Here are 40 books that Blue Nights fans have personally recommended if you like
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I love adventure—I'm an adventurist. I love escaping—through creative writing and the written word! And, I love the sea—I have served over 30 years in the US Coast Guard at sea and ashore and recently drove Zodiacs in Alaska and Norway for Seabourn Cruise ships. Since publishing my first book, So Others May Live about heroic US Coast Guard rescue swimmers and aircrews (read by Kevin Costner and Ashton Kutcher who both told me they loved my book and used it for their roles in film, The Guardian), I have become a TEDx speaker and coach, award-winning author and rose to the senior rank of captain in the USCG.
This is an adventure! Turn the pages of this book to find waves and many kinds of waves: rogue, freak, and giant waves of the ocean and the people who try to surf them. I am a retired US Coast Guard officer and sailed many ships at sea. As a mariner we know of or have seen waves, some of them tossing our ships in the middle of the night as we try to sail home. Any number of ships have vanished in the ocean, quickly, with no time to put out an SOS call for help. This is a great book to learn more while having an adventure reading it from the safety of your chair.
The have long been mariners' tales of 100-foot rogue waves - gargantuan monsters that sink super-tankers in the blink of an eye.
But waves that high violate the laws of physics, so science has dismissed them as myth. Until now.
In February 2000 the research ship, RRS Discovery, was trapped by a vortex of mammoth waves in the North Atlantic. Amazingly the ship survived and its state-of-the-art equipment registered waves nearing 100-feet. Something scary is brewing in the planet's waters. And with 72% of earth covered by sea, this is serious business.
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
This is a quirky, hilarious, autobiographical coming-of-age story about a lesbian who grows up in a repressive English Pentecostal community.
Winterson’s creation of the mother is the most unique mother I’ve ever encountered—damaged, oppressive, deeply misunderstanding of her genius daughter. I found lots of commonalities between the conflicts Jeanette had with her difficult mother and my own experience, even though we live countries apart.
Study methods Introduction to the text Summaries with critical notes Themes and techniques Textual analysis of key passages Author biography Historical and literary background Modern and historical critical approaches Chronology Glossary of literary terms
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.
This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
I’ve written some dozen books. After publishing the first 10, I realized I love to write about young people just finding out who they are and what’s important to them. I love to look back at that impressionable age and watch it unfold. So my last two books were YA—one set at a Quaker prep school and the other set in a dystopian city-state where teenage boys could be killed when they turn eighteen, and teenage girls could be used for sexual exploitation and discarded as easily as old milk cartons. Those troubled, tumultuous, anything-can-happen hovering adulthood years from about fifteen to twenty-one fascinate me and inspire my writing.
Where to start? I’d read The Secret History and found it mesmerizing, but I loved this book more. It was more personal, and I couldn’t get enough of it.
I loved the premise and the relationships between the characters, even though they were completely flawed. I bought into everything they did and thought and wondered what I would have done in the same circumstances and conditions. The writing is extraordinary, and anyone who loves to read prose that sings will adore this book as I did.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
I have lived primarily in Vermont, but my relationship to a remote portion of Maine wilderness is the one geographical consistency in my 81 years. Trained as an academic, I did have literary influences, but my chief influences derived from my early decades among men and women whose arduous existences in the great North Woods preceded electricity, power tools, and modern household conveniences. These men and women had to make their own entertainment, and they did so by way of storytelling, and their stories became a kind of community property. Whatever the genres of my 24 books, I have sought to emulate the timing and precision that these masters commanded.
Alice Munro is, I believe, my favorite living author (written before Alice's death on May 13, 2024). As with Marilynne Robinson, the choice of this particular collection, as opposed to others of Munro’s, verges on the arbitrary. Her capacity to render inner lives–which more often than not are quietly turbulent–seems to me matchless and she achieves her effects without straining for effect. She always seems to find the pluperfectly concise language to draw us into the small maelstroms of a character’s life.
