Here are 100 books that Colonial Ecology, Atlantic Economy fans have personally recommended if you like
Colonial Ecology, Atlantic Economy.
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I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
I love this book because it does such a masterful job of demonstrating how peoples, states, and the natural environment are closely linked with one another.
The book is about early modern Venice and its mainland empire, its immense and constant need for wood, and the state’s efforts to ensure that need could be sustainably met in both the near and distant future. The Venetians came to understand nature through the careful conservation of a vital but fragile resource, and their government developed to meet that challenge.
Over four centuries Venice created a unique bureaucracy of forestry and forest management, staffed by experts and tasked with counting and maintaining all of the trees within its vast territories.
Wood was essential to the survival of the Venetian Republic. To build its great naval and merchant ships, maintain its extensive levee system, construct buildings, fuel industries, and heat homes, Venice needed access to large quantities of oak and beech timber. The island city itself was devoid of any forests, so the state turned to its mainland holdings for this vital resource. A Forest on the Sea explores the history of this enterprise and Venice's efforts to extend state control over its natural resources. Karl Appuhn explains how Venice went from an isolated city completely dependent on foreign suppliers for…
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
A fascinating look at the use of coal as a main fuel source in early modern London, the fearsome pollution that resulted from it, and efforts to understand and mitigate the effects of that pollution.
I think the most impressive aspect of this book is how many different approaches Cavert takes in examining his topic—political and legal history, history of science, social and economic history, even literary criticism. He argues that London was the first “modern” city in that it was the first to rely heavily on burning fossil fuels to provide the energy that powered its early industrial economy.
The Smoke of London uncovers the origins of urban air pollution, two centuries before the industrial revolution. By 1600, London was a fossil-fuelled city, its high-sulfur coal a basic necessity for the poor and a source of cheap energy for its growing manufacturing sector. The resulting smoke was found ugly and dangerous throughout the seventeenth and eighteenth centuries, leading to challenges in court, suppression by the crown, doctors' attempts to understand the nature of good air, increasing suburbanization, and changing representations of urban life in poetry and on the London stage. Neither a celebratory account of proto-environmentalism nor a declensionist…
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
Another book about wood, but this one focuses on England and its early empire on both sides of the Atlantic.
With chapters that address England, Ireland, Virginia, Bermuda, and Barbados, Pluymers shows just how complicated it could be even to understand the diverse forests found throughout the empire, let alone exploit and profit from them. I especially like the way he combines the broadest geographical scope with careful attention to the local details and nuances of each woodland he studies.
He also does a wonderful job of showing how both local needs and global markets shaped the ways that woodlands were understood and managed.
In early modern England, wood scarcity was a widespread concern. Royal officials, artisans, and common people expressed their fears in laws, petitions, and pamphlets, in which they debated the severity of the problem, speculated on its origins, and proposed solutions to it. No Wood, No Kingdom explores these conflicting attempts to understand the problem of scarcity and demonstrates how these ideas shaped land use, forestry, and the economic vision of England's earliest colonies.
Popular accounts have often suggested that deforestation served as a "push" for English colonial expansion. Keith Pluymers shows that wood scarcity in England, rather than a problem…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
Mulry also takes Britain and its trans-Atlantic empire as her focus.
What most impressed me about the book was the exciting way she shows how individual health and personal character, public health, the natural environment, and statecraft were all strangely intertwined in the 17th century.
She argues that the many schemes for “improving” the landscape of both England and its overseas colonies were intended not only to yield a profit for investors, but also to foster public health and knit together the far-flung empire into a healthy body politic. I find myself recommending this book on a regular basis.
Examines the efforts to bring political order to the English empire through projects of environmental improvement
When Charles II ascended the English throne in 1660 after two decades of civil war, he was confronted with domestic disarray and a sprawling empire in chaos. His government sought to assert control and affirm the King's sovereignty by touting his stewardship of both England's land and the improvement of his subjects' health. By initiating ambitious projects of environmental engineering, including fen and marshland drainage, forest rehabilitation, urban reconstruction, and garden transplantation schemes, agents of the English Restoration government aimed to transform both places…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.
This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.
In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.
