Here are 73 books that Chokehold fans have personally recommended if you like
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I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Vitale is not calling for the abolition of police departments. He details the dramatic growth of these departments and notes police in America use their weapons more than any other police force of developed democracies. Blacks are disproportionately the victims of police killings. Policies like racial profiling and a “warrior mentality” on the part of cops are major reasons why police assault on black people is so widespread.
Police must take on a number of tasks in which they are not qualified to do, such as dealing with the mentally ill and homeless population. In addition, Vitale writes about a number of failed policies, including managing sex workers, the war on drugs, and suppressive measures towards gangs.
The problem is not overpolicing, it is policing itself Recent years have seen an explosion of protest and concern about police brutality and repression--especially after months of violent protest erupted in Ferguson, Missouri following the police killing of Mike Brown. Much of the conversation has focused on calls for enhancing police accountability, increasing police diversity, improving police training, and emphasizing community policing. Unfortunately, none of these is likely to produce results, because they fail to get at the core of the problem. The problem is policing itself--the dramatic expansion of the police role over the last 40 years.
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.
In July 1919, an explosive race riot forever changed Chicago. For years, black southerners had been leaving the South as part of the Great Migration. Their arrival in Chicago drew the ire and scorn of many local whites, including members of the city's political leadership and police department, who generally sympathized with white Chicagoans and viewed black migrants as a problem population. During Chicago's Red Summer riot, patterns of extraordinary brutality, negligence, and discriminatory policing emerged to shocking effect. Those patterns shifted in subsequent decades, but the overall realities of a racially discriminatory police system persisted.
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Between 1960 and the 1990s, the budget, size, and power of LAPD dramatically grew in spite of attempts to use regulatory powers of the government to control the police. “Racial targeting was central to the LAPD’s expansion despite twenty years of liberal leadership of the city. The problem in LA, similar to most urban centers, was a reliance on the police to manage social problems that were “rooted in Los Angeles’ history of segregation, inequality, and poverty.” But such an approach “led to disciplinary practices of surveillance, harassment, and arrest that criminalized and excluded black and Latino/a residents.”
Black Los Angeles citizens were seen by the police as threats to public safety and not deemed worthy of the protection of the law. In its battle against crime, social movements, and drug gangs, the Los Angeles Police Department was able to legitimate their authority to use coercive power to control the…
When the Los Angeles neighborhood of Watts erupted in violent protest in August 1965, the uprising drew strength from decades of pent-up frustration with employment discrimination, residential segregation, and poverty. But the more immediate grievance was anger at the racist and abusive practices of the Los Angeles Police Department. Yet in the decades after Watts, the LAPD resisted all but the most limited demands for reform made by activists and residents of color, instead intensifying its power.
In Policing Los Angeles, Max Felker-Kantor narrates the dynamic history of policing, anti-police abuse movements, race, and politics in Los Angeles from the…
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Biondi does not just examine the little-known history of police brutality against black New Yorkers. It is a history of how black New Yorkers, over decades, challenged abuse at the hands of “New York’s finest.” The black challenge to police brutality has been fierce, especially as New York City’s black communities grew. But the anti-police brutality campaign has also been extremely difficult.
The story of the civil rights movement typically begins with the Montgomery bus boycott of 1955 and culminates with the 1965 voting rights struggle in Selma. But as Martha Biondi shows, a grassroots struggle for racial equality in the urban North began a full ten years before the rise of the movement in the South. This story is an essential first chapter, not only to the southern movement that followed, but to the riots that erupted in northern and western cities just as the civil rights movement was achieving major victories.
Biondi tells the story of African Americans who mobilized…
I’m often asked if my Worst-Case Scenario books are serious or humorous. And my answer is always the same: “Yes!” While inspired by pop culture and the survival situations we see again and again in movies and on TV, the information in my books is real. I spend a lot of time seeking out experts to interview—the people who actually have done this stuff—and then distilling their survival wisdom into the form you see in the books. As humans, we want to be prepared for life’s twists and turns. Even if it’s, you know, when the aliens arrive. I’ve been a survival writer and humorist for 25 years and I ain’t stopping now!
I vividly remember reading Native Son in high school, and to this day it remains one of my favorites (as well as one of the best novels of the 20th Century).
