100 books like Afterword

I love this book for a number of reasons, perhaps chiefly because it’s so hard to pin down. What is it? Part memoir, part biography, part meditation on grief, part instructional guide to falconry.

Helen Macdonald interweaves her own story of dealing with her father’s death with a historical account of the tortured life of T. H. White (known best as the author of The Once and Future King). In juxtaposing these stories across time and space, we are able to see the blurred lines between bereavement, madness, and social isolation. I will hold forever in my mind Macdonald’s description of looking into her hawk’s eye and seeing nothing familiar, an alien consciousness—it helped to remind me that for all the complexity and diversity of the human species, our perspective is only one among the countless others with which we cohabitate on this planet.

In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.

I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.

Don’t let the YA tag dissuade you if you don’t generally read books for that audience; Watch Over Me has definite appeal for an adult crowd.

The main character is an 18-year-old young woman who has aged out of foster care and is searching for her place in the world. A ghost-story-that-isn’t-a-ghost-story, Watch Over Me is a book about confronting our own ghosts—literally and figuratively.

La Cour’s arresting prose seamlessly inserts the speculative elements into an exploration of recovery from guilt and grief in a way I found breathtaking. 

Rouge is at its heart an exploration of a daughter’s grief for her troubled mother and the bizarre turns that grief can take.

Rouge tells the story of a young woman obsessed with cult-like beauty culture. When her mother mysteriously dies, she is forced to return home and confront the complicated relationship she had with her also beauty-obsessed mother. Fairy tale surreal and viscerally disturbing, Rouge delves into obsession, grief, and the dangers of beauty culture taken to the extreme.

Like all of Awad’s books, this is a story that will stick with me a very long time.

Thanks to the evocative prose in Yvonne Woon’s If You, Then Me, I found myself swept up in the protagonist Xia’s vision of the Bay Area as a perfect paradise, despite the fact that I definitely know better.

I was rooting for Xia, a talented but lonely coder whose best friend is her AI app, even when she started making all kinds of questionable choices. Though I’ve seen this book characterized as a rom com, I actually think it’s more of a modern fairy tale—in all the best ways. 

Haunting and beautiful, it gave me a new perspective on what science fiction can accomplish: Ishiguro’s book is subtle, humane, and deeply concerned with the troubles of the real world.

This story of Klara, an “artificial friend” purchased to keep a sick little girl company, takes up questions of eugenics, artificial intelligence, and, ultimately, what it means to be a human being.

Along the way, the book explores the gulf between economic and social classes with as much care and compassion as Charles Dickens or Thomas Hardy—Klara and the Sun is some of the most inspiring science fiction I have ever read.

With recent advances in large language models such as GPT-4, it is predicted that AI capabilities in terms of general decision making and problem solving may exceed that of humans even in less than a decade. Is this good or bad news?

This book is a must-read for anyone who wants to understand and navigate this difficult topic. Of particular interest are Bostrom’s two groundbreaking observations: the orthogonality thesis (any level of intelligence can be combined with any final goal) and the instrumental convergence thesis (any sufficiently non-trivial final goal will also create instrumental goals of self-preservation, efficiency, creativity, and unbounded resource acquisition).

A top pick for anyone who wants to figure out the prospects for the human civilization in the face of superhuman artificial general intelligence.

This book, unlike the others, is less about theory and more about the contemporary reality of automation. It thus functions as an interesting test piece for the theoretical works preceding this one. Gray and Suri show that automation is not simply a progressive replacement of human by machine, but rather that each new automation application tends to generate a need for new kinds of labour which cannot (yet) be automated. The empirical work done here is a prime example of understanding what automation really is.

Telving’s book is ahead of its time in exploring the deep questions of what our humanity is, with perspectives on our future life with AI and intelligent robots. I was particularly intrigued by the ways that the author explores how we evaluate our own consciousness, how we tend to anthropomorphize animals and objects, and the tricky ethical questions around how to legislate a life with robots. Telving deals with one subject that had been far off my radar in the form of the difference between the hard and easy problem of consciousness. It’s a very philosophical question, but in today’s world, where our values, beliefs, and interactions are in mutation, this understanding of consciousness is ever more pertinent.

Unlike Hejinian’s book, this one demands your attention, almost obnoxiously. It’s strange, confusing, tough, but worth it. If you can let your mind enter into it fully, you may miss subway stops like I did while reading it. As Neuromancer was for cyberspace, Accelerando is the game changer for transhumanism—the philosophical movement claiming we will soon have the ability to escape our bodies as information. Science fiction requires extraordinary world-building, but Stross creates an entirely new universe in a series of interconnected stories about three generations of the Macx family before and after the Singularity. Characters download themselves and re-manifest, there’s an evil sentient scam called The Slug, and a mass of uploaded lobster brain scans is floating in space demanding amnesty. It’s a trip.