Here are 100 books that The Art of Joy fans have personally recommended if you like
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As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in peopleâs lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
I read this book as a fictional rendition of 'intersectionality' theory, i.e. the idea that Black women's lives are conditioned by different power dynamics operating at once. However, this idea is beautifully interwoven in real-life events and conversations that make the book's characters alive.
I simply loved each one of them and very much enjoyed the plot as a whole. With a simple and direct, but also poetic and captivating language, the author takes you through unforeseen turns in the experience and feelings of these characters, and unexpected connections with one another.
âA must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.â âBooker Prize Judges
Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language.âŚ
As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in peopleâs lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
Though the book is set in a fictional neighborhood at the eastern periphery of Naples (Italy), manyâincluding myselfâhave recognized it as Rione Luzzatti, the place where I spent most of my childhood and puberty, from 1972 to 1982.
This is not the colorful Naples known to tourists, but rather a place where the silent majorities struggle to stay afloat, or even rise up above their pre-established place in the class and gender order, like the two main characters of the story do, each one in her own special way.
I could not help identifying myself with the narrating character LenĂş a and her struggles for keeping together intellectual creativity, friendship, love, and motherhoodâand with her need to never completely let go of her working-class origins.
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From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor butâŚ
As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in peopleâs lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
This is a novel that I have read again over the years, gifted to my loved ones, and recommended to my friends. Set in Kerala (India) between the early 1960s and early 1990s, the book tells the story of the ill-fated love between an upper caste woman and a lower caste man, set against the grain of parallel stories and events involving other members of the two characters' families and village.
What struck me was the profound humanity with which the motivations and worldviews of all characters are depicted and the author's ability to illustrate the chain of suffering that connects them as related to larger social schemesâsuch as post-colonial relations between the British and the Indian branch of the family.
'They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved, and how. And how much.'
This is the story of Rahel and Estha, twins growing up among the banana vats and peppercorns of their blind grandmother's factory, and amid scenes of political turbulence in Kerala. Armed only with the innocence of youth, they fashion a childhood in the shade of the wreck that is their family: their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist, bottom-pincher) and their sworn enemy, Baby Kochamma (ex-nun,âŚ
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: âAre his love songs closer to heaven than dying?â Others wonder how he wrote a song so sad, everyone who heard itâŚ
As a female grown up in a working-class neighborhood in East Naples (Italy), and as an academic researching political ecologies in Italy, Brazil, and the USA, I am especially interested in how sex/gender, class/work, and race/coloniality are intersected in peopleâs lives, and especially in how this shapes their perceptions and experiences of environmental problems. This approach has led me to look for the connections between labor and the environment both within and beyond waged/industrial work and formal trade unions, including the unpaid housework and subsistence production done in working-class, peasant, Black, and Indigenous communities and the social movements that represent them.
The latest work by one of the most inspirational and debated figures in women's politics across the 20th and 21st centuries, this book has given me enormous inspiration by showing what a truly internationalist and grassroots feminist politics looks like and how it is relevant to climate politics today.
I have discovered that the 'wages for housework' campaign, initiated by James and others in 1972, has continued throughout fifty years on the international level, evolving into today's 'care income' demand, which emerged out of the Green New Deal for Europe campaign in 2019. This is where I met James and several other life-long members of the movement and realized that their perspective is one of ecofeminist, antiracist working-class politics.
For over sixty years, Selma James has been organizing from the perspective of unwaged women who, with their biological and caring work, reproduce the whole human raceâwhatever else they do. This work goes on almost unnoticed everywhere, in every culture. It is not prioritized economically, politically, or socially, and women are discriminated against and impoverished for doing it.
This much-anticipated follow-up to her first anthology, Sex, Race, and Class, compiles several decades of Jamesâs work with a focus on more recent writings, including a groundbreaking analysis of two of CLR Jamesâs masterpieces, The Black Jacobins and Beyond a Boundary, andâŚ
Iâve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. Itâs no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether itâs Germany (where I live now), or Sicily â where my motherâs family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.
Sicily is part of my familyâs heritage, and back when they emigrated to America, they left a lot of their language and culture behind or didnât pass it down to the next generation.
Seeking Sicily fills in some of those blanks in my familyâs cultural history. It does what I havenât been able to do, roam around the island meeting many different people and asking about everything from food to religious rituals to life amid the ruins of old palaces and ancient monuments.
Itâs a really intimate book that still gives a great overview of Sicilian life.
Sicily has a timeless allure, and much of what one sees there today has changed little over the centuries. With Sicily's literary greats as a guide, Keahey discerns what lies behind the soul of its inhabitants, touching on history, archaeology, food, art, and politics. He looks to contemporary Sicilians who have never shaken off the influences of their forbearers, who believed in the ancient gods & goddesses; and who have always come under the thumb of outsiders. Most importantly, he will explore the Mediterranean's largest and most mysterious island through the eyes of a visitor - making this book aâŚ
Like many travelers and writers, I was drawn to the Mediterranean Sea because of its vibrant cultures, sun-drenched landscapes, and delicious foods. As a medieval historian, I am attracted to stories of people and cultures in communication with each other across religious and cultural divides. I found the perfect combination in the history of Sicily, which in the Middle Ages had populations of Greek Christians, Latin Christians, Muslims, and Jews living together in both peace and conflict. I study the histories of travel, trade, and exchange in and around Sicily, which allows me to think about big questions of how medieval people related to each other even when they came from different religions or cultures.
The thing that first drew me to medieval Sicily was its history of Muslim habitation.
I am deeply interested in questions of how Muslims, Christians, and Jews interacted with each other during a period of history in which religious identity was one of the most prominent public facts about a person and their community.