As one who is persistently intrigued by the way in which pasts and presents can conflict with, interfuse with, and complement a character’s view of her/himself and the ambient world, I am also much taken by Ms. Munro’s frequent recourse to achronological presentation. Her plots tend not to be that in any conventional sense of the word; things seem to happen suddenly and simply, and while these things…
A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club
In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected…
I love adventure—I'm an adventurist. I love escaping—through creative writing and the written word! And, I love the sea—I have served over 30 years in the US Coast Guard at sea and ashore and recently drove Zodiacs in Alaska and Norway for Seabourn Cruise ships. Since publishing my first book, So Others May Live about heroic US Coast Guard rescue swimmers and aircrews (read by Kevin Costner and Ashton Kutcher who both told me they loved my book and used it for their roles in film, The Guardian), I have become a TEDx speaker and coach, award-winning author and rose to the senior rank of captain in the USCG.
I recently met the author at a writing workshop. He was my facilitator—he did an excellent job! What’s more, after the week of reading and critiquing each other’s fictional stories I decided to read this book. Wow! Beautifully written. The stories are sometimes shocking, sometimes sad but always worth the time! I feel lucky to have met this author and have had him help me improve my first novel which I'm completing now.
Named one of Amazon's Best Short Story Collections of 2014 One of Atlanta Journal Constitution's 9 Best Books of 2014 Best Short Story Collection of the Year, Tweed's Magazine Winner of GLCA New Writers Award for Fiction 2014 LA Times Book Prize Finalist Winner of the Florida Book Awards Silver Medal for Fiction Nominated for the PEN/Robert W. Bingham Prize for Debut Fiction
"A debut collection of unsparing yet warmly empathetic stories...akin to both Anton Chekhov and Raymond Carver in humane spirit and technical mastery" (Kirkus Reviews, starred review).
The Heaven of Animals, award-winning young writer David James Poissant's stunning…
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.
Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.
An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's shadow.
When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she makes rebellious friends and frequently challenges authority; and most frighteningly, her mother, seeing Annie as a 'young lady', ceases to be the…
I have loved reading my whole life. So when I became a mom, I started reading to my kids pretty much as soon as they came home from the hospital. They absolutely love to have books read to them, and we have shelves full of picture books. My favorite picture books to read out loud are ones with eye-catching illustrations, witty stories that spark imagination or learning, and rhymes that flow rhythmically. As a bonus, if the characters lend themselves to fun voices, those are always winners. I hope you enjoy reading these books to your kids as much as I do.
Arctic Lights Arctic Nights is a recent book discovery for me, and I was instantly captivated.
It is a nonfiction that moves through a beautifully illustrated full year in the Arctic, from summer solstice to summer solstice.
The text was fun and informative, and I loved seeing statistics at the top of each page that show how much daylight there is on that date, when sunrise and sunset take place, and the average temperatures.
It was a great way to visualize the often-shocking light and temperature changes we go through every year in Alaska.
I was stunned by the beauty and the accuracy of the artwork, and my daughter kept commenting on all the things she recognized as an Alaskan child.
Acclaimed Alaskan duo Debbie S. Miller and Jon Van Zyle bring the beautiful and mysterious arctic lands to life in this smart, stunning picture book.
Imagine a land where the sun rises at 1:58 a.m. in the summer and shines for less than four hours on a winter's day. The animals in the wilderness near Fairbanks, Alaska, witness some of the world's greatest temperature extremes and light variations ever year. At an average low of -16 degrees Fahrenheit, the winters may be unpleasantly frigid, but the light shows are always glorious!
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Sorrow is plural but grief is singular writes American poet, Victoria Chang, in her latest book Obit.
To me, this phrase resonates all the more powerfully as we find ourselves emerging from the Covid pandemic and assessing the impact it had on us. We were united, around the world, in our sorrow but the way we grieved was unique to each one of us.
This long poem, written after the death of her mother, is an elegy to grief itself. Taken from Shakespeare’s Macbeth, the epigraph at the beginning of the book reads: give sorrow words; the grief that does not speak. This is exactly what the writer has done.
Los Angeles Times Book Prize
PEN Voelcker Award
Anisfield-Wolf Book Prize
The New York Times 100 Notable Books of 2020
Time Magazine's 100 Must-Read Books of 2020
NPR's Best Books of 2020
National Book Award in Poetry, Longlist
National Book Critics Circle, Finalist
Griffin Poetry Prize, Shortlist
Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and…
