Here are 100 books that Clueless in New England fans have personally recommended if you like
Clueless in New England.
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I write historical nonfiction, I’m an avid reader, and I’ve long been fascinated by the past. But I’m far less interested in the stories of powerful people, political intrigues, and significant battles. I would rather read (and write) hidden history: the stories that have not yet been discovered or fully explored and stories that are left out of history books—accidentally or deliberately. I find these far more compelling. They often provide a deeper look at how history affects those who lack power, influence, and money but who nevertheless do remarkable and often heroic things. I live in Portugal and have started working on a new historical nonfiction book.
I couldn’t put down this book that traces dual stories of the architect who designed the 1893 Chicago World’s Fair and a serial killer who chose his victims from among those who flocked to the city.
One of my great-aunts served as a nurse at the World’s Fair infirmary, and I remember hearing about the fair and her experiences there—how wondrous and magical it had all seemed to a young woman from a small town.
I couldn’t help but think of her when I read about the very dark side of the fair, too. Erik Larson is one of my favorite authors, and this is my favorite of his books.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
I’ve read In Cold Blood at least twice, but I think three times is the actual count. The first time, I was in my early twenties, not yet a writer, and I remember being gobsmacked—love that word—by a single sentence.
I remember reading the sentence again. And again. It was a marvel to me how alive it was, and how it told me all I needed to know about a place to understand that place. Nothing happens here; move on, it said—“Like waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama in the shape of exceptional happenings had never stopped there.”
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
Years ago, I stumbled upon the gravestone of an unidentified murder victim from 1954. Then I entered into a partnership with my local sheriff and with forensic experts to successfully determine the young woman's identity. At the time, I was (and still am) a historical researcher, newspaper columnist, and author. The Jane Doe case, however, gave me the opportunity and insight to investigate and research the young woman's murder, allowing me to dig into the context of the times. Now, as a researcher and writer of historical true crime, I've found a niche, allowing me to combine my investigative skills and interests with a deep passion for the past.
Mysteries also are a part of historical true crime, including people who were (or still are) missing and/or those who lived under changed identities. In the Nevada desert in 1968, Fletcher literally bumped into a trunk filled with decades-old possessions. Whose were they? Fletcher then documented his own investigation as he managed to find newspaper articles and National Archive records to piece together an old prospector's life. Armchair sleuths and others who are proficient in searching the internet today will find this book is a real eye-opener, as it shows what it was like to reconstruct a person's hidden life, without even getting online. For Fletcher, the process evolved a bonus –– a spiritual adventure of his own.
The discovery in a Nevada desert cave of what appeared to be a man's total belongings inspired this carefully researched account of a man who was a soldier, a prospector, and a wanderer
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
Larger-than-life characters can be a bear to write. They give so much, but you really have to rein them in, or they’ll look like clowns. And I know about characters. I’m from the South. I had a mother who used to wear a shower cap in the rain because, you know, she’d just had her hair done.
Reading Midnight in the Garden was like flipping through a family album. The guy with the one-winged housefly attached to a string? My family could match that. The guy who fake-walked a dog for years? Maybe that, too. This book is one of my favorites because author John Berendt, as if he were himself a Southern gentleman, graciously gives the characters a stage, allowing them to tell their own stories. Except for the elusive killer. Berendt keeps him wrapped in mystery. All deliciously Southern. All so familiar to me.
Genteel society ladies who compare notes on their husbands' suicides. A hilariously foul-mouthed black drag queen. A voodoo priestess who works her roots in the graveyard at midnight. A morose inventor who owns a bottle of poison powerful enough to kill everyone in town. A prominent antiques dealer who hangs a Nazi flag from his window to disrupt the shooting of a movie. And a redneck gigolo whose conquests describe him as a 'walking streak of sex'.
These are some of the real residents of Savannah, Georgia, a city whose eccentric mores are unerringly observed - and whose dirty linen…
I’m deeply passionate about helping others find ways to work through their emotions. After surviving a mass shooting in 2015 the first place I turned to was the library. I quickly found myself frustrated and lacking when I couldn’t find books to help me understand what I was going through and what to expect next. It was terribly discouraging as I found it difficult to express myself to my loved ones. When I started to find books like the ones on this list, it opened a world to me that I had to be a part of – books that help people process difficult emotions.
Although shorter than the other books on my list, I think the story and art is none the less impactful. The Wendy Project deals with grief, especially grief in younger readers with a gentle understanding. I loved the unique approach to the whole book as well. The book is the journal of the main character Wendy, who receives it and starts to draw in it during the events of the story. I found The Wendy Project in my hands at a time when I was struggling to acknowledge my own grief, and it certainly nudged me to face it.
16-year-old Wendy Davies crashes her car into a lake on a late summer night
in New England with her two younger brothers in the backseat. When she wakes in
the hospital, she is told that her youngest brother, Michael, is dead. Wendy,
once a rational teenager, shocks her family by insisting that Michael is alive
and in the custody of a mysterious flying boy. Placed in a new school, Wendy
negotiates fantasy and reality as students and adults around her resemble
characters from Neverland. Given a sketchbook by her therapist, Wendy starts to
draw. But is The Wendy Project merely…
I think the lure of the detective novel lies in our human instinct to problem solve. There’s something satisfying about following a smart, observant, and even flawed character as they solve a crime. We’re working through a complicated puzzle, deciphering clues and theorizing, alongside the detective. Personally, I love detective novels set in richly drawn historical settings. I grew up addicted to Edgar Allan Poe and Sherlock Holmes stories. I remember reading The Moonstone by Wilkie Collins in a few days because I couldn’t put it down. The following books are a must-have for any Sherlock Holmes fans.
