Here are 100 books that Père Goriot fans have personally recommended if you like
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I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
I read this book years ago in high school, and my eyes were opened. The hero, Julien Sorel, is—like I was when I read the novel—naïve, confused, trusting, inexperienced, and prone to awkwardness and error. In short, I could relate to someone in circumstances (boarding school!) where I desperately needed someone who was highly imperfect with whom I could identify.
It might have been the first time I read an adult book where I felt I might actually meet the main character one day, walking down the street or even in the hallway.
Traces the ascent and descent of a young, aspirational social climber in a harsh, monarchical country.
Julien Sorel, a handsome and aspirational man, is determined to overcome his lowly provincial upbringing. He soon realises that the only way to succeed is to follow the sophisticated code of hypocrisy that governs society, so he starts to progress by lying and self-interest. His successful job leads him into the centre of glitzy Parisian society, where he triumphs over the proud Mathilde and the kind, married Madame de Rênal. Then, though, Julien commits a shocking, terrible crime—leading to his own demise. In The…
I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
I read this book many years ago, and it’s never left me. This was my first exposure in literature to the harsh lives some people must live. It seems a bit strange to me that it was a French novel published in 1877 that opened my eyes, but there you are.
You can feel the sweat, exhaustion, and desperation of this fated Parisian laundress, Gervaise, as she tries to rise above her situation, only to be tragically brought down by the men in her life. Zola’s writing is often categorized as naturalism, but I think "truth" is more accurate.
b 'in this life, even if you don't ask for much you still end up with bugger all!' /b
In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life…
I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
Most people declare Madame Bovary to be their favorite Flaubert novel. I don’t dispute its greatness, but I find this book, published in 1869, twelve years after Madame Bovary, to be the master at his most illuminating and embracing.
Set against the revolution of 1848, the hero, Frédéric Moreau, falls helplessly in love with a married woman. I identify—not with the love of a married woman—with Moreau’s life and times as a young artist living among others like him in Paris. He and his fellow artists live their bohemian lives with ardor and hope, and the passion of youth and creativity flows wonderfully through the book.
'For certain men the stronger their desire, the less likely they are to act.'
With his first glimpse of Madame Arnoux, Frederic Moreau is convinced he has found his romantic destiny, but when he pursues her to Paris the young student is unable to translate his passion into decisive action. He also finds himself distracted by the equally romantic appeal of political action in the turbulent years leading up to the revolution of 1848, and by the attractions of three other women, each of whom seeks to make him her own: a haughty society lady, a capricious courtesan, and an…
I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace.
Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later.
This is a brilliant new translation by Christine Donougher of Victor Hugo's thrilling masterpiece, with an introduction by Robert Tombs. The Wretched ( Les Miserables) is the basis for both the longest running musical on the West End and the highly-acclaimed recent film starring Hugh Jackman and Anne Hathaway. Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, and by the relentless investigations of…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
The story of a boy growing up in France before World War 1, of friendship and love and a mysterious house to which the hero finds it hard to return, I have been mesmerized for a lifetime by this short novel, and it’s the basis for my own novel about Fournier’s life and loves.
The arrival of Augustin Meaulnes at a small provincial secondary school sets in train a series of events that will have a profound effect on his life, and that of his new friend Francois Seurel. It is Seurel who recalls the impact of le grand Meaulnes, disruptive and charismatic, on his schoolmates, and the encounter that is to haunt them both. Lost, and alone, Meaulnes stumbles upon an isolated house, mysterious revels, and a beautiful girl. When he returns to Seurel it is with the fixed determination to find the house again, and the girl with whom he has fallen…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This novel is both the story of an unconsummated love affair and an account of the experience and imaginative life of the generation of young people who came to maturity around 1840 and whose lives were either broken or redirected by the revolution of 1848.
Flaubert takes great care to establish a counterpoint between the collapse of political ideals in 1848 and the collapse of the dreams of the individual characters. But Sentimental Education can also be considered as a work of history that brings the past to life and, in the end, offers a deep and, in some ways, sympathetic picture of the inability of individuals to shape history or their own lives, in a world ruled by elemental forces that elude understanding.
A fresh and vivid translation of Flaubert's influential bildungsroman
Gustave Flaubert conceived Sentimental Education, his final complete novel, as the history of his own generation, one that failed to fulfill the promise of the Revolution of 1848. Published a few months before the start of the 1870 Franco-Prussian War, it offers both a sweeping panorama of French society over three decades and an intimate bildungsroman of a young man from a small town who arrives in Paris when protests against the monarchy are increasing.
The novel's protagonist, Frederic Moreau, alternates between aimlessness and ambition as he searches for a meaningful…
I have a passion for the themes and moods of this list because they explore so many parts of my emotions. They rile me, they work me up into a hot frenzy, they turn me on, they fascinate me, they bruise me, they heal me. I see myself in these books, and I feel that I understand other people. I’ve enjoyed (and still enjoy) reading these books published for free on blogs online, but now I want to write more and read more than I’ve done before. This list is a starting point, and I hope you enjoy them!
I love this book because it is raw. For those who dismiss erotic writing, because they think there are only a finite number of ways to write about sex and sexuality, I recommend this book. The raw and transformative way it writes about the attraction, longing, and pain of sex is joyous and agonising to read.
I love it because I don’t actually like either of the main characters, and liking the characters can often rescue a book from otherwise poor writing. I loved this book despite disliking the main characters.
“I remember the movement of his hips pressing against the pinball machine. This one sentence had me in its grip until the end. Two young men find each other, always fearing that life itself might be the villain standing in their way. A stunning and heart-gripping tale.” —André Aciman, author of Call Me by Your Name
A New York Times Book Review Editor’s Choice
The critically acclaimed, internationally beloved novel by Philippe Besson—“this year’s Call Me By Your Name” (Vulture) with raves in The New York Times, The New Yorker, The Wall Street Journal,NPR, Vanity Fair, Vogue, O, The Oprah…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession.
Marie, a nurse on the island of Mayotte, adopts an abandoned baby and names him Moise, raising him as a French boy. As he grows up, Moise struggles with his status as an "outsider" and to understand why he was abandoned as a baby. When Marie dies, he is left alone, plunged into uncertainty and turmoil, ending up in the largest and most infamous slum on Mayotte, nicknamed "Gaza".
Narrated by five different characters, Tropic of Violence is an exploration of lost youth on the French island of Mayotte in the Indian Ocean. Shining a powerful light on problems of…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…
