Fans pick 100 books like The Wendy Project

Walden is one of my favorite pure artists—one of those people whose drawings I look at and say to myself: “I could never draw like that even if I practiced for the rest of my life.”

She combines her jaw-dropping artwork with sensitive, nuanced writing. While her work is consistently brilliant, this book—a memoir of her time coming-of-age as a queer person while being a competitive figure skater—was one of my foremost inspirations for my book, which started as a similar queer sports memoir before morphing into semi-autobiographical fiction.

I adored this book from the moment I read the first page of the first graphic novel! I fell in love with Nick and Charlie and related so hard to the struggles that they were going through, even though I’m older than they are. It brought me back to how I felt in high school.

Charlie’s eating disorder, especially, really struck a nerve, and I thought it was handled with such beautiful rawness. Note: I read it before watching the TV show, which I also love. 

Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.

The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.    

I won’t lie, this is a difficult one for me to get through having survived a mass shooting myself. As an anthology, it serves as a powerful testimony to the survivors of the 2017 Las Vegas shooting which took the lives of 60. What I think is unique about this anthology is that several artists and authors collaborated on pieces that share social perceptions on a myriad of issues surrounding mass shootings in the U.S. Where We Live serves as a near time capsule dedicated to the effects of the deadliest single incident mass shooting.  

Jennifer Haigh's novel is a family saga that reads like a post-mortem. With alternating narration, each of the five family members gives their perspective on what led to the family's demise and current state. The novel's title, The Condition, seems to refer specifically to one child in the family who has been diagnosed with a rare medical condition called Turner's Syndrome. But throughout the book, it becomes clear that each family member has developed their own "condition" or way of existing that is just as much a part of their identity.

Dooling's nonfiction account of the searches for a girl and two women who disappeared in New England in the 1940s and 1950s is another good example of weaving together true crime and historic context. Only one of the victims' remains have been found, but all of the victims may have met up with the still-unknown killer. In addition to covering the missing person searches as they were conducted in their times, Dooling provides new hope by looking back on these cases with twenty-first-century eyes.  

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.

The Tashjians’ book challenged the idea that Puritans rejected visual art. Their study is important in documenting a new aesthetic, where the skull (death’s head) gives way to the winged faces of angels (cherubs), which were more gentle and sentimental in style rather than dark and threatening. Specific stonecutters discussed in this book include John Bull, William Codner, Zerrubbabel Collins, William Young, Henry Christian Geyer, Joseph Lamson and his shop, William Mumford, John Stevens and family, and Jonathan and Moses Worster. These are names well-known to anyone versed in this art form.

I was taken by the fact that new motifs in gravestone design could spread through the stonecutter community with such personalized innovations and styles. Further, in chapter 8: "The Icons of Essex," County provided a contrast with another style of cutting faces in stone. This book significantly broadened my view of stonecutting styles in New England. It also… show more.

Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.

Searching for a sense of family and belonging. Steve searches for his biological parents, but no one in the government system can help him. No one can tell him why, with obvious African-American features with the last name of Klakowicz. Puts me in the mind of why no one in my family can tell me why I'm named after the household maid.

It was impossible to drag me from the book. A Chance In The World is the unbelievable true story told by Steve Pemberton about this broken boy destined to become a man of resilience and vision. The book was turned into a movie.