70 books like Devolution

If it’s possible to have lived multiple lives in a single lifetime, then Louis Zamperini did it.

I am a big fan of The Greatest Generation and Unbroken is the story of that generation, the deep beliefs they held, and the many sacrifices they made, not for themselves but for the generations that would follow them. You can’t miss the examples of selflessness, perseverance, and faith that jump out at you from the very first chapter.

Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.

The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.

Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.

Again, I chose a book that is given in the first-person point of view. Rather than using a variety of first persons to tell a story, Martel takes the main character, Pi, and uses him in back-and-forth narrations from various ages – young and in the moment, and older, looking back. As well, he uses Pi as a general narrator overall in the storytelling. This gives the illusion that perhaps the other characters are not so important, or rather they are not the point of the story. 

This book was recommended to me because it was set in Italy–specifically in Milan, where I spent some time years ago. It was interesting to learn about the region during the time of WWII and the tribulations that befallen the city and certain groups of people. In this story, the characters participate in a discreet fight against the force of fascism that took over their city.

Of course, I appreciated this fascinating story of this young man’s role. But what really remained with me was learning how the people worked together in the shadows to fight against evil.

John is a teenager who is starting to work in his family’s business, which is a mortuary. He is concerned about how much he enjoys being around death, and worries that he might be a sociopath. His concerns take a back seat when a murdering demon comes to town and John’s the only one who seems to know what is happening. A surprisingly warm and engaging book, given the subject matter. It’s also been made into a film.

In Jesus and John Wayne, Du Mez examines the rise of the Christian right through the lens of popular culture. She argues that over the past seventy-five years evangelicals have remade Christianity into a form of toxic masculinity and Christian nationalism. They have extolled strong, heroic models of masculinity from the fictionalized characters in John Wayne and Mel Gibson movies to political figures, including Ronald Reagan, Oliver North, and even Donald Trump. Their projected strength was vital to protect and promote Christian values. This muscular Christianity supports patriarchy, authoritarianism, and aggressive foreign policies, and opposes the expansion of rights for minorities and women. Du Mez explores a vast array of artifacts of evangelical popular culture—popular books, movies, songs, and merchandise—all intended to promote those values as the essence of Christianity. Jesus and John Wayne helps to explain how evangelicalism became the cultural and political force it is today and how… show more.

Because this book concentrates on only six 1939 movies – Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington, Stagecoach, The Hound of the Baskervilles, and The Adventures of Huckleberry Finn – Adams is able to go into much more detail about the making of each film and the critical reaction each received. I'd be hard-pressed to pick only six movies from that eventful year and movie fans will disagree with Vieira's choices somewhere down the line. But once you get past that, this book is filled with important information and plenty of trivial details that it is a great read.

The author, son of a silent screen star and a respected actress, acted in nine movies made by the man he called “Uncle Jack”—John Ford, winner of four Oscars and arguably the greatest director in Hollywood history. Carey could ride, shoot, and wear a convincing toupee—all of which were requirements for actors in Ford’s classic Westerns, including She Wore a Yellow Ribbon, Rio Grande, and The Searchers. His memoir is affectionate, intimate, and critical, not just of the hard-drinking, physically and emotionally abusive Ford—“the man I loved and, at times, tried very hard to hate”—but also of John Wayne, the great man’s favorite actor and regular whipping boy, and other members of the cast and crew whom Ford mercilessly bullied and inspired in film after film, many of them shot in breathtakingly picturesque Monument Valley.          

Forget the Alamo is a take-off on the popular saying at the time in Texas, “Remember the Alamo,” which was a battle cry. I love this book because of the logic the authors use and the tremendous hard-core research of letters and documents, to show why one of America’s legendary tales was a lot more myth. The true story of “why” more than the actual outcome continues to be battled today. John Wayne’s version, which many of us grew up with, was so far from the truth, it boggles the mind. The documentation in this book and the logic behind the letters that were written reveal the sad truth of what happened and more importantly what led up to the tragic end for so many brave souls.

This book is not McNamara’s most famous nor original–it essentially weaves together his speeches to provide reflections about war and nuclear weapons–but is arguably his most compelling.

The shadow of Ellsberg and his colleagues who wrote many of these speeches is present and shows a distinct subculture that existed around McNamara, who was far more refined than the warmonger stereotype suggests and also dedicated to educating the American people about national security. It shows a man sitting atop the world’s most powerful defense establishment, grappling with important moral dilemmas, including its enormous capacity for human destruction and institutional pressures toward war.