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Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Although best known to Anglophone readers for her novel Gigi (1944), Colette considered Ces Plaisirs (These Pleasures) later titled The Pure and the Impure, one of her best works. A titillating exploration into the erotic underground of early twentieth-century Paris, the novel’s semi-autobiographical characters pursue a range of sexual experiences and sensual pleasures. Traversing the capital city’s carnal playgrounds, from its fashionable opium dens to its commercial boudoirs, Colette troubles the complicated relationship between sex and love – presenting both as a worthy if ultimately futile human pursuit.
Colette herself considered The Pure and the Impure her best book, "the nearest I shall ever come to writing an autobiography." This guided tour of the erotic netherworld with which Colette was so intimately acquainted begins in the darkness and languor of a fashionable opium den. It continues as a series of unforgettable encounters with men and, especially, women whose lives have been improbably and yet permanently transfigured by the strange power of desire. Lucid and lyrical, The Pure and the Impure stands out as one of modern literature's subtlest reckonings not only with the varieties of sexual experience, but…
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Public City/Public Sex offers a provocative foray into the dance halls, brothels, and even the public urinals of nineteenth-century Paris. By centering sexuality conceptually and geographically, Ross advances the novel argument that public sex constituted public culture in the capital city. Vividly illuminating how urban clandestine and public sexual encounters (between men and women, men and men, and to a lesser extent, women and women) necessitated a new form of civic management, Ross cleverly demonstrates the intricate, intimate ways in which sex was implicated in, and developed alongside, the modern city.
In the 1800s, urban development efforts modernized Paris and encouraged the creation of brothels, boulevards, cafes, dancehalls, and even public urinals. However, complaints also arose regarding an apparent increase in public sexual activity, and the appearance of "individuals of both sexes with depraved morals" in these spaces. Andrew Israel Ross's illuminating study, Public City/Public Sex, chronicles the tension between the embourgeoisement and democratization of urban culture in nineteenth-century Paris and the commercialization and commodification of a public sexual culture, the emergence of new sex districts, as well as the development of gay and lesbian subcultures.
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Taking us inside the artist balls, music halls, and into the hidden bohemian enclaves of Paris, Kerley examines the myriad ways that the sexualized female body was commodified and spectacularized at the turn of the twentieth century. At this time, the nude female body reigned supreme as a subject of fine art as well as on the commercial stages of the bustling metropolis. Nude women were everywhere, even as respectable women were increasingly told to cover up. How to reconcile the contradiction between woman as housewife, woman as a harlot? This is a central question of Kerley’s beautifully written, thoughtful book.
From 1889 to 1914 nude spectacles increased at an astonishing rate as a result of burgeoning artistic experimentation, the commercialization of the female body, and the rise of urban nightlife. In particular, artists' balls and music halls provided creative spaces in which women, artists, impresarios, and the illustrated press could cast the natural body as a source of sexual pleasure, identity, and reform. Emphasizing the role of erotic entertainment as an outlet and agent of modern sensibilities, Uncovering Paris: Scandals and Nude Spectacles in the Belle A0/00poque offers a fresh approach to important topics of the period- Bohemian artists, the…
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Tilburg transports us from the world of art and artistry examined in the texts above to examine how new notions of sex and sexuality impacted the lives of ordinary working women. Through the figure of the idealized working Parisienne, the midinette, and the real-life woman worker she represented, Tilburg demonstrates how contemporaries evoked women’s working bodies as symbols of French taste and craftsmanship while also regarding them as potentially dangerous sexual and political subordinates. A painstakingly researched book, Working Girls brilliantly captures the insidious ways in which woman as cultural symbol covers over the socioeconomic hardships and political limitations real women encountered in everyday life.
As the twentieth century dawned and France entered an era of extraordinary labor activism and industrial competition, an insistently romantic vision of the Parisian garment worker was deployed by politicians, reformers, and artists to manage anxieties about economic and social change. Nostalgia about a certain kind of France was written onto the bodies of the capital's couture workers throughout French pop culture from the 1880s to the 1930s. And the midinettes-as these women were called- were written onto the geography of Paris itself, by way of festivals, monuments, historic preservation, and guide books. The idealized working Parisienne stood in for,…
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
This splendid biography traces the life and times of the Marquise Du Châtelet, born in Paris in December 1706, who became one of the most erudite women of her époque. For fifteen years she was the companion to Voltaire, the best-known of the French philosophes. She mastered calculus and translated Newton’s Principia, in addition to carrying on an active social life and raising several children. She died at the age of 42, following the birth of a daughter conceived with another lover. The author explains her subject’s life course as “from a life of frivolity to a life of the mind.” It’s a great read.
Documents the life of the French Enlightenment-era intellectual, from her aristocratic youth and controversial choice to become the mistress of Voltaire to her mathematical and scientific achievements and work as a translator of Newton.
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
Too many babies were dying at birth (or shortly thereafter) and French authorities had become obsessed with increasing the country’s population. Who would have thought, though, that King Louis XV of France would decide to sponsor and finance (for over 20 years) a remarkable Paris-trained midwife to tour France on behalf of the re-education of peasant midwives? As the King’s envoy, Angélique Marguerite Le Boursier du Coudray (born c. 1715) toured France from 1760 to 1783 carrying out her mission in some 40 cities and large towns.
