Here are 63 books that Bluets fans have personally recommended if you like
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From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!
Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.
Flaubert's erotically charged and psychologically acute portrayal of a married woman's affair caused a moral outcry on its publication in 1857. Its heroine, Emma Bovary, is stifled by provincial life as the wife of a doctor. An ardent devourer of sentimental novels, she seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and when real life continues to fail to live up to her romantic expectations, the consequences are devastating. It was deemed so lifelike that many women claimed they were the model for…
I came out as bisexual way back in 1991, and experienced a lot of discrimination, hostility, and ridicule from both the gay and straight communities. Finding stories about me and my own experience has always been vital, to help me explore and understand more about myself and how I “fit in” in a world that seems to be so locked into an either/or framework. True, I have witnessed a number of positive changes for bi+ folks in the decades since I came out, but there's still a long way to go in terms of visibility, acceptance, and understanding.
As a writer, each time I read anything by James Baldwin, it´s like I´m getting a master class in how to capture a feeling and translate that into an articulate thought. When a friend told me to read this book over 30 years ago, shortly after I came out, they said this was “the best, and perhaps the most tragic novel about bisexuality ever written.”
Years later, it still kicks me in the gut each time I read it. Baldwin´s detailed examination of David´s desire for Giovanni while simultaneously being engaged to his fiancé, Hella, remains achingly beautiful.
When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy.
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love,…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected.
This short, engaging book mixes fact and fiction, prose and poetry, documents and photographs, to tell the story of Billy the Kid, from the time Pat Garrett sets out to hunt him down to his killing. At times it is beautifully hallucinatory as it gets inside Billy’s mind, showing his dreams and visions. But it is also very lucid and attentive to detail, vividly depicting how Billy is always protecting and exercising his left hand—the hand he shoots with—as well as showing Billy’s interactions with his fellow outlaws. This is Ondaatje’s earliest and most experimental novel.
Drawing on contemporary accounts, period photographs, dime novels, and his own prodigious fund of empathy and imagination, Michael Ondaatje's visionary novel traces the legendary outlaw's passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country. The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.
After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected.
Markson had early success writing traditional novels (one was even made into a movie starring Frank Sinatra) but his real body of work came after when he started writing novels that were criticized for not being novels. The first of these, This is Not a Novel, is narrated by a writer who asks whether it is possible to have a novel with no plot, no main character etc. In a form that visually resembles about 150 pages of tweets (but written before Twitter existed), Markson takes a spirited, enjoyable romp through the history of art, literature, and philosophy, with a sharp eye focused on how various creative people lived and loved, but especially on how they died.
David Markson was a writer like no other. In his novels, which have been called "hypnotic," "stunning," and "exhilarating" and earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson's work has delighted and astonished readers for decades.
Now for the first time, three of Markson's masterpieces are compiled into one page–turning volume: This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.
When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit. Dick proposes a kind of game between them, but when he fails to answer their letters Chris continues alone, transforming an adolescent infatuation into a new form of philosophy.
Blurring the lines of fiction, essay and memoir, Chris Kraus's novel was a literary sensation when it was first published in 1997. Widely considered to be the most important feminist novel of the past two decades, I Love Dick is…
For about five years, I became obsessed by the question of erotic possession, of the kind erotic love that would be so powerful it would be difficult to distinguish from a desire for annihilation, especially at times when one’s life seems so settled and easy. Why does this sort of love overtake a person? As I began to write my own novel addressing this theme, I read everything I could find on the subject, including many not listed here. I have become a hobbyist of the question of romantic ruination, and I am now preparing to teach a course on the subject.
When I was puzzling through how on earth to write about unreasonable desire, I found many of my unformed thoughts reflected in recent Nobel-prize winner Annie Ernaux’s very shortSimple Passion.
Ernaux’s narrator records in detail her affair with a man that seemed to possess her for a while, and believes she “could even accept the thought of dying providing [she] had lived this passion through to the very end.”
She becomes, she believes, acquainted with what people are “capable of; in other words, anything.”
It is a passion told dispassionately, and a rare record of what erotic obsession feels like from the perspective of someone who has survived it.
It is also a record of a woman’sdesire, which feels, to me, revolutionary.
In her spare, stark style, Annie Ernaux documents the desires and indignities of a human heart ensnared in an all-consuming passion.
Blurring the line between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her 2 year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved or is subject to her cold indifference.
With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in…
For about five years, I became obsessed by the question of erotic possession, of the kind erotic love that would be so powerful it would be difficult to distinguish from a desire for annihilation, especially at times when one’s life seems so settled and easy. Why does this sort of love overtake a person? As I began to write my own novel addressing this theme, I read everything I could find on the subject, including many not listed here. I have become a hobbyist of the question of romantic ruination, and I am now preparing to teach a course on the subject.
Naga’s beautiful, poetic prose is pervaded with an overwhelming sense that things will end very badly.
An Arab-American woman meets a “boy from Shobrakheit,” and the two begin a damaged, damaging romance in a book that’s been described as a “postcolonial novel for the twenty-first century.”
Desire mixes up with more complicated feelings, such as pity and resentment, feelings that stem from their cultural and class differences, and their relationship, told in alternating points-of-view, is soon touched with a threat of violence—and then more than a threat—of violence.
In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a cafe in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants "returning" to a country she's never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire-for one another, for the selves they want to become through the other-takes a…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
I’ll never forget reading this tale of a blue crayon in a red wrapper, struggling to draw red. I stood in the children’s book shop, a grown lesbian, feeling the hair on my arms rise, my eyes fill. This story is full of humor as fellow crayons and art supplies offer advice: “he wasn’t warm enough” “He’s got to press harder.” But his struggle also breaks our hearts: “I think he’s lazy,” one crayon says. “The masking tape thought he was broken inside.” The dread of feeling that you can’t be what everyone wants is visceral. Clearly a perfect allegory for gender identity, this story also rang through me. Then, Red tries to draw an ocean. And “It was easy!” Soon he was “really reaching for the sky.”
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A blue crayon mistakenly labeled as "red" suffers an identity crisis in this picture book by the New York Times-bestselling creator of My Heart Is Like a Zoo and It's an Orange Aardvark! Funny, insightful, and colorful, Red: A Crayon's Story, by Michael Hall, is about being true to your inner self and following your own path despite obstacles that may come your way. Red will appeal to fans of Lois Ehlert, Eric Carle, and The Day the Crayons Quit, and makes a great gift for readers of any age! Red has a bright red label, but he is, in…
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
I read this book every year. In my opinion, Walker Percy, along with Flannery O’Connor, is the premiere southern novelist of the last half of the 20th Century. I consider it one of the finest novels written and an example of the plotting, character development, use of language, and religious parody to which young novelists should aspire.
Percy’s novel blends Southern Gothic, science fiction, and comedy to create a world in which the racial divide in New Orleans blossoms into an apocalypse with hilarious and unpredictable results.
A pair of profound dystopian novels from the “brilliantly breathtaking” New York Times–bestselling and National Book Award–winning author of The Moviegoer (The New York Times Book Review).
Winner of the National Book Award for The Moviegoer, the “dazzlingly gifted” Southern philosophical author Walker Percy wrote two vividly imagined satirical novels of America’s future featuring deeply flawed psychiatrist and spiritual seeker Tom More (USA Today). Love in the Ruins is “a great adventure . . . so outrageous and so real, one is left speechless” (Chicago Sun-Times), and its sequel The Thanatos Syndrome “shimmers with intelligence and verve” (Newsday).