This book has all my favorite detective fiction elements: a beautiful cover, an independent heroine, Abigail Rook, crime-solving alongside an elusive detective, R.F. Jackaby, and a solid plot that kept me guessing until the end. Set in late nineteenth-century New England, Rook teams up with Jackaby in a parallel to a Watson-Holmes relationship except this detective novel features the supernatural. Rook learns quickly that Jackaby stands out among detectives as he can see supernatural creatures. I love so much about this book, particularly the chemistry between Rook and Jackaby as co-investigators. This is a must-read not only for detective fiction fans, but for Dr. Who and Buffy the Vampire Slayer fans as well.
Alone and newly arrived in New Fiddleham. 1892, Abigail Rook finds work as the assistant to R. F. Jackaby, an investigator of the unexplained with the ability to see supernatural beings. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose in New Fiddleham. The police are convinced it's an ordinary villain, but Jackaby is certain the foul deeds are the work of the kind of creature whose very existence the local police - with the exception of a handsome young detective named Charlie Cane - seem adamant to…
I have alwaysbeen obsessed with the weather. From the third grade, I knew that I would be college-bound to get my degree in meteorology (I have two). I can still distinctly recall, as a very young boy in the early 1960s, sneaking my trusty transistor radio under the pillow, eagerly anticipating the latest update every time a snowstorm was on the horizon. And my passion for big storms—especially those of the snow variety—has only grown greater over time. Whenever a snowstorm is occurring, I’m up every hour or so all night long “just to check the radar”—my patient, long-suffering Sweetheart (wife) will attest to that!
Eric Fisher has been Chief Meteorologist at WBZ-TV in Boston since April 2013, and was an on-camera meteorologist for The Weather Channel before that. In this 2021 book, Fisher is able to strike the perfect balance between the “what’s so” and the “why” behind these historic storms (as well as with other types of natural disasters affecting New Englanders). This rare quality, augmented by his meticulous research of historical accounts of these events, including the impressive array of meteorological records broken along the way, enables him to present an enjoyable, educational read—especially for the interested layperson.
The New England landscape has long been battered by some of the most intense weather in US history. Discover the legendary storms that have devastated New England, including: the Great New England Hurricane of 1938 that killed 564 people; the Worcester Tornado of 1953; the Snow Hurricane of 1804 that demolished orchards and killed dozens of sailors off the coast; and the Blizzard of 1978 that brought Boston to a standstill for weeks.
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
Harriette Merrifield Forbes pioneered the field of American gravestone studies. Her admirable study has separate chapters on several artisans, including the 17th and 18th-century stonecutters of Boston, the Lamsons of Charlestown, the Fosters of Dorchester, the stonecutters of Groton and Harvard, and the “Thistle-Carver” of Tatnuck. It also has chapters on the gravestones of Rhode Island and Connecticut.
Forbes initiated real interest in this area of research. I found it astounding that she could have accomplished so much in the 1920s—before the introduction of modern battery-powered flash systems (which I relied on so often in highlighting shallow carvings and lettering)—and almost singlehandedly lit the fire of inquiry in so many of us who followed her model. She was also attentive to the human side of this craft, with many interesting observations on the stonecutters’ intentions and skills.
Riverside Press Limited Edition of "Seven hundred and eighty copies of this First Edtion, of which seven hundred and fifty are for sale." Frontispiece is of the 1703 gravestone of John Cleverly, Quincy. This volume deals with the history and symbolism of early gravestones and contains black & white photos throughout. Several stone artists have been researched and included in the text. An historic and fascinating volume.
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
Think folk horror and you think rural setting, pretty cottages, white picket fences, and lurking ritual. Harvest Home is a folk horror classic and hits these expectations spot on.
A city couple escapes to the village of Cornwall Coombe to give their daughter a better quality of life. Everything is perfect until the husband discovers they were welcomed for a very specific reason. This discovery, becoming more evident as the harvest ritual approaches, leaves him in fear of losing his life and his family.
I loved this gradual teasing out of horror, subtle nuances that build to the awful climax. The ending is chilling, contrasting so sharply as it does against the background of a rural paradise, giving me one of those ‘oh!’ moments.
A family flees the crime-ridden city-and finds something worse-in "a brilliantly imagined horror story" by the New York Times-bestselling author (The Boston Globe).
After watching his asthmatic daughter suffer in the foul city air, Theodore Constantine decides to get back to the land. When he and his wife search New England for the perfect nineteenth-century home, they find no township more charming, no countryside more idyllic than the farming village of Cornwall Coombe. Here they begin a new life: simple, pure, close to nature-and ultimately more terrifying than Manhattan's darkest alley.
When the Constantines win the friendship of the town…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.
