Here are 100 books that Red fans have personally recommended if you like
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Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
As a pastor’s kid, this light, lyrical book about a church community gathering awakens my earliest memories: the bells and banners, candles and choir, warm greetings, and toddler wiggles. This community offers something many of us lacked: “A church for all!” From the first image of a mixed-race queer family waking early for church to the assembling “Weak and healthy/ Neat and messy/ Poor and wealthy/ Plain and dressy” chatting and worshiping together—this brightly illustrated book captures a true spirit of inclusion. Like many queer people, I had to leave my first faith community. Later I was amazed to find houses of faith like this one. I even married a pastor. Young me couldn’t have imagined living out, opening a service with a book like A Church for All.
On Sunday morning, we gather together. We are every color. Every age. Rich and poor. Our church is open, affirming, and accepting. We believe in love instead of hate. There's room for everyone! This book celebrates a spiritual community that embraces all people―no matter their age, race, class, gender identity, or sexual orientation―in love and faith.
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
In this gorgeous, accessible story, Sylvia Rivera and Marsha P. Johnson, two transgender women meet on the street and become fast friends. They never knew whether they would eat, find shelter, or face violence from "Alice in the blue dress" (the police). Yet their friendship and generosity radiate throughout this story. They freely give their last dollar. Worry about kids without roofs. On Marsha’s birthday in 1969, they begin the “beautiful” revolution at the Stonewall Inn by refusing to be arrested for wearing dresses. This courage, this determination to create safe housing, this joyful zeal for equality inspires me still. Transgender people still face so much danger, something I've learned from people I care about. Sylvia and Marsha inspire me to revolt with love.
"Someday girls like us will be able to wear whatever we want. People will call us by the names we choose. They'll respect that we are women. The cops will leave us alone and no one will go hungry."
Sylvia and Marsha are closer than sisters. They are kind and brave and not afraid to speak their truth, even when it makes other people angry.
This illustrated book introduces children to the story of Sylvia Rivera and Marsha P. Johnson, the two transgender women of colour who helped kickstart the Stonewall Riots and dedicated their lives to fighting for LGBTQ+…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
A few years before I came out, I remember marveling at the boldness of certain women like Frida Kahlo, Toni Morrison, Mary Wollstonecraft Shelley, who expressed so freely. With jealous awe I wished I could do that. But how could I? I came from a family of clergy people! In time, however, those brave women inspired me as I came out loud. The remarkable autobiographical story of Congresswoman Davids has that same power. She grew up always speaking, yet also listening, including to those often ignored. A lesbian and member of the Ho Chunk Nation, which means People of the Big Voice, she saw the lack of minority representation in Congress and boldly stepped forward. Now she listens and raises her Big Voice loud in service of others! So inspiring!
This acclaimed picture book autobiography tells the triumphant story of Sharice Davids, one of the first Native American women elected to Congress, and the first LGBTQ congressperson to represent Kansas.
When Sharice Davids was young, she never thought she’d be in Congress. And she never thought she’d be one of the first Native American women in Congress. During her campaign, she heard from a lot of doubters. They said she couldn’t win because of how she looked, who she loved, and where she came from.
But everyone’s path looks different and everyone’s path has obstacles. And this is the remarkable…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
A life-long lover of dresses that “swish” and “crinkle,” I’m in complete solidarity with Morris Micklewrite in his choice of the tangerine dress and shoes that “click” at dress-up time. But his classmates, hung up on narrow gender rules, don’t agree. Yet this story is not about Morris’s gender. It’s about his fondness for a color that reminds him of tigers and the sun, his love of playing spaceship and visiting elephants in his imagination. Even before I understood I was queer, I gravitated to peers who I now know are queer, too. Yet we bonded over play, singing, imagining adventures together! That’s what mattered. By this story’s end, some of Morris’s peers also realize it’s not gender rules that matter, but the greatness of the adventures you share!
Morris is a little boy who loves using his imagination. But most of all, Morris loves wearing the tangerine dress in his classroom's dress-up center. The children in Morris's class don't understand. Dresses, they say, are for girls. And Morris certainly isn't welcome in the spaceship some of his classmates are building. Astronauts, they say, don't wear dresses. One day when Morris feels all alone and sick from their taunts, his mother lets him stay home from school. Morris dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw…
For about five years, I became obsessed by the question of erotic possession, of the kind erotic love that would be so powerful it would be difficult to distinguish from a desire for annihilation, especially at times when one’s life seems so settled and easy. Why does this sort of love overtake a person? As I began to write my own novel addressing this theme, I read everything I could find on the subject, including many not listed here. I have become a hobbyist of the question of romantic ruination, and I am now preparing to teach a course on the subject.
