Here are 100 books that Red fans have personally recommended if you like
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Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
As a pastor’s kid, this light, lyrical book about a church community gathering awakens my earliest memories: the bells and banners, candles and choir, warm greetings, and toddler wiggles. This community offers something many of us lacked: “A church for all!” From the first image of a mixed-race queer family waking early for church to the assembling “Weak and healthy/ Neat and messy/ Poor and wealthy/ Plain and dressy” chatting and worshiping together—this brightly illustrated book captures a true spirit of inclusion. Like many queer people, I had to leave my first faith community. Later I was amazed to find houses of faith like this one. I even married a pastor. Young me couldn’t have imagined living out, opening a service with a book like A Church for All.
On Sunday morning, we gather together. We are every color. Every age. Rich and poor. Our church is open, affirming, and accepting. We believe in love instead of hate. There's room for everyone! This book celebrates a spiritual community that embraces all people―no matter their age, race, class, gender identity, or sexual orientation―in love and faith.
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
In this gorgeous, accessible story, Sylvia Rivera and Marsha P. Johnson, two transgender women meet on the street and become fast friends. They never knew whether they would eat, find shelter, or face violence from "Alice in the blue dress" (the police). Yet their friendship and generosity radiate throughout this story. They freely give their last dollar. Worry about kids without roofs. On Marsha’s birthday in 1969, they begin the “beautiful” revolution at the Stonewall Inn by refusing to be arrested for wearing dresses. This courage, this determination to create safe housing, this joyful zeal for equality inspires me still. Transgender people still face so much danger, something I've learned from people I care about. Sylvia and Marsha inspire me to revolt with love.
"Someday girls like us will be able to wear whatever we want. People will call us by the names we choose. They'll respect that we are women. The cops will leave us alone and no one will go hungry."
Sylvia and Marsha are closer than sisters. They are kind and brave and not afraid to speak their truth, even when it makes other people angry.
This illustrated book introduces children to the story of Sylvia Rivera and Marsha P. Johnson, the two transgender women of colour who helped kickstart the Stonewall Riots and dedicated their lives to fighting for LGBTQ+…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
A few years before I came out, I remember marveling at the boldness of certain women like Frida Kahlo, Toni Morrison, Mary Wollstonecraft Shelley, who expressed so freely. With jealous awe I wished I could do that. But how could I? I came from a family of clergy people! In time, however, those brave women inspired me as I came out loud. The remarkable autobiographical story of Congresswoman Davids has that same power. She grew up always speaking, yet also listening, including to those often ignored. A lesbian and member of the Ho Chunk Nation, which means People of the Big Voice, she saw the lack of minority representation in Congress and boldly stepped forward. Now she listens and raises her Big Voice loud in service of others! So inspiring!
This acclaimed picture book autobiography tells the triumphant story of Sharice Davids, one of the first Native American women elected to Congress, and the first LGBTQ congressperson to represent Kansas.
When Sharice Davids was young, she never thought she’d be in Congress. And she never thought she’d be one of the first Native American women in Congress. During her campaign, she heard from a lot of doubters. They said she couldn’t win because of how she looked, who she loved, and where she came from.
But everyone’s path looks different and everyone’s path has obstacles. And this is the remarkable…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
A life-long lover of dresses that “swish” and “crinkle,” I’m in complete solidarity with Morris Micklewrite in his choice of the tangerine dress and shoes that “click” at dress-up time. But his classmates, hung up on narrow gender rules, don’t agree. Yet this story is not about Morris’s gender. It’s about his fondness for a color that reminds him of tigers and the sun, his love of playing spaceship and visiting elephants in his imagination. Even before I understood I was queer, I gravitated to peers who I now know are queer, too. Yet we bonded over play, singing, imagining adventures together! That’s what mattered. By this story’s end, some of Morris’s peers also realize it’s not gender rules that matter, but the greatness of the adventures you share!
Morris is a little boy who loves using his imagination. But most of all, Morris loves wearing the tangerine dress in his classroom's dress-up center. The children in Morris's class don't understand. Dresses, they say, are for girls. And Morris certainly isn't welcome in the spaceship some of his classmates are building. Astronauts, they say, don't wear dresses. One day when Morris feels all alone and sick from their taunts, his mother lets him stay home from school. Morris dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw…
For about five years, I became obsessed by the question of erotic possession, of the kind erotic love that would be so powerful it would be difficult to distinguish from a desire for annihilation, especially at times when one’s life seems so settled and easy. Why does this sort of love overtake a person? As I began to write my own novel addressing this theme, I read everything I could find on the subject, including many not listed here. I have become a hobbyist of the question of romantic ruination, and I am now preparing to teach a course on the subject.
Bluets is a work of fragmentary nonfiction so overwrought, and so filled with tears and heartbreak, that I return to it for solace whenever I’m wrought with such feelings.
It begins with the claim that the narrator has fallen in love with the color blue.
She writes of different encounters with the color’s pigments and presentations, as well as Joni Mitchell’s Blue, the biology of color, philosophy of perception, and more like this, all while she is blue: lonely, heartbroken, sad.
Bluets is beautiful, intelligent, heartbreaking, consoling; it is not afraid of to weep.
Just like Nelson describes wishing to ingest the color blue, not knowing what else to do with its beauty and the longing it produces in her, I sometimes wish I could ingest this book.
