100 books like A Soldier of the Great War

It centers on and celebrates becoming—molting from one skin to another. For Ishmael this is a transition from a tired and limiting worldview to something fresh and alive.

The “bosom buddies” at the heart of the novel, Ishmael and Queequeg, seem comprised of opposites, but Ishmael’s etherealizing is grounded by Queequeg’s pragmatic ingenuity in ways that quiet and expand the young pagan-Presbyterian’s buzzing, anxious mind. Theirs is a friendship of succor, probably sex, and survival—all of it shadowed by the delusional obsessions of their mad captain.

You think your life is complicated. Alliances in this mammoth, magnificent novel turn on a dime (or a brick), but several deep connections are life-altering.

For one: the Jamaican dealer Weeper defies category; he’s both violent and tender, both gay and appalled by his homosexuality. When he falls for another man post-prison, he has both to confront and to conceal his panoply of contradictions—which becomes excruciating and finally impossible when boss (and friend) Josey Wales flies in to inspect the Bushwick operation.

I love the intrigue, disclosure, and virtuosity. Nothing simple, nothing easy, nothing dull.

It’s funny, for one thing, but not merely funny.

“It is those we live with and love and should know who elude us,” Maclean writes, and here brotherhood, religion, and fly-fishing bleed into one another to comprise the river flowing through this stunning novella.

Wild Paul and his measured older brother Norman seem more friends than family, mostly because they choose one another. Meditative asides abound and delight, but the tender stuff concerns memory and acceptance and forgiveness, affirming Emily Dickinson’s adage: “The soul selects her own society.”

It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.

It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.

Like pretty much every Taylor Swift song, this book made me feel big emotions.

Over the course of one summer in Italy, the main character, Elio, falls in love with a visiting scholar named Oliver. It’s a gay love story filled with all the tension, heat, and anguish that accompanies first love.

It brought me back to my own experiences of falling in love for the first time when every exchange and every gesture felt latent with meaning. 

Self-realization and the duality of human nature are the dominant themes of this coming-of-age story. Emil Sinclair, the narrator, and protagonist of the book, struggles between light and dark, good and bad, and Damian, Sinclair’s mysterious classmate, and friend, helps Sinclair reach eventual self-awareness. Damien is a fascinating psychological analysis of a vulnerable youthful soul in search of its own true identity and that’s why it’s perfect for young adults and/or individuals who aim to discover their own unique path in life. As an addict of such themes, I read this book in college and still re-read it (now and then) when in self-doubt.

This book’s magic comes from its plot. I would say it is the most unputdownable book I have ever read. But once again, it deals with a simple human experience—in this case, of a young man obsessed by a woman. There are times when you feel like shouting at the main male character: “Don’t do it! Don’t do it!” And of course he does do it, and you want to find out what happens. I remember that I recommended this novel to a friend, who didn’t believe it could be so unputdownable—but he found himself staying up until the early hours of the morning, unable to stop reading this novel. In a way, I think Of Human Bondage will influence me more as a writer in the future than it has so far—because one day I would like to write a heavily plot-driven… show more.

I love the way this book tells so much with such economy.

Having been thrown unwillingly into a teaching position myself, I could readily identify with the young and awkward Mr. Chipping, whose unassuming nature is at odds with the authoritarian discipline expected of the Victorian schoolmaster.

But Chipping learns that authority can also be exercised through gentleness, understanding, and humour; and I have this book to credit for teaching me that lesson, too. I’m also a history buff, and this book gives an enriching overview of the massive changes that occurred during the late nineteenth and early twentieth centuries.

The more I read of that period, the more this book resonates with me. 

Balzac wrote some 90 novels in a fury of creativity, dying at only 51. I haven’t read all 90 or even close to them, but of those I have, this book is by far my favorite. (I’m not alone. It was Henry James’ favorite, as well.) 

Set in a seamy boarding house in Paris around 1820, it’s the story of a father’s love for his two social-climbing daughters who let their father see them rarely and then only for his money. I’ve never read anything like this depiction of a father’s love, desperate and ever-hopeful—a man who lives in reduced circumstances so he can save every penny to give his ungrateful daughters.  

This fine coming-of-age novel was originally published in two big red volumes. It's large and reads like an enormous European tapestry laid out in some cold castle museum, with vivid dyes and a thousand patterned intricacies to ponder. It was a literary sensation when it was published, a favorite of the young romantics of the WWI generation, and Mackenzie followed it up with several branching-off sequels. He writes with such vividry that the dusky London streets and country cottages in this book are fresh and living even now. This book affected a young F. Scott Fitzgerald so much that in the early drafts of Fitz's first novel, he actually copped the name of the protagonist of this book.