90 books like Code Name Edelweiss

I have chosen this area of literature because I enjoy expanding my horizons. I love to find out about stories from different cultures and different times that will open my eyes to things I would never have thought about before. The depth of the writing is important to convey the emotions felt by the characters. This is what inspires me in my writing and my book that I have chosen to highlight here is also a story of historical fiction, influenced by my experience of living in Slovakia and finding out from residents about how incredibly different life had been in their country.

I’m a Southern girl from Atlanta who writes ‘entertainment with a soul’ from my writing chalet—tool shed—outside Lyon, France where my husband and I have worked with a non-profit for over 30 years. I love to incorporate little-known historical facts into my award-winning and best-selling contemporary, historical, and time-slip fiction. I want my reader to find not only a good story and an interesting plot, but also the soul in my book and in my characters with themes of betrayal, regret, redemption, forgiveness, and faith that allow my reader to think, to ask questions, to laugh and cry and hope. To be entertained way down in her soul. 

Growing up in central Pennsylvania, I learned little about Japanese American incarceration beyond the brief mention in textbooks. It wasn’t until I came across documents about incarceration camps in Arkansas that I wanted to learn more and spent the next five years exploring this subject. What I took away from my research is that even though confinement in camps only directly affected Japanese Americans, understanding how this tragedy happened is important for all Americans who value democracy. I’m a Senior Historian at the National WWII Museum and work hard to make sure that Japanese American incarceration is included in the larger history of the American home front during the war.

I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.

I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.    

I began reading about history as a child and fell in love with the WW II aviation stories. Later in life I was able to meet many of the men I read about, interview them, and then write my books with their first person accounts. The greatest satisfaction was putting former enemies together who I could prove had fought each other. The reunions were amazing.

Thomas Perry is a 74 year old writer who is working on his 30th novel. His books have won a number of honors and awards, including the Edgar from the Mystery Writers of America for The Butcher's Boy, the Gumshoe for Pursuit, the Barry for The Informant, and again for Eddie's Boy. Metzger's Dog was voted by NPR's listeners one of "100 Killer Thrillers--Best Thrillers Ever." He has always believed that a writer's most important job is learning to be a better writer.

I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.

The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved. 

I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.