Suppose I were to begin by saying that I had fallen in love with a color ...A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the…
One of the joys of writing a mystery series is you have time to explore your characters—who they are, where they come from, what motivates them. In this particular series, I’d established a rift between the protagonist and her family, and I began to wonder whyit was there. My own sister died when still a baby, yet her absence cast a long, complicated shadow over our family for decades. I wanted to explore more about the family dynamics around a missing child—and kidnapping seemed the best tool to get there. So I read everything I could about kidnapping to present that absence in both intimate and compelling ways.
I don’t often read YA novels, so I’m grateful to the friend who insisted I read this one.
Imagine picking up a milk carton imprinted with images of missing children—and seeing your own face there. This story is written with a kind of hectic immediacy through the eyes of 15-year-old Janie Johnson, who now must find out who she really is. Confronted, her parents share what they believe to be her story: she is really their grandchild, the child of their long-missing daughter who disappeared into a cult.
As it turns out, even the story within the story offers another distortion. (The only caveat I’ll add is that this book is a little dated, clearly written before #metoo, and the reader may experience some slight discomfort in that area.)
There is now a series of novels about this protagonist.
In the vein of psychological thrillers like We Were Liars and One of Us Is Lying, bestselling and Edgar Award nominated author Caroline Cooney’s JANIE series seamlessly blends mystery and suspense with issues of family, friendship and love to offer an emotionally evocative thrill ride of a read.
No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years…
I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
I am a big fan of the author’s nuanced and powerful writing style. The best-written book on my list. Collection of short stories that interweave personal details and idiosyncrasies with broader themes and omens. In “Scenic Route” (‘they have me up hard against the hood of the Cadillac Escalade, which is covered in the dust and dead insects of a thousand back roads’) and “Fairground” (‘school buses lined up like ducks at the crosswalk, waiting for the light to turn green, the faces of the secured population looking through the windows with indifference and resignation’), individuals dealing with internal tumult confront in matter-of-fact ways the stark presence of territories and people divided by check-point partitions. Sectoral partitions, segregated populations. Stark divisions in urban life normalized and routinized.
Said Sayrafiezadeh has been hailed by Philip Gourevitch as "a masterful storyteller working from deep in the American grain." His new collection of stories-some of which have appeared in The New Yorker, the Paris Review, and the Best American Short Stories-is set in a contemporary America full of the kind of emotionally bruised characters familiar to readers of Denis Johnson and George Saunders. These are people contending with internal struggles-a son's fractured relationship with his father, the death of a mother, the loss of a job, drug addiction-even as they are battered by larger, often invisible, economic, political, and racial…
Like most children, I’ve experienced being teased for appearing different in some way. I learned to defend the strange outfits my mother made for me and the bizarre hairdo of eight pigtails my older sister dared me to wear to school. As a teen, I wore a patchwork jacket made of quilt scraps to my new school and came home in tears. I’ve always felt that if we really knew one another on a deeper level and shared each other’s stories we would realize that we’re all made up of the same stuff inside and would not feel prejudice or the need to scorn outward aspects that don’t matter.
I absolutely love this book and have both listened to it and read it more than once. There are so many layers and insights especially for those who feel out of place and are bullied for being different. It is about a girl who is half-human and has Moorfolk (faerie) banished from the fae for her inabilities and exchanged for a human baby. As she grows, her odd abilities are noticed and feared. Despite the taunting and blood-thirsty actions of the village folk, she gives of herself and ultimately takes the risk to retrieve her adopted parents’ human baby. She has the inner strength to venture out and be her unique self.
The daughter of a fairy folk mother and human father, Moql is raised by the fairies, until she is considered too great a risk and is left with a strange human family. Reprint. Newbery Honor Book. Boston Globe/Horn Book Honor Book.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
I absolutely love reading representations of strong, powerful women. And while it’s always fun if they’re kick-ass warriors who can take down an army all on their own, strength doesn’t always have to be in combat. Depictions of emotional strength, resilience, and/or compassion can be wonderful elements of strength too. But don’t discount the ‘grey’ women protagonists, either, the mercenary, callous, and/or ruthless characters with only a touch of softness. All these nuances make female characters strong and I love to see any and all of them in my fantasy protagonists. It's why I write so many of them!
I have an absolute favourite book character and her name is Manon Blackbeak.
No, she’s not the main protagonist in this book (although Aelin Galathynius is awesome), and that’s why I’m recommending the fourth book in this series rather than the first, because it’s really where we start to Manon come into her own. She is vicious, unapologetic, fiercely loyal, and just so cool. Yet for someone so hard and tough, her bond with her wyvern, Abraxos, gives you all the feels. I loved how Manon’s plotline developed further in Queen of Shadows and her showdown fight with Aelin at the end was one of the best I’ve ever read.
This is a fantastic series by Maas, with a trove of great characters. My experience was that book three – Heir of Fire – was where the story really began to find its footing. By halfway through…
Sarah J. Maas's New York Times bestselling Throne of Glass series reaches new heights in this sweeping fourth volume.
Everyone Celaena Sardothien loves has been taken from her. But she's at last returned to the empire-for vengeance, to rescue her once-glorious kingdom, and to confront the shadows of her past...
She has embraced her identity as Aelin Galathynius, Queen of Terrasen. But before she can reclaim her throne, she must fight.
She will fight for her cousin, a warrior prepared to die just to see her again. She will fight for her friend, a young man trapped in an unspeakable…
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