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It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This book is densely illustrated (I’d guess that about three-quarters of the 430 8”x10” pages of the main text are filled with images). This was what first led me to travel to New England to see these stones for myself, which I did six years later.
This combination of rich art and Puritan values should challenge anyone’s assumptions about early American sensibilities.
In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
The first volume of my book focused on Boston, Plymouth County, and Cape Cod. Benes’ study was essential for providing a larger context for my own account of the stonecutters of this locale. He relied on an analysis of over 4000 gravestones in over 100 burial grounds. He prodded the neophyte (like myself at the time) into considering the more symbolic elements of gravestones, including the perception that headstones and footstones represented the headboards and footboards of the beds in which the deceased were “sleeping.”
His book provided a much-needed reminder of the subtle religious symbolism found on all of these old monuments. Plymouth and Barnstable Counties are particularly important for understanding the stonecutters' business practices and design repertoires in this region of Massachusetts.
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
This initial volume provides detailed accounts (with photographs) of classical, early Boston carvers, as well as the Emmes family of carvers, John Gaud (1693-1750) (who worked in both Boston and Connecticut), Ebenezer Howard (1734-?), and James Wilder (1741-1794) of Lancaster. It is a perfect start for anyone wanting to explore the subject in actual field trips–focusing on its earliest masters. There is also a second volume, which includes a cumulative index for both volumes. Five of the six chapters of Volume II focus on major stonecutters in Groton, Salem, Essex County, and Boston.
I wish Chase and Gabel’s first volume had appeared before my first visit to the area so that I would have been better prepared to examine the work of the early Boston carvers, the Park family carvers, James Ford, and Levy Maxey–all of whom I discovered later. These two books together provide probably the closest thing to…
Gravestone Chronicles I includes insightful essays and new scholarship on eighteenth-century New England gravestone carvers and their art. (An every-name, every-place index to both books is included in Volume II.) The authors "There is a wealth of knowledge waiting to be discovered in New England's burying a chronicle of history, art, religious beliefs, military campaigns, family genealogy sometimes tragedy or scandal even humor."
It was in 1972, while spending a summer with my wife in Falmouth (on Cape Cod), that I first discovered the 18th-century slate gravestones of New England. Anyone who visits these cemeteries will find it difficult not to be impressed by these monuments–which are among the oldest and most distinguished works of art produced by the craftsmen of the early American colonies. My fascination with them spiraled into many such trips in subsequent years, when I photographed much of this work, learned how to identify the stonecutters responsible for them, and determined the extent and locations of their production.
Harriette Merrifield Forbes pioneered the field of American gravestone studies. Her admirable study has separate chapters on several artisans, including the 17th and 18th-century stonecutters of Boston, the Lamsons of Charlestown, the Fosters of Dorchester, the stonecutters of Groton and Harvard, and the “Thistle-Carver” of Tatnuck. It also has chapters on the gravestones of Rhode Island and Connecticut.
Forbes initiated real interest in this area of research. I found it astounding that she could have accomplished so much in the 1920s—before the introduction of modern battery-powered flash systems (which I relied on so often in highlighting shallow carvings and lettering)—and almost singlehandedly lit the fire of inquiry in so many of us who followed her model. She was also attentive to the human side of this craft, with many interesting observations on the stonecutters’ intentions and skills.
Riverside Press Limited Edition of "Seven hundred and eighty copies of this First Edtion, of which seven hundred and fifty are for sale." Frontispiece is of the 1703 gravestone of John Cleverly, Quincy. This volume deals with the history and symbolism of early gravestones and contains black & white photos throughout. Several stone artists have been researched and included in the text. An historic and fascinating volume.
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Quabbin is a relic of a lost world – both figuratively and literally. In his old age, Francis Underwood remembered his childhood village, the buildings, the personalities, their dress, manners, and speech, their faith and their passions for reform, their old social customs and their emerging middle-class sensibilities – and most of all their stories. But it is a world, as Underwood knew, that was passing away. His secluded old New England village was opening to the world, and its agrarian ways were soon to be eclipsed by the industrial village. What Underwood did not know, but we do, is that his childhood home has literally disappeared, under the flooding waters of the Quabbin Reservoir. This is an extraordinary testimonial to that lost world!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
After living in, while restoring, an old farmhouse built in the late 17th century or very early in the 18th, it was impossible for me not to want to know the history of the house and the people who lived there. Combine that with the stories my grandmother told me about our ancestor, the suspected witch Mary Bliss Parsons of Northampton, and I felt destined to know her story. That led to many years of research and writing. At the moment I am writing another 17th century New England historical fiction. I love this period of history and so few write about it.
Well, the title was amusing. The rest of the book was fascinating, alarming, and totally surprising for an author who was researching the lives of Puritans in early New England. The public records, Puritan laws, along with Thompson’s analysis opened up a world of new information and removed every myth I’d heard about these staunchly religious people.
"Thompson analyzes the court records of 17th century Middlesex County, searching for such sexually related crimes as fornication, breach of promise, sexual deviancy, and adultery. His findings help shatter the traditional historical caricature of New England Puritans as patriarchal, dour wife-beaters and child-abusers, a myth eloquently created by Perry Miller and most recently reinforced by Lawrence Stone. In the court records Thompson discovers Puritans who exhibited 'tolerance, mutual regard, affection, and prudent common sense' within the context of a popular Puritan piety. A well-written social history that places Puritanism in a human rather than an intellectual framework, Sex in Middlesex…
Many of my English ancestors came to New England during the so-called Great Migration of the 1630s. I also have Native American ancestors, and as I researched both groups I couldn’t escape the feeling that something important was missing from our contemporary understanding of the period. In the novel that became Will Poole’s Island, I was in a sense driven to recreate the age, or at least to complicate our received mythologies about it. A central theme of the book is the collision of two radically opposed worldviews that had in common a preoccupation with the visionary and the unseen; this is also a theme of the five narratives described below.