Bluets is a work of fragmentary nonfiction so overwrought, and so filled with tears and heartbreak, that I return to it for solace whenever I’m wrought with such feelings.
It begins with the claim that the narrator has fallen in love with the color blue.
She writes of different encounters with the color’s pigments and presentations, as well as Joni Mitchell’s Blue, the biology of color, philosophy of perception, and more like this, all while she is blue: lonely, heartbroken, sad.
Bluets is beautiful, intelligent, heartbreaking, consoling; it is not afraid of to weep.
Just like Nelson describes wishing to ingest the color blue, not knowing what else to do with its beauty and the longing it produces in her, I sometimes wish I could ingest this book.
Suppose I were to begin by saying that I had fallen in love with a color ...A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the…
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Iraq was home to about 150,000 Jews until 1948-1951. Baghdad was a very much Jewish city. Iraqi Jews were very assimilated, but there was very little known about the political and social history of Iraqi Jews beyond the Zionist story. While many of the Iraqi Jews did indeed view Zionism as a viable solution for them, overlooking Jewish involvement in Iraqi national and communist organizations misses several of the most fascinating transformations of any Jewish community in the world. In this book, Bashkin analyzed the social, cultural, and national participation of Iraqi Jews from within the perspective of Iraqi society. Interestingly, many of the patterns continued even after their migration to Israel.
Although Iraqi Jews saw themselves as Iraqi patriots, their community-which had existed in Iraq for more than 2,500 years-was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Now that I’ve raised the issue of whiteness – ways in which American structures and institutions reflect the agendas and interests of white people, and the role those structures play in shaping opportunity and life experiences -- here I want to bring it front and center. Many white people don’t recognize how they benefit from having white skin (called “white privilege”) and many white ethnic groups, including many white Jews in the U.S., deny their white privilege altogether, insisting that they too have been the victim of white discrimination, and that anti-Black racism is no different. Brodkin offers a powerful counter-narrative, pointing out the many important ways that American Jews of European descent did indeed benefit from their white skin even when they did not realize it.
The fashion identities in the context of a wider conversation about American nationhood, to whom it belongs and what belonging means. Race and ethnicity, class, gender, and sexuality are all staple ingredients in this conversation. They are salient aspects of social being from which economic practices, political policies, and popular discourses create ""Americans."" Because all of these facets of social being have such significant meaning on a national scale, they also have major consequences for both individuals and groups in terms of their success and well-being, as well as how they perceive themselves socially and politically.
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
A glorious, mini rebellion of colour and newfound artistic freedom. This deservedly popular picture book is as smart and funny as the youngsters it is aimed at. Each new character we meet is wonderfully individual and uniquely creative. A rainbow of inspiration! Who knew we could care about crayons so much? Bliss!
Debut author Drew Daywalt and international bestseller Oliver Jeffers team up to create a colourful solution to a crayon-based crisis in this playful, imaginative story that will have children laughing and playing with their crayons in a whole new way.
Poor Duncan just wants to colour in. But when he opens his box of crayons, he only finds letters, all saying the same thing: We quit!
Beige is tired of playing second fiddle to Brown, Blue needs a break from colouring in all that water, while Pink just wants to be used. Green…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
Where Are You From?boasts breathtakingly gorgeous text and expansive illustrations. I love this book because it first draws attention to how our world wants to simplify a person’s story. The book then counters with the beautiful reality that we are complex. As the child of immigrants, I could relate to this little girl seeking answers to the narrow question people keep asking her. She turns to Abuelo, who refuses to answer in ways that might categorize her. Instead, his poetic words sweep her up in a triumphant story rooted in deep ties to generations past and ongoing connections with place. Ultimately, this story transforms that feeling of not belonging into a celebration of who you are. What a joy!
This resonant and award-winning picture book tells the story of one girl who constantly gets asked a simple question that doesn't have a simple answer. A great conversation starter in the home or classroom-a book to share, in the spirit of I Am Enough by Grace Byers and Keturah A. Bobo.
When a girl is asked where she's from-where she's really from-none of her answers seems to be the right one.
Unsure about how to reply, she turns to her loving abuelo for help. He doesn't give her the response she expects. She gets an even better one.
