Here are 100 books that A Chance in the World fans have personally recommended if you like
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I love being by the water. Most of my vacations are spent at tropical destinations. There’s something pretty amazing about reading a book at the water’s edge, near a palm tree, with the breeze and the salty smell of the wonderful warm air as pelicans swoop across the surface.
I’ve added this book to this list because I love Joan Crawford. I love Hollywood and all the gossip, glitz, and glamor that goes along with it.
This particular story is told by her daughter Christina about how a photograph is perceived to be happy, but what really happened, as told by the author, is two different stories.
A true vaudeville legend personality exposed, which makes it a great beach read.
The 40th anniversary edition of the "shocking" #1 New York Times bestseller with an exclusive new introduction by the author (Los Angeles Times).
When Christina Crawford's harrowing chronicle of child abuse was first published in 1978, it brought global attention to the previously closeted subject. It also shed light on the guarded world of Hollywood and stripped away the facade of Christina's relentless, alcoholic abuser: her adoptive mother, movie star Joan Crawford.
Christina was a young girl shown off to the world as a fortunate little princess. But at home, her lonely, controlling, even ruthless mother made her life a…
Jamilla Counts born in Chicago during 1973 and raised in Memphis, Tennessee where she currently resides now. Graduated from Pulaski Technical college in Arkansas. Moving on to the University of Arkansas at Little Rock presuing a Bachelor's Degree in Social work. I'm featured in a book released by Tiffany Ludwig in the Rutgers University Press; Fifth or Later Edition (November 30, 2007) called Trappings: Stories of Women, Power, and Clothing, I'm a single parent of two daughters and one grandchild.
A true story of a young Black woman who chooses to protect the privacy of her family and friends in her writing. Born in 1961, and raised in the South. Facing years of brutal abuse from the man she knew as "Daddy," she seemed to be headed along a long and bumpy path.
Gal managed to complete high school. After further difficulties with drugs, alcohol, and men, she was finally able to turn her life around. An inspiring story of inner strength and the healing effects of love.
Born in 1961 to a thirteen-year-old mother in South Carolina, Ruthie Bolton endured abandonment, abuse, and loss-and grew into a hardened, troubled young woman. Then she met a man who offered her something she'd never known, something she thought was a dirty word: love. The only challenge left was to accept it.
"A gift to readers...The storyteller's memory, eye for detail, and ear for dialogue are so compelling that in private conversation one would be leaning toward her so as to catch every word." (Washington Post Book World)
"Vivid...inspiring...impossible to forget." (Newsweek)
Jamilla Counts born in Chicago during 1973 and raised in Memphis, Tennessee where she currently resides now. Graduated from Pulaski Technical college in Arkansas. Moving on to the University of Arkansas at Little Rock presuing a Bachelor's Degree in Social work. I'm featured in a book released by Tiffany Ludwig in the Rutgers University Press; Fifth or Later Edition (November 30, 2007) called Trappings: Stories of Women, Power, and Clothing, I'm a single parent of two daughters and one grandchild.
This book written by Ellen Middleton is based on a true story of a little girl who grows up in adulthood to face motherhood, grief, rape, sexuality issues, and mental health.
It gives you this sense of right and wrong. She has a good sense of humour at the same time.
She finds the ability to love no matter what pain endured at the hands of others. Being let down by those who are supposed to love and care for you is heartbreaking.
This book is based on a true story. It highlights the worst child abuse while the author maintains a strong sense of right and wrong, a good sense of humour, and the ability to love no matter what pain she is forced to endure at the hands of others.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Jamilla Counts born in Chicago during 1973 and raised in Memphis, Tennessee where she currently resides now. Graduated from Pulaski Technical college in Arkansas. Moving on to the University of Arkansas at Little Rock presuing a Bachelor's Degree in Social work. I'm featured in a book released by Tiffany Ludwig in the Rutgers University Press; Fifth or Later Edition (November 30, 2007) called Trappings: Stories of Women, Power, and Clothing, I'm a single parent of two daughters and one grandchild.
In an account sure to send shock waves around the world. La Toya sheds new light on the dynamics of the Jackson family in her book Starting Over, many times in my life this has occurred. The Hollywood curtains of secrecy surrounded this whole family since they became stars in the ’60s and ’70s. Being a fan of Micheal Jackson for decades. This was a must-read. I could feel his pain with "The Man in Mirror," in my case woman. We share the same birthday just fifteen years apart.
This book has touched the hearts of the millions who are fans of the Jacksons. This memoir can inspire anyone to pick up the pieces of their life with a positive outcome.
La Toya Jackson was always closer to Michael than anyone knew. In this heartfelt memoir, she pays tribute to his tortured soul—revealing the intimate moments she shared with the deeply troubled pop legend. The first sibling to arrive at the hospital after Michael was rushed there, and the informant on his death certificate, La Toya noticed suspicious details and demanded a second autopsy. For the first time, she unveils shocking behind-the-scenes dealings that she believes led to her brother’s death, and she provides unprecedented insight into the destruction of one of the most dynamic artist/performers in history.
I grew up on a farm on the Canadian prairies where my only entertainment was books. This was before TV and the internet. Reading about girls who overcame obstacles such as being orphaned, dealing with homelessness or a disability, helped me realize that girls can overcome anything with the right attitude and by being brave. These attitudes of fearlessness, positive thinking, and resourcefulness shaped my life and helped me realize many of my dreams, including being a published author. Books with strong female characters help girls realize their own dreams.