Her important textbook on obstetrics, first published in 1759 (5 editions by 1785) and her invention of an obstetrical cloth female mannequin (she called it her “machine”) facilitated her revolutionary hands-on method of teaching the craft of delivering babies. Du Coudray was an imposing presence and a remarkable exception amidst the ongoing illiteracy and superstition that plagued peasant women. Nina Gelbart’s biography, the…
This unorthodox biography explores the life of an extraordinary Enlightenment woman who, by sheer force of character, parlayed a skill in midwifery into a national institution. In 1759, in an effort to end infant mortality, Louis XV commissioned Madame Angelique Marguerite Le Boursier du Coudray to travel throughout France teaching the art of childbirth to illiterate peasant women. For the next thirty years, this royal emissary taught in nearly forty cities and reached an estimated ten thousand students. She wrote a textbook and invented a life-sized obstetrical mannequin for her demonstrations. She contributed significantly to France's demographic upswing after 1760.…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
If you have any interest in champagne—and who doesn’t?—this meticulously researched book about the woman who built Veuve Clicquot into the powerhouse luxury brand it still is today is essential reading. It is almost hard to fathom: in 1805, when her husband dies, Barbe-Nicole Clicquot Ponsardin inherits his struggling family champagne house. Plagued with debts and self-doubt, the twenty-seven-year-old widow, or “veuve”, puts her innate entrepreneurial acumen to work. Considering that women at the time had no role besides tending to their families, she defied countless odds of the day, rescued the company, and became a business legend. Swirling around her is the drama of the Napoleonic wars. One anecdote author Mazzeo (an academic and historian) tells grippingly: when Russia closed off their ports to French imports, Mme.
Clicquot identified a way to penetrate the blockade and get 10,550 bottles of her 1811 vintage to the czar’s home city of…
Veuve Clicquot champagne epitomizes glamour and style, with tribute paid everywhere from Lord Byron to Casablanca. But who was this young widow - the 'Veuve' - Clicquot, whose champagne sparkled at the courts of France, Britain, and Russia, and how did she rise to celebrity and fortune? Newly widowed, she assumed the reins of the fledgling wine business she and her husband started, steering it through huge political and financial reversals to succeed as a single woman in a man's world. Visitors flocked to see this cultural icon and taste the vintages she imbued with magic.
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
How does an American biographer write about a French philosopher and public intellectual who published copious memoirs of her own life, from girlhood to old age? The multi-talented Deirdre Bair succeeded in gaining access to the extraordinary Simone de Beauvoir and, supplemented by lengthy interviews over a five-year period and research in Beauvoir’s unpublished papers, produced a biography for the ages. In contrast to the biographies recommended above, the author had almost too much material to sift through, plus the challenge of writing about a living person. This is necessarily a fat book but one that is a “must-read.”
Simone de Beauvoir was one of the most influential figures of the twentieth century, as a philosopher, feminist, novelist and author of the landmark work The Second Sex. Yet as Deirdre Bair shows in this definitive biography, de Beauvoir's remarkable life was dominated at every stage by another intellectual giant - Jean-Paul Sartre. Born into the French Catholic aristocracy, de Beauvoir became "the most notorious woman in France". Her scandalously unconventional relationship with Sartre and her dedication to his theories and his work is one of the most intriguing and contradictory aspects of her life. The two became, in de…
The custom of Masquerade, of dressing as Other, has long fascinated me. In writing Star-Crossed, I set out to investigate how and why one girl might pass as a boy in an era when gender roles were sharply differentiated.I once crossed an ocean working aboard a wooden, three-masted ship – a 20th-century replica of the Bark Endeavour, circumnavigating in 1999. Sleeping in hammocks and working aloft in the rigging, I discovered this life required teamwork, stamina – and a sturdy, practical costume. Trousers, not petticoats! I have worked as a registered nurse and I earned a degree in History; these experiences combine in Star-Crossed.
Who was s/he – a man, a woman masquerading as a man, or a gender fluid person?
The Chevalier d'Eon was a French courtier and diplomat, decorated military officer, writer – and a cross-dressing spy for Louis XV in a clandestine foreign policy organization known as the Secret du Roi. A well-researched account, Kates' political "thriller" is quite unlike any other crossdresser's biography I've read; it kindles a conception of 18th-century gender fluidity that reflects perception, influence, and political power in a European age when clothes indeed, made the man.
Born in 1728, French aristocrat Charles d'Eon de Beaumont had served his country as a diplomat, soldier, and spy for fifteen years when rumors that he was a woman began to circulate in the courts of Europe. D'Eon denied nothing and was finally compelled by Louis XVI to give up male attire and live as a woman, something d'Eon did without complaint for the next three decades. Although celebrated as one of the century's most remarkable women, d'Eon was revealed, after his death in 1810, to have been unambiguously male. Gary Kates's acclaimed biography of d'Eon recreates eighteenth-century European society…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.
The Ebony Tower, comprising a novella, three stories, and a translation of a medieval French tale, echoes themes from John Fowles's internationally celebrated novels as it probes the fitful relations between love and hate, pleasure and pain, fantasy and reality.
