Here are 90 books that Friday fans have personally recommended if you like
Friday.
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It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.
The Chrysalids – my inaugural dive into science fiction in the late sixties – hooked me from the first paragraph.
Wyndham creates a dystopian world of post-nuclear destruction where genetic mutations abound, and if discovered, culled from a civilization steeped in a stark biblical ideology. The Chrysalids track protagonist David Strorm as he safeguards his six-toed friend, Sophie, and ultimately connects with a band of telepaths offering new world hope.
I loved this book because of its adolescent hero and his defiance against a society that was morally corrupt.
In the community of Waknut it is believed mutants are the products of the Devil and must be stamped out. When David befriends a girl with a slight abnormality, he begins to understand the nature of fear and oppression. When he develops his own deviation, he must learn to conceal his secret.
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
This story of alien invasion is hauntingly realistic and frighteningly fun. It has one of the most original plots I have ever seen and, despite the absurdity of the events recounted in it, this book has a ring of truth to it. You read something utterly preposterous and murmur to yourself, “this might happen!” After reading it, you will start looking at events around you differently.
The aliens wouldn't kill ... They'd take over earth and let man survive -- if he could. A few people tried to tell that Earth was being taken over by alien beings in the shape of bowling balls, talking dogs, dolls that walked like men. The trouble was, no one believed them.
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
This masterpiece from one of the giants of mind-blowing SF is best known as a canonical example of alternate history: set in a world where the Axis powers won World War II, and the former U.S.A. is divided between occupying forces of Imperial Japan on the West Coast and Nazi Germany. As such, the conflict in the book is really about the underground resistance forces’ efforts against the occupiers.
Lots of writers have played with similar premises, but I love Dick’s the most because of its narrative daring, from using the I Ching as a device to generate plot to the Borgesian engine of the imaginary novel within the novel on which the story’s ultimate revelations turn.
'Dick's best work, and the most memorable alternative world tale...ever written' SCIENCE FICTION: THE 100 BEST NOVELS
It is 1962 and the Second World War has been over for seventeen years: people have now had a chance to adjust to the new order. But it's not been easy. The Mediterranean has been drained to make farmland, the population of Africa has virtually been wiped out and America has been divided between the Nazis and the Japanese. In the neutral buffer zone that divides the two superpowers lives the man in the high castle, the author of an underground bestseller, a…
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space piracy, terrorism, and even weaponised asteroids to overthrow the Federation government.
Set in Lagrange points, space stations, the Moon and outback Australia, it is a fast-moving story with some speculative future technology. If you were interested in the NASA attempt to alter the orbit of the asteroid Dimorphos, you might…
When a trial to cover-up a corporate failure ends Captain Jonas Stryker's career, he wants revenge against The Board, a ruthless, shadowy organization with limitless funds that employs space piracy, terrorism, and even weaponised asteroids. Posing as a space miner, Stryker learns that The Board wants him killed, while a young female SCIB police agent wants retribution against him for having her career spoiled at his trial. As Stryker avoids attempts to kill him, he becomes the only chance to prevent The Board from overturning the Federation Government and imposing a Fascist-style rule. A story of greed, corruption and honour,…
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
This is no cosy dystopia. I was shocked by the violence and ruthlessness of the protagonists. This is a prescient novel, written 64 years before COVID-19, about a virus that emerges from China and ravages the world. Instead of infecting humans, the virus kills all grass. Brutal decisions are made, and any sense of law and order disappears. We were a gnat’s whisker from this happening in the UK, and I was impressed with Priest’s vision. The book cracks along at a good pace, too.
A thought experiment in future-shock survivalism' Robert MacFarlane
'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times
WITH AN INTRODUCTION BY ROBERT MACFARLANE
A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics.
At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns…
I am a college professor and paleoanthropologist–I study human fossils and the evolution of the human lineage. My field site is in the Afar region of Ethiopia, and I regularly spend a month or so wandering across the desert, picking up fossils. I view myself very much as a scientist and believe that the scientific view is the most reliable in some important ways. However, I came to science fairly late in life–I was an undergraduate philosophy and English literature student and didn’t go to graduate school until I was 30. Because of my liberal arts background, I have always felt it was important to bridge the science-humanities divide.
Geology can be a tough sell for the popular science audience. It can seem boringly commonplace yet remote in relevance to our day-to-day lives. But it is probably the most important science for understanding how and where we live.
In this beautifully written compilation, McPhee drives across North America, generally in the company of a local geologist, exploring the deep past and our modern relationship with it through roadcuts, quarries, eroded exposures, volcanoes, and mountains pushing up through the sediments.
McPhee is a New Yorker writer, with all that implies–his work is meticulously written, detailed, and literary. This book is simply a visceral pleasure to read–I recommend you find a hammock and a few days.
The Pulitzer Prize-winning view of the continent, across the fortieth parallel and down through 4.6 billion years
Twenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. The structure of the book never changed, but its breadth caused him to complete it in stages, under the overall title Annals of the Former World.
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
Both reference book and travel guide, this second edition includes over 90 sculpture parks in 27 European countries. The parks featured are those that have an ‘art and nature’ element, in which artists collaborate with nature, working in and with nature to create artworks and situations that help us think about and enjoy both. One to take with you on your next trip around Europe!
There is a continually increasing interest in parks and gardens in which modern sculptures and nature form a special symbiosis. Landscapes are an inspiring ambiance for works of art, which in turn add something to the parks and gardens, thus creating a very unique interaction between art and nature.