Ok, this isn’t actually a historical novel, but it was a bestseller when it came out back in 1682 and in some ways it does read like fiction. The story of a Puritan settler and her three children who were captured by Narragansett Indians during King Phillip’s War, Rowlandson’s account, judged by contemporary mores, is both racist and religiously bigoted. Still, it provides a rare first-hand rendering of the Puritan experience of a central truth of 17th century America: the collision of two radically distinct societies and the personal fallout resulting from that collision. As such it’s an invaluable historical document—though one best considered alongside other, less publicized primary accounts, which tell us that many seventeenth-century English captives, especially younger ones, were reluctant to return to the English settlements because of the freedom and ease they found in Indian society.
Mary (White) Rowlandson was a colonial American woman who was captured during an attack by Native Americans during King Philip's War and held ransom for 11 weeks. After being released, she wrote A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, also known as The Sovereignty and Goodness of God. It is a work in the literary genre of captivity narratives. It is considered to be one of America's first bestsellers, four editions appearing in 1682 when it was first published.
I love books that entertain and uplift when characters learn and overcome. As a teenager, things happened that threw me into a painful tailspin, ending in a wilderness program for troubled kids. It taught me that I can do hard things and face challenges in life. I’ve lost loved ones, have a special needs child, divorced, been broke, earned my black belt, returned to school as a single mom for a degree, and co-founded a nonprofit to support literacy for kids. None of that was easy, but it increased my compassion and hope. Stories can be powerful reminders of human resilience, and that battle scars make someone more beautiful than before.
I first read this book as a kid, and it’s one of the reasons I became an avid reader. It's set in Puritan New England and features romance, intrigue, and suspense. It has great historical detail, a fun story, and well-written characters.
The protagonist, 16-year-old Kit from Barbados, arrives in the harsh world of early colonial Connecticut and doesn’t fit in—and society punishes her for it! I found myself angry and outraged for her–I just wanted everything to be fair. This story is a light-handed look at how life isn’t fair. Frustration comes from expecting or demanding it to be. There will always be circumstances and people making things difficult. Can it be endured? Yes!
I love the main characters, Kit and Nat (the son of the boat Captain who brought Kit to the colonies). They are cute together. This is still one of my favorite books.
In this Newbery Medal-winning novel, a girl faces prejudice and accusations of witchcraft in seventeenth-century Connecticut. A classic of historical fiction that continues to resonate across the generations.
Sixteen-year-old Kit Tyler is marked by suspicion and disapproval from the moment she arrives on the unfamiliar shores of colonial Connecticut in 1687. Alone and desperate, she has been forced to leave her beloved home on the island of Barbados and join a family she has never met.
Torn between her quest for belonging and her desire to be true to herself, Kit struggles to survive in a hostile place. Just when…
During my childhood in Canada, I was fascinated by the “Wild West” and the fact that my maternal grandmother, who lived with us, was born in Wisconsin in 1876, when Jesse James was still robbing trains. I became an international multimedia producer, and I always took an entertainment-based approach to my work, grounded in research. After I retired, I began to search for my roots, uncovering interesting stories of my ancestors. Besides accessing websites and books, I traveled to where they lived to gain insights, meet historians, and distant cousins. I also engaged expert genealogists to prove my lineage back to the Mayflower and Puritan settlers of New England. That allowed me to join the Mayflower Society.
Reverend Roger Williams learned the local Algonquin language and wrote a book about it to teach Puritan settlers to respect the natives and their culture. The authorities threatened to ship him back to England, but he escaped south to the land of the Narragansetts, where he set up the colony that became Rhode Island and Providence Plantations. There he allowed religious freedom—even the despised Quakers and Catholics. He attempted a complete separation of church and state and preached on respecting native land rights. He sided with the Narragansetts when King Philip’s War broke out in 1675, a long and bloody battle throughout New England, in which two of my ancestors were killed by Indians, while two others enriched themselves. Roger William’s dream was of an America that could have been.
The tragic and fascinating history of the first epic struggle between white settlers and Native Americans in the early seventeenth century: "a riveting historical validation of emancipatory impulses frustrated in their own time" (Booklist, starred review) as determined Narragansett Indians refused to back down and accept English authority.
A devout Puritan minister in seventeenth-century New England, Roger Williams was also a social critic, diplomat, theologian, and politician who fervently believed in tolerance. Yet his orthodox brethren were convinced tolerance fostered anarchy and courted God's wrath. Banished from Massachusetts Bay Colony in 1635, Williams purchased land from the Narragansett Indians and…
Jenny Hale Pulsipher is a professor of history at Brigham Young University and the author of numerous articles and two award-winning books, Subjects unto theSame King: Indians, English, and the Contest of Authority in Early New England and Swindler Sachem: The American Indian Who Sold His Birthright, Dropped Out of Harvard, and Conned the King of England.
Hall's biography of one of the most influential Puritans in colonial New England offers a rich reading experience. Mather had a finger in everything, and seeing New England through his eyes helps the reader make sense of the political and religious factions, doctrinal struggles, the relationship between lay people and ministers (always less conservative than their followers), and the sweetness and suffering inherent in family life.
Powerful preacher, political negotiator for New England in the halls of Parliament, president of Harvard, father of Cotton Mather, Increase Mather was the epitome of the American Puritan. He was the most important spokesman of his generation for Congregationalism and became the last American Puritan of consequence as the seventeenth century ended. The story begins in 1639 when Mather was born in the Massachusetts village of Dorchester. He left home for Harvard College when he was twelve and at twenty-two began to stir the city of Boston from the pulpit of North Church. He had written four books by the…