Alex Metcalfe is one of the leading scholars studying the Arabic texts that give us insight into the cultures of Muslims in Sicily and southern Italy and their legacies after the Norman conquest of an island that had been in Muslim hands for nearly two centuries. He has written several other works, but this is the one most accessible to a general audience, and the one that covers both Sicily and the southern parts of the mainland that were also strongly impacted by Muslim presence and culture.
This significant new work focuses on the formation and fragmentation of an Arab-Muslim state and its society in Sicily and south Italy between 800 and 1300, which led to the formation of an enduring Muslim--Christian frontier during the age of the Crusades. It examines the long- and short-term impact of Muslim authority in regions that were to fall into the hands of European rulers, and explains how and why Muslim and Norman conquests imported radically different dynamics to the central Mediterranean. On the island of Sicily, a majority Muslim population came to be ruled by Christian kings who adopted andâŚ
Arizona Territory, 1871. Valeria ObregĂłn and her ambitious husband, RaĂşl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,âŚ
I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my fatherâs Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.
Dr. Gaetano Cipolla is the retired head of the Foreign Language Department at St. Johnâs University, New York. He has spent his academic career researching and writing about the Sicilian culture and its people in order to counteract the stereotypical image of Sicilians and Italians as primarily spaghetti eaters and mafia. Dr. Cipolla understands the many dialects of the Sicilian language and, through his writings, has reclaimed the literary greatness of forgotten Sicilian writers by translating their poetry and other works. To overcome the pending extinction of Sicilian, he has written and developed a two-part course that teaches the language. His course is steadily being adopted in a number of universities.
This is revised and expanded edition of Sicilian: Studies on the Sicilian Ethos. It contains 4 new chapters and a new index of names. Eight chapters are devoted to the characteristics of Sicilians, their history, and their culture. The other 8 are devoted to the literature produced by writers and poets of Sicily, including Veneziano, Meli, Martoglio, Pirandello and Camilleri.
Often, historians choose their field or specialty, but sometimes, the field chooses the historian. Being a historian of southern Italy, the land of my ancestors reflects far more than a merely academic interest. As a personal pursuit, it isnât just what I am but who I am. I write the kind of books that I wish had existed when I wrote my first peer-reviewed article in 1984. This has come to include everything from general histories to specialised studies to translations of medieval chronicles. Through the website Best of Sicily, online since 1999, my work has reached a readership of millions over the course of two decades.
The most powerful woman in Europe for at least five years, Margaret of Navarre, was all but ignored until this 512-page biography appeared. Reading a âsecretâ story drawn from original sources in Italy and Spain was part of the bookâs appeal for me.
Born near Pamplona in 1135 to a descendant of El Cid, Margaret wed William I, son of Roger II, first King of Sicily. Following her husbandâs death, she was queen regent for a young son, William II, for five eventful years. Ruling two million in a multicultural realm that encompassed Sicily and almost half of the Italian peninsula, she undertook all kinds of decisions, some with Rogerâs widow and other women.
Sometimes it takes just one strong woman to tame a pack of zealous men. Meet Margaret of Sicily.
For five years during the twelfth century, Margaret of Navarre, Queen of Sicily, was the most powerful woman in Europe and the Mediterranean. Her life and times make for the compelling story of a wife, sister, mother and leader. This landmark work is the first biography of the great-granddaughter of El Cid and friend of Thomas Becket who could govern a nation and inspire millions.
In Margaret's story sisterhood is just the beginning. The Basque princess who rose to confront unimagined adversityâŚ
Very little has been written in English about Sicilian women. Most of the studies written in English about the women of southern Italy are the work of foreigners who discovered our region in adulthood. While some non-Italian colleagues have produced fine work, my books reflect the perspective of a scholar who, being Sicilian, has been familiar with the region and its people all her life. This is seen in my knowledge of the Sicilian language, from which I've translated texts, and even the medieval cuisine mentioned in my books. Viva la Sicilia!
This is a different story about a different kind of woman. And no, it's not about the Mafia; that's only a peripheral theme.
The typical novels written in English about Sicily by women are built around themes like a foreign girl going to Italy to find love. This one breaks that mould into a thousand pieces, dealing with familial history and tradition in the context of Sicilian and American society. It actually held my interest.
Leigh Esposito's complex story eclipses most of what came before.
Arizona Territory, 1871. Valeria ObregĂłn and her ambitious husband, RaĂşl, arrive in the raw frontier town of Tucson hoping to find prosperity. Changing Woman, an Apache spirit who represents the natural order of the world and its cycle of birth, death, and rebirth, welcomes Nest Feather, a twelve-year-old Apache girl,âŚ
I am grateful to my maternal grandparents, immigrants from southern Italy, who instilled in me a love for the Bel Paese that has inspired me all my life. I began to travel to Italy 45 years ago, and after writing for televisionâon the staff of Everybody Loves RaymondâI turned to travel writing. Iâve written 4 books about Italian travel, along with many stories for magazines. I also design and host Golden Weeks in Italy: For Women Only tours, to give female travelers an insiderâs experience of this extraordinary country.
This memoir of a Sicilian year beautifully weaves together Simetiâs personal experience in rural Sicily and Palermo with her extensive knowledge of history, mythology, and culinary traditions. Simetiâs honesty truly prepared me for my first trip to Sicily â giving me a full picture of the islandâs light and dark sides.
This is a year of Sicilian life, its seasons and its sacred festivals, its gorgeous fruits and demanding family life, its casual assassinations and village feasts, its weather and the neighbours. It chronicles a life divided between an apartment in the city of Palermo with the weekends and summer devoted to sustaining life in an old family farm. What makes this journal truly exceptional is that Mary Simeti is both an outsider, (an American who had studied medieval history and worked as a volunteer on a social welfare programme) and an insider. For this journal was written after twenty yearsâŚ