Jamilla Counts born in Chicago during 1973 and raised in Memphis, Tennessee where she currently resides now. Graduated from Pulaski Technical college in Arkansas. Moving on to the University of Arkansas at Little Rock presuing a Bachelor's Degree in Social work. I'm featured in a book released by Tiffany Ludwig in the Rutgers University Press; Fifth or Later Edition (November 30, 2007) called Trappings: Stories of Women, Power, and Clothing, I'm a single parent of two daughters and one grandchild.
Searching for a sense of family and belonging. Steve searches for his biological parents, but no one in the government system can help him. No one can tell him why, with obvious African-American features with the last name of Klakowicz. Puts me in the mind of why no one in my family can tell me why I'm named after the household maid.
It was impossible to drag me from the book. A Chance In The World is the unbelievable true story told by Steve Pemberton about this broken boy destined to become a man of resilience and vision. The book was turned into a movie.
"Pemberton's beautifully told story is a rags to riches journey-beginning in a place and with a jarring set of experiences that could have destroyed his life. But Steve's refusal to give in to those forces, and his resolve to create a better life, shows a courage and resilience that is an example for many of us to follow."
-Stedman Graham, author, educator
Home is the place where our life stories begin. A Chance in the World is the astonishing true story of a boy destined to become a man of
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
I’ve loved nature and being outdoors since childhood, when I would escape our apartment complex by berry-picking in a park or sneaking onto the lush grounds of a local mental hospital. I grew up in Queens, New York, at a time of rapid development, and mourned as trees were felled for housing. I became an avid hiker, canoeist, and gardener as an adult, and serve on the board of an environmental organization in Montauk, Long Island. What we lose when we lose our connection to nature, saving our last wild places, and leaving a sustainable world to the next generation are key themes in my forthcoming novel--and personal motivation.
I found this to be one of the most compelling novels I’ve read to draw me deep into the fabric of the hardscrabble life of a New England community down on its luck with the crash of the cod fishing industry.
The sympathetic but thwarted characters are all entangled in dangerous waters of one kind or another, from drug smuggling to physical danger to marital issues. I was as fascinated to learn about the economics and lifestyle of the fishing life as I was moved by the struggles of characters caught in a complex net of change outside their control.
This is the story of empty oceans and the men who fish them. It's the story of Rosaline, a New England fishing community facing the loss of its traditional way of life, struggling against the imposition of fishing quotas, the closing of the local cannery and the encroachment of the heritage industry, which exploits with nostalgia a way of life before it has even given up its last breath. It's the story of the denizens of Rosaline: John Fitz and his best friend Chris who work on John's father's fishing boat, The Pearl; barmaid Kate, indifferent mother and neglected wife…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
Think folk horror and you think rural setting, pretty cottages, white picket fences, and lurking ritual. Harvest Home is a folk horror classic and hits these expectations spot on.
A city couple escapes to the village of Cornwall Coombe to give their daughter a better quality of life. Everything is perfect until the husband discovers they were welcomed for a very specific reason. This discovery, becoming more evident as the harvest ritual approaches, leaves him in fear of losing his life and his family.
I loved this gradual teasing out of horror, subtle nuances that build to the awful climax. The ending is chilling, contrasting so sharply as it does against the background of a rural paradise, giving me one of those ‘oh!’ moments.
A family flees the crime-ridden city-and finds something worse-in "a brilliantly imagined horror story" by the New York Times-bestselling author (The Boston Globe).
After watching his asthmatic daughter suffer in the foul city air, Theodore Constantine decides to get back to the land. When he and his wife search New England for the perfect nineteenth-century home, they find no township more charming, no countryside more idyllic than the farming village of Cornwall Coombe. Here they begin a new life: simple, pure, close to nature-and ultimately more terrifying than Manhattan's darkest alley.
When the Constantines win the friendship of the town…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
The Patient is a very quick read and easy to get sucked into, questioning everything you might know or think. I love how it was told through a series of online posts during which the narrator, a young psychiatrist, slowly reveals his story, never quite knowing if what he experienced was real or if he was going crazy.
I love how the sci-fi aspect took it out of our real world just enough to feel fantastical but not too much to be unrealistic or like a classic high-fantasy novel. The pace was fantastic, the twists and reveals were perfectly placed, and it was just the right amount of horror. I appreciate any book that is unexpected and leaves me thinking about it for days after I’m finished.
In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient.
We learn, as Parker did on his first day at the hospital, of the facility's most difficult, profoundly dangerous case - a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat…