The orphan girl Pollyanna moves in with her strict aunt in New England. Despite a difficult start, Pollyanna's exuberance and positivity affect everyone who meets her, and she spreads joy and love wherever she goes. I loved Pollyanna when I read it as a young girl and patterned my life after her positive thinking. Pollyanna, like myself, often finds her optimistic attitude tested, but she always learns to find happiness in every situation.
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As soon as Pollyanna arrives in Beldingsville to live with her strict and dutiful maiden aunt, she begins to brighten up everybody's life. The 'glad game' she plays, of finding a silver lining in every cloud, transforms the sick, the lonely and the plain miserable - until one day something so terrible happens that even Pollyanna doesn't know how to feel glad about it.
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.
This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.
In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This initial volume provides detailed accounts (with photographs) of classical, early Boston carvers, as well as the Emmes family of carvers, John Gaud (1693-1750) (who worked in both Boston and Connecticut), Ebenezer Howard (1734-?), and James Wilder (1741-1794) of Lancaster. It is a perfect start for anyone wanting to explore the subject in actual field trips–focusing on its earliest masters. There is also a second volume, which includes a cumulative index for both volumes. Five of the six chapters of Volume II focus on major stonecutters in Groton, Salem, Essex County, and Boston.
I wish Chase and Gabel’s first volume had appeared before my first visit to the area so that I would have been better prepared to examine the work of the early Boston carvers, the Park family carvers, James Ford, and Levy Maxey–all of whom I discovered later. These two books together provide probably the closest thing to…
Gravestone Chronicles I includes insightful essays and new scholarship on eighteenth-century New England gravestone carvers and their art. (An every-name, every-place index to both books is included in Volume II.) The authors "There is a wealth of knowledge waiting to be discovered in New England's burying a chronicle of history, art, religious beliefs, military campaigns, family genealogy sometimes tragedy or scandal even humor."
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Jack Larkin, former historian of Old Sturbridge Village, befriended me when I was a research fellow at the Village years ago. He was one of the most generous and original scholars I’ve ever known. Though deeply versed in the primary sources of the Village’s rich research library, Jack’s understanding of the past was richly informed by his immersion in the living history of the Village. He knew the past intimately – how it felt, looked, smelled. For Jack, being “in the room where it happened” had a different meaning: he knew their homes, barns, workshops, meetinghouses. He married this rich evidence with his knowledge of village life – family and neighborly dynamics, the growth of material desires, popular politics, and religious revivalism. This book engagingly preserves Jack’s rare understanding of daily life in the early Republic.
"Compact and insightful. "--New York Times Book Review "Jack Larkin has retrieved the irretrievable; the intimate facts of everyday life that defined what people were really like."--American Heritage
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
Think folk horror and you think rural setting, pretty cottages, white picket fences, and lurking ritual. Harvest Home is a folk horror classic and hits these expectations spot on.
A city couple escapes to the village of Cornwall Coombe to give their daughter a better quality of life. Everything is perfect until the husband discovers they were welcomed for a very specific reason. This discovery, becoming more evident as the harvest ritual approaches, leaves him in fear of losing his life and his family.
I loved this gradual teasing out of horror, subtle nuances that build to the awful climax. The ending is chilling, contrasting so sharply as it does against the background of a rural paradise, giving me one of those ‘oh!’ moments.
A family flees the crime-ridden city-and finds something worse-in "a brilliantly imagined horror story" by the New York Times-bestselling author (The Boston Globe).
After watching his asthmatic daughter suffer in the foul city air, Theodore Constantine decides to get back to the land. When he and his wife search New England for the perfect nineteenth-century home, they find no township more charming, no countryside more idyllic than the farming village of Cornwall Coombe. Here they begin a new life: simple, pure, close to nature-and ultimately more terrifying than Manhattan's darkest alley.
When the Constantines win the friendship of the town…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
Years ago, I stumbled upon the gravestone of an unidentified murder victim from 1954. Then I entered into a partnership with my local sheriff and with forensic experts to successfully determine the young woman's identity. At the time, I was (and still am) a historical researcher, newspaper columnist, and author. The Jane Doe case, however, gave me the opportunity and insight to investigate and research the young woman's murder, allowing me to dig into the context of the times. Now, as a researcher and writer of historical true crime, I've found a niche, allowing me to combine my investigative skills and interests with a deep passion for the past.
Dooling's nonfiction account of the searches for a girl and two women who disappeared in New England in the 1940s and 1950s is another good example of weaving together true crime and historic context. Only one of the victims' remains have been found, but all of the victims may have met up with the still-unknown killer.In addition to covering the missing person searches as they were conducted in their times, Dooling provides new hope by looking back on these cases with twenty-first-century eyes.
Three young women, all seen hitchhiking, all disappeared. Two of these unsolved disappearances are the oldest cold cases in their respective states. Paula Welden, a resident of Stamford, Connecticut and student at Bennington College in Vermont disappeared in 1946 after hitching a ride to walk a portion of the Long Trail. Her disappearance sparked the largest search in Vermont's history. She was never found. Two states away, Connie Smith of Wyoming left a Lakeville, Connecticut summer camp in 1952 and was seen trying to catch a ride to the village center...and then she was gone. A nationwide search resulted in…