This guide is the second edition and presents more than 90 parks in 27 European countries, now also including Finland, Hungary, and Poland among others. The parks presented include classics such as the Fondation Maeght in Saint-Paul-de-Vence and the Louisiana Museum in Humlebaek, as well as spectacular new schemes such as…
I have been fascinated by the weather since as a schoolboy I avidly followed the cricket scores and the fate of tomorrow’s match. This co-dependence of my passion for cricket with the state of the weather turned into a professional career as, first, a research scientist and then later a professor of geography, I studied the idea of climate and the many ways in which it intersects with our social, ecological and imaginative worlds. As human-caused climate change became a defining public and political issue for the new century, my interests increasingly focused on understanding why people think so differently about the climate, its changes, its future trajectory—and what to do about it.
This book examines the idea of climate change from an unconventional standpoint and that says something new and surprising about a topic that has been endlessly written about. Co-written by four literary scholars—hailing from the UK, Germany, the USA and France—it takes seriously the phenomenon of climate scepticism and seeks to understand it by dissecting literary texts originating in these four national cultures. They use the power of literary analysis to turn the question, “Who is a climate sceptic?” into a much more profound and uncomfortable one, “Where within you does your climate scepticism reside?”
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.
Climate Change Scepticism is the first ecocritical study to examine the cultures and rhetoric of climate scepticism in the UK, Germany, the USA and France. Collaboratively written by leading scholars from Europe and North America, the book considers climate skeptical-texts as literature, teasing out differences and challenging stereotypes as a way of overcoming partisan political paralysis on the most important cultural debate of our time.
I am now considered by many as the expert on creating allergy-free and allergy-friendly gardens and landscapes. I have lectured on the subject all across the US and Canada, and also in Israel, Ireland, the United Kingdom, New Zealand, and Australia. For 30+ years now I’ve been researching the connections between urban landscaping and allergies and asthma. My articles have appeared in dozens of fine publications, including The New York Times, The London Times, The Guardian, The Los Angeles Times, Atlas Obscura, Scientific American, Der Spiegel, and The New Scientist. I have owned two nurseries and taught horticulture for twenty years.
Airborne and Allergenic Pollen of North America was the most important book I read (out of hundreds) when I was doing my original research for my own book. The material is extensive, accurate, scientific, and yet it is quite readable. Unlike so many other books, papers, or articles on pollen and allergy, this book takes into consideration all of the plants grown in North America, not just the trees. A classic, and yet, still the very best.
Mark Derr is an independent scholar and author of three books on dogs, a biography of Davy Crockett, and a social and environmental history of Florida, as well as a co-author with photographer Cameron Davidson of Over Florida. His work has appeared in the Atlantic Monthly, Scientific American, Audubon, Smithsonian, Natural History, The New York Times, and other publications. His poems have appeared in Kansas Quarterly, Partisan Review, and other journals. He has had a lifelong relationship with dogs. Having known and mourned a number of outstanding dogs, he has told friends, "They are always with me in my thoughts, and I miss them very much." He and his wife currently share their domicile with a Jack Russell Terrier and a Miami Beach street cat.
A book that falls between Lummis and Steinbeck chronologically is William Francis Butler’s The Wild North Land: Being the Story of a Winter Journey, with Dogs, Across Northern North America, an account of his retracing of the route of the 18th-century Scottish explorer Alexander McKenzie who traversed much of Canada from Lake Chipewyan in Alberta to the Pacific Ocean. Butler had a dog team whose leader was Cerf-Vola, who distinguished himself for his sagacity and strength. Ultimately, Butler retired him from sled duty to dog companion. That relationship did not prevent Butler from giving the dog to an acquaintance when he returned to England, saying that it broke his heart when he had to lay aside his emotions for “the sterner stuff of civilization.”
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I’m a nature writer living in the magical realism of the American Southwest. The seminal environmentalist Aldo Leopold said, “There are some who can live without wild animals and some who cannot.” I am the latter. In rural New Mexico, I have looked up from my writing to see so many animals pass by my window. Fox. Bobcat. Javelina. Deer. Once—a mountain lion! These are all gifts. I’ve also learned to enjoy the tracks and signs left by wild animals, their presence still palpable and resonant. For me, recognizing the endearingly small print of a spotted skunk or pocket mouse is deeply satisfying—a cure for all kinds of existential angst.
Reading Craig Child’s encounters with wild animals made me feel closer to the animals where I live. I have also had intriguing and potent experiences with ravens and mountain lions, and his descriptions brought back these powerful memories.
So many of us resonate with the wildlife winding through our lives—secretly passing through our gardens and backyards, on the trails we walk in national forests, or in the city parks where we picnic. I resonated, certainly, with this author’s reverence and awe toward nature, as well as his lively prose and sense of fun and self-deprecation.
THE ANIMAL DIALOGUES tells of Craig Childs' own chilling experiences among the grizzlies of the Arctic, sharks off the coast of British Columbia and in the turquoise waters of Central America, jaguars in the bush of northern Mexico, mountain lions, elk, Bighorn Sheep, and others. More than chilling, however, these stories are lyrical, enchanting, and reach beyond what one commonly assumes an "animal story" is or should be. THE ANIMAL DIALOGUES is a book about another world that exists alongside our own, an entire realm of languages and interactions that humans rarely get the chance to witness. "The author has…