So, when I heard a few years ago that Richard Wright’s lost-lost novella was going to be published nearly thirty years after his death, I picked up a copy. Wow. It’s the story of a Black man, accused of a crime he didn’t commit, who evades capture by (yes, as the title says) living underground in the sewers.
The survival aspects, including his ingenuity and the break-ins into buildings and basements he plans to get supplies, are fascinating. But above all this is a story about injustice and what one person is forced to do to survive in an unequal society. A great read!
New York Times Bestseller • One of the Best Books of the Year by Time magazine, the Chicago Tribune, the Boston Globe, and Esquire, and one of Oprah’s 15 Favorite Books of the Year
From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime—an explosive story of racism, injustice, brutality, and survival. "Not just Wright's masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Both keen and forgiving, this book traces the amorous and lofty histories of Black masculinity in America while also delighting in the surprises surrounding its speaker(s).
No song is without a community to which it belongs. We sing our songs together. This realization is especially stark and exacting in this book as it chronicles the bounty of lyrics from Marvin Gaye to the Delfonics.
Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal - what's more American? This book tracks echoes, rides the residue of music "after the love is gone."
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
All my life, I have felt like an "outsider." Wright’s book depicts American racism and its devastating consequences in raw and unflinching terms.
The main character Damon Cross, a Chicago negro, disillusioned with the futility of life and the mess he has made of it, reminds me of when I was homeless. The fossilized, decadent cultural barons of American art have always kept me at bay. My entire career has been as an outsider. Outcast. The invisible man. Interloper. Picasso had a blue period. I had a blues period.
All my life, I have used painting and writing as a means of exorcising demons from my being in the world. Art has saved me from dementia. If I didn’t have art to channel my creative impulses, I’m sure I would have become Wright’s Damon Cross.
In the novel, Damon Cross becomes homeless and loses his identity in a subway crash…
From Richard Wright, one of the most powerful, acclaimed, and essential American authors of the twentieth century, comes a compelling story of one man's attempt to escape his past and start anew in Harlem.
Cross Damon is a man at odds with society and with himself—a man of superior intellect who hungers for peace but who brings terror and destruction wherever he goes. The Outsider is an important work of fiction that depicts American racism and its devastating consequences in raw and unflinching terms. Brilliantly imagined and frighteningly prescient, it is an epic exploration of the tragic roots of criminal…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I recommend this book because James Baldwin’s brilliant voice and profound writing explore the intersection of personal truths and deeply held beliefs. Baldwin masterfully captures the youth and naivety of John Grimes as he wrestles with sexuality, faith, and the pervasive racism of his time.
This book brilliantly brings these struggles to life while showcasing Baldwin’s gift for conveying complex emotions and societal pressures with intimacy and precision.
'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'
Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson…
From a young age, I read and watched everything about the Jack the Rippers, Black Dahlias, and Ted Bundys of the world. I think humans are fascinated by these killers, the worst of the worst, in the same way we are drawn to the best of the best. We want to know what makes them tick. One of the reasons I became a lawyer is at a young age I wanted to be a part of making sure justice is done—for everyone, regardless of their societal status. An empathetic person, I wanted to help others, even those who made horrific life choices. The law, true crime, and fighting for fairness are my passions!
I love the heart-breaking power of this story about a falsely accused Black man on death row in the racist 1940s South. A college-educated teacher visits him in prison and gives him some dignity before his execution happens, and in so doing, gives meaning to himself and his community.
The unfairness of what went on in this country on a daily basis with our criminal justice system is shameful. But this book compels us to rise above it and create meaning and hope.
The conversations are real and raw, and I cried real tears at the end. This book made me think, feel, and care about justice being done.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
Unless your first reading has been spoiled by a movie or CliffsNotes, I don’t believe you can fail to be stunned by Wright’s 1940 eons-ahead-of-its-timepièce de résistance. While much has been written addressing racial bias in the courtroom (that is, if the defendant survives the initial encounter with police), the author took the outlandish step of providing head-spinning complexity: presenting a culpable protagonist, albeit one whose crime against an affluent young white woman came about unwittingly, having everything to do with his knowledge that he, a Black man, would invariably be perceived as guilty. Wright never lets us off the hook, forcing readers of all hues to consider the entanglements of race, class, and jurisprudence, beginning the day those of us who are not white and/or privileged are born.
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself…
