Here are 100 books that La Dame d'Esprit fans have personally recommended if you like
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I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
Before Trans is a triple biography of three very remarkable French women writers, all of whom preferred men’s clothing and behaved in unladylike ways. The three are Jane Dieulafoy (1850 - 1916), explorer and archeologist; the novelist Rachilde (Marguerite Eymery,1860-1953); and the erotic writer Marc de Montifaud (Marie-Amélie Charteroule de Montifaud,1845-1912). The distinctive feature of this provocative book is the author’s effort to understand these women who chose to defy the boundaries of femininity but lived in a world that was “before trans” – before what we understand today as transgender, where one’s sex and one’s gender self-understanding do not line up. It is a brilliant book, which one reviewer describes (and I agree) as “exceedingly well-written, layered, and compelling.” Mesch’s pioneering triple biography is not to be missed.
A fascinating exploration of three individuals in fin-de-siecle France who pushed the boundaries of gender identity.
Before the term "transgender" existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850-1916), Rachilde (1860-1953), and Marc de Montifaud (1845-1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity.
Dieulafoy fought alongside her husband in the Franco-Prussian War and traveled with him to the Middle East; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous…
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
Too many babies were dying at birth (or shortly thereafter) and French authorities had become obsessed with increasing the country’s population. Who would have thought, though, that King Louis XV of France would decide to sponsor and finance (for over 20 years) a remarkable Paris-trained midwife to tour France on behalf of the re-education of peasant midwives? As the King’s envoy, Angélique Marguerite Le Boursier du Coudray (born c. 1715) toured France from 1760 to 1783 carrying out her mission in some 40 cities and large towns.
Her important textbook on obstetrics, first published in 1759 (5 editions by 1785) and her invention of an obstetrical cloth female mannequin (she called it her “machine”) facilitated her revolutionary hands-on method of teaching the craft of delivering babies. Du Coudray was an imposing presence and a remarkable exception amidst the ongoing illiteracy and superstition that plagued peasant women. Nina Gelbart’s biography, the…
This unorthodox biography explores the life of an extraordinary Enlightenment woman who, by sheer force of character, parlayed a skill in midwifery into a national institution. In 1759, in an effort to end infant mortality, Louis XV commissioned Madame Angelique Marguerite Le Boursier du Coudray to travel throughout France teaching the art of childbirth to illiterate peasant women. For the next thirty years, this royal emissary taught in nearly forty cities and reached an estimated ten thousand students. She wrote a textbook and invented a life-sized obstetrical mannequin for her demonstrations. She contributed significantly to France's demographic upswing after 1760.…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
If you have any interest in champagne—and who doesn’t?—this meticulously researched book about the woman who built Veuve Clicquot into the powerhouse luxury brand it still is today is essential reading. It is almost hard to fathom: in 1805, when her husband dies, Barbe-Nicole Clicquot Ponsardin inherits his struggling family champagne house. Plagued with debts and self-doubt, the twenty-seven-year-old widow, or “veuve”, puts her innate entrepreneurial acumen to work. Considering that women at the time had no role besides tending to their families, she defied countless odds of the day, rescued the company, and became a business legend. Swirling around her is the drama of the Napoleonic wars. One anecdote author Mazzeo (an academic and historian) tells grippingly: when Russia closed off their ports to French imports, Mme.
Clicquot identified a way to penetrate the blockade and get 10,550 bottles of her 1811 vintage to the czar’s home city of…
Veuve Clicquot champagne epitomizes glamour and style, with tribute paid everywhere from Lord Byron to Casablanca. But who was this young widow - the 'Veuve' - Clicquot, whose champagne sparkled at the courts of France, Britain, and Russia, and how did she rise to celebrity and fortune? Newly widowed, she assumed the reins of the fledgling wine business she and her husband started, steering it through huge political and financial reversals to succeed as a single woman in a man's world. Visitors flocked to see this cultural icon and taste the vintages she imbued with magic.
