 1921. In this book, Capek takes readers through a year, month by month, in his backyard garden in Prague. The writing is full of humor, the tone conversational, with observations that resonate with all gardeners–from the fickleness of the weather to the pleasures of reading plant catalogues in the winter. But the true subject of Capek’s musing is the complexity of human nature. For the writer, the garden is a metaphor for what makes us human. It is ultimately a very hopeful book, and Capek ends it with these words: “The right, the best is in front of us. Each successive year will add growth and beauty. Thank God that again we shall be one year farther on!”
"This very entertaining volume with its delightfully humorous pictures should be read by all gardeners." — Nature "Mr. Čapek writes with sympathy, understanding, and humor." — The New York Times "Has a mellowness and a charm that give it a high place in the humorous literature of gardening … will delight the amateur gardener, and indeed everyone else." — Saturday Review The creator of this book is best known internationally as the author of R.U.R., the science-fiction play that introduced the term "robot" to the world. Karel Čapek's satiric gifts take a different turn in this impishly comic book, which…