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
How does an American biographer write about a French philosopher and public intellectual who published copious memoirs of her own life, from girlhood to old age? The multi-talented Deirdre Bair succeeded in gaining access to the extraordinary Simone de Beauvoir and, supplemented by lengthy interviews over a five-year period and research in Beauvoir’s unpublished papers, produced a biography for the ages. In contrast to the biographies recommended above, the author had almost too much material to sift through, plus the challenge of writing about a living person. This is necessarily a fat book but one that is a “must-read.”
Simone de Beauvoir was one of the most influential figures of the twentieth century, as a philosopher, feminist, novelist and author of the landmark work The Second Sex. Yet as Deirdre Bair shows in this definitive biography, de Beauvoir's remarkable life was dominated at every stage by another intellectual giant - Jean-Paul Sartre. Born into the French Catholic aristocracy, de Beauvoir became "the most notorious woman in France". Her scandalously unconventional relationship with Sartre and her dedication to his theories and his work is one of the most intriguing and contradictory aspects of her life. The two became, in de…
My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
I loved this book. It is the biography of one of my favorite cities, tracing its trajectory from the 17th century to becoming the world’s first modern city. Jean Dejean points out the critical moves, the urban innovations, that were game changers, from the broad boulevards and the social life they supported to bridges over the Seine to the introduction of streetlights, making the city safer at night.
I was particularly taken by how, through these innovations, the city came to foster a vibrant social and civic life in a newly conceived public sphere, making Paris a model for how, through design, my profession, urban beauty, functionality, and culture could fuse to create one of the world’s great cities.
At the beginning of the seventeenth century, Paris was known for isolated monuments but had not yet put its brand on urban space. Like other European cities, it was still emerging from its medieval past. But in a mere century Paris would be transformed into the modern and mythic city we know today.
Though most people associate the signature characteristics of Paris with the public works of the nineteenth century, Joan DeJean demonstrates that the Parisian model for urban space was in fact invented two centuries earlier, when the first complete design for the French capital was drawn up and…
I went to college in Portland, Oregon when the Pacific northwest’s coffee boom was just getting started. My love of coffee turned academic as I began to research and write what would turn out to be a prize-winning book on the early history of coffee and coffeehouses in Great Britain: The Social Life of Coffee: The Emergence of the British Coffeehouse (2005). I’ve continued to publish articles on coffee history and the history of sociability ever since, and I regularly teach a research seminar on the history of coffee at McGill University. Now I serve as president of the board of directors for an international research group on the history of sociability.
Haine provides his readers with a solid social history of the French café in the long nineteenth century. While coffee was introduced to France earlier in the seventeenth century and cafés became a notable aspect of the social scene in Enlightenment Paris, it is only after the French Revolution that the café became a crucial place for working-class people to gather, socialize, and to drink (alcohol more often than coffee, as it happened) together. This is the book to turn to when you want to know how many cafés could be found in Balzac’s Paris, who got arrested for what in those cafés, and who could be found drinking and hanging out there.
"[Haine] invites the reader of The World of the Paris Cafe to step up to the serving counter of a nineteenth-century Parisian cafe to eavesdrop on the conversations and to observe the dynamics of this unique working-class establishment ...These cafes were far more than places to eat and drink to the great majority of working-class Parisians, who also frequented such establishments seeking shelter from authorities, exchanging and developing and sometimes enacting their ideas."-Jack B. Ridley, History: Review of New Books In The World of the Paris Cafe, W. Scott Haine investigates what the working-class cafe reveals about the formation of…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
I loved this story about a protagonist who is living her worst nightmare, and we’re along for the unpredictable twists and turns of her life.
The story is everything you’d expect for a well-conceived psychological drama where true-to-life characters come alive and live the nightmare you’re glad isn’t your own. It held my attention and wouldn’t let go!
Marianne has a life others dream of. A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy.
Sometimes her past still hurts: losing her mother, growing up in foster care. But her husband Simon is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France – nothing is too good for his family.
Then Simon says another woman’s name. The way he lingers on it, Caroline, gives Marianne a shudder of suspicion, but she knows she can’t entertain this flash of paranoia.…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.
From